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Introduction
William Shakespeare's tragi-comedy The Merchant of Venice satirises the cultural othering of Jews, specifically the usurer Shylock, in the transactional world of Venice, alongside the sub-plot of the challenging 'young lovers' where Portia and Jessica must overcome their fathers' patriarchal obstacles in order to prioritise their own will and happiness. Shakespeare invites his audience to encounter the complexity of these experiences through the rampant religious hypocrisy, the motif of Portia's marriage lottery as per her father's will embedded in misogyny, and the injustice Shylock endures in the discriminative court.
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Shakespeare’s The Merchant of Venice represents the collective experience of cultural othering, reflecting 16th century England's anti-Semitism which had left virtually no legally practicing Jews in Shakespearean London and their perceptions to be shaped by stereotypes and religious prejudices.
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Shakespeare's drama corporealises a misogynism that treated women as male possessions and objects of exchange.
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Shakespeare’s Merchant of Venice offers an insightful delineation between mercy and justice, mirroring the late 16th century rivalry between the English Common Law Courts and the Courts of Equity.