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Tuxtla Mountains
The mountains where the Olmec quarried the stone for their large head monuments before transporting them 50+ miles back to where they lived.
Primary Standard Sequence
A series of glyphs included on every pot that contains information about the piece including a dedication phrase, surface treatment (carved or painted), what type of vessel it is (bowl, cup, pitcher), what is stored in it, and who it was made for
Maya Exceptionalism
The belief by Western historians that the Mayans were more advanced than other Mesoamerican civilizations
Teotihuacan
Ancient Mesoamerican city known for its pyramids, specifically the Temple of the Sun
Tezontle Stone
The material used to construct the Temple of the Sun. It's a porous, highly oxidized, volcanic rock used extensively in construction in Mexico. It is usually reddish in color due to iron oxide.
Chicomosztoc
The mythological "Place of the Seven Caves" central to the origin stories of the Aztec/Mexica and other Nahua peoples. It is a symbolic cave from which ancestral tribes emerged to begin their journey, with each of the seven caves representing a different lineage before their eventual migration to Central Mexico.
Aesthetics
A "science" of beauty. Created by a German man and dictated by Western standards
Cult of the Artist
The belief that the identity of the artist was necessary for the study of the art. The fact that Mayans included signatures on their work and were the only Mesoamerican society to engage with this belief contributed to the idea of Maya Exceptionalism
Paztory's 3 Periods
1. 16th-17th Centuries: Mesoamerican art was looked at with an intrigue of exoticism or scandal and was destroyed
2. 18th-19th Centuries: they were able to step back and try and gain historical insight into the cultures. As a result, a version of Mesoamerican art was invented that rivaled the ruins of Greco-Roman civilization.
3. 20th Century: Avant-garde western art movements caused the art community to reevaluate Mesoamerican art
Tenochtitlan
The island city in the river basin which became the capital of the Aztec Empire and is modern day Mexico City
Dyke
The Aztecs built this in Tenochtitlan to separate brackish water from their agricultural land
Chinampas
Floating platforms of agricultural land in Tenochtitlan
Causeways
Constructed in Tenochtitlan reaching to the North, South, and West so that they wouldn't have to boat back and forth to the city anymore
Aquifer
Constructed to bring clean drinking water to Tenochtitlan
Templo Mayor
A two-templed temple that represents duality in Aztec society: Balance between agriculture and military
Mexica
The people who founded the city of Tenochtitlan and were the dominant group of the Aztec Empire. They are often more commonly called the "Aztecs," a term that can be confusing as it is sometimes used to describe all Nahuatl-speaking groups or the empire as a whole.
Tlaloc
God of rain, fertility; one of the oldest Mesoamerican gods and not specific to the Mexica people
Huitzilopochtli
The guardian deity of the Mexica people who led them to Tenochtitlan and is also the God of war and the sun.
Coyoxuahqui
The sister of Huitzilopochtli who tried to murder his mother to prevent his birth. She was killed, dismembered, and thrown off Coatepec by him. Her body rests at the bottom of the Templo Mayor as a warning to enemies of the Aztec
Coatlicue
The mother of Huitzilopochtli who became miraculously pregnant when a feather fell on her or something. Had one daughter and 400 sons.
Coatepec
The mountain where Coatlicue gave birth to Huitzilopochtli and he killed Coyoxauhqui and threw her off. The site of Huitzilopochtli's origin.
Chimalli
An Aztec decorative shield made for prestigious soldiers or people to fight with
Amantecayotl
The art of featherworking
Repatriation
The return of historical artifacts to their country of origin.
Vertical Archipelago
to describe the native Andean agricultural economic model of accessing and distributing resources across differing elevations
Humbolt/Peru Current
A cold ocean current that flows north along the western coast of South America, bringing nutrient-rich waters from the southern Pacific up toward the equator.
Stone's Reasons for Using Quechua Terms
Respect for the culture you are studying and accuracy by avoiding approximations made by translations.
Entheogens
Psychoactive substances sometimes used in religious or spiritual rituals, commonly called hallucinogenic drugs but were said to increase your grasp on reality
Indicators of Chavin de Huantar Artwork
Pendant eyes, rubber band lips, snarling mouth, & big circular nostrils
Ritual Engagement vs. Viewing
The artworks in Javin de Huantar are meant to be fully experienced, usually as part of a ritual, not passively observed like most art is
Huaca
A sacred place or object
Chavin de Huantar
One of the earliest Andean highland sites we have with extreme religious and archeological significant. Comprised of an old and new temple.
Tinku
The convergence of two to make a third
Camay
Create, manifest, infuse with energy and embody
Camay
To create, manifest, infuse with energy, and embody
Lanzon
Huaca located at Chavin de Huantar, meant to be experienced ritualistically rather than viewed normally
Polygonal Masonry
Form of stonework used by the Inca involving irregularly shaped rocks fit super tightly together so that no mortar is necessary. Extremely sturdy and earthquake resistant.
Nibbling
Technique where you smack a rock against a bigger rock until the big rock has a uniformly textured surface
Korikancha
The most important religious location in Cusco. Gold domestic style temple ashlar Inca
Kancha
The basic unit of Inca architecture. Consists of a rectangular enclosure composed of 3 or more rectangular buildings placed symmetrically around a central courtyard. Includes trapezoidal doors and niches in the walls.
Ashlar Masonry
A form of masonry involving uniform, square, carefully cut stones that fit together perfectly. Mortar
Sacsayhuaman
Secondmost important location in Cusco. Most imporant military site in the Inca empire
"Living Rock" Throne
Reinforced the Incas relationship to their surroundings by intentionally leaving an important cultural object connected to the Earth. Also exemplifies Inca idea that stone could be living, sacred, and animate
Cyclopean Stone
Polygonal masonary really big rock at saqhuawoman
Machu Picchu
Famous Inca archeological site that was thought to be a lost city, but is more likely the royal estate of the Sapa Inca
Panaca
The royal lineage/family group of a Sapa Inca
Pachacuti Inca Yupanqui
the Sapa Inca, or leader, who began the Inca empire in A.D. 1438 and expanded it greatly. Also the one who owned and lived in Machu Picchu
camac
larger invisible force
Huaca
allows for connections between this world and others
Spoliation
The looting of already-worked stone from archeological sites and using them for new buildings.
The Florentine Codex
Written by a Franciscan friar, one of the most important documents for understanding indigenous communities before and during Spanish colonization. Written in both Nahuatl and Spanish.
Nahuatl
The language of the Aztecs
Ayni
two halves make a whole
Localization
The process of taking something and adapting it to your local culture.
Colegio de Santa Cruz
A school set up by the Franciscans to teach the children of the indigenous elite about poetry, Latin, philosophy, art, music, Christian theology, etc.
Lima
City established by the Viceroyalty of Peru using the Traza plan as a result of Cusco being too inconvenient location wise for the capital. Became a coastal hub for communication, trade, and navigation to Spain
Camasca
physical receiver
Peninsulares
Spanish people born in Spain. Held more social power.
Mestizo
Over time the communities shifted and mixed to create a community of mixed-race people
Cuzco School
The school for indigenous artists that emerged in Cuzco. It did not engage in racial politics or concern itself with European standards
Common Traits of art from the Cuzco School
brocateado, flowers, prioritization of decorative elements over the realistic, extremely close foreground, and subject matter of dressed statues on an altar
Brocateado
A gold leaf applied to the canvas in a way that is theoretically meant to look like golden ornament on their clothing, but the artists prioritized the decorative element of the gold rather than incorporating it into the folds and shadows of the fabric.
Tinku
Convergence of two to make a third
Uncu
A traditional men's knee-length tunic worn in the Inca Empire and later
Masapaicha
The royal crown and symbol of power of the Sapa Inca, the emperor of the Inca Empire. Worn by the Sapa Inca, it was a symbol of his ultimate political authority. Includes a red tassel on the forehead that was originally only worn by the Sapa Inca, but eventually everyone in the lineage began to wear it, expanding the meaning from king to nobility.
San Jose Cactus
The specific entheogen used by those as Javin de Huantar