Module 2 - ch and textbook notes

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Speech perception diagram




Acoustic signal →  

nuero auditory represent tion (nuerogram) → 


Nuero phonological representation 

 (phonological sketch) - figure out what you are hearing  



  • Sound sometimes overlap - bait vs bet 

Lexical item 

  • understand words, morphemes 


<p><br><br></p><table style="min-width: 100px;"><colgroup><col style="min-width: 25px;"><col style="min-width: 25px;"><col style="min-width: 25px;"><col style="min-width: 25px;"></colgroup><tbody><tr><td colspan="1" rowspan="1" style="border-width: 1pt; border-style: solid; border-color: rgb(0, 0, 0); vertical-align: top; padding: 5pt; overflow: hidden; overflow-wrap: break-word;"><p><span style="background-color: transparent;">Acoustic signal →&nbsp;&nbsp;</span></p></td><td colspan="1" rowspan="1" style="border-width: 1pt; border-style: solid; border-color: rgb(0, 0, 0); vertical-align: top; padding: 5pt; overflow: hidden; overflow-wrap: break-word;"><p><span style="background-color: transparent;">nuero auditory represent tion (nuerogram) →&nbsp;</span></p><p></p></td><td colspan="1" rowspan="1" style="border-width: 1pt; border-style: solid; border-color: rgb(0, 0, 0); vertical-align: top; padding: 5pt; overflow: hidden; overflow-wrap: break-word;"><p><span style="background-color: transparent;">Nuero phonological representation&nbsp;</span></p><p><span style="background-color: transparent;">&nbsp;(phonological sketch) - <em>figure out what you are hearing</em>&nbsp;&nbsp;</span></p><p><br></p><ul><li><p><span style="background-color: transparent;">Sound sometimes overlap - bait vs bet&nbsp;</span></p></li></ul></td><td colspan="1" rowspan="1" style="border-width: 1pt; border-style: solid; border-color: rgb(0, 0, 0); vertical-align: top; padding: 5pt; overflow: hidden; overflow-wrap: break-word;"><p><span style="background-color: transparent;">Lexical item&nbsp;</span></p><ul><li><p><span style="background-color: transparent;"><em>understand words, morphemes&nbsp;</em></span></p></li></ul></td></tr></tbody></table><p></p>
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Cocktail party problem

how can you understand people - one word or sound when you are surrounded by noise 

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Signal differences

Sound aplitude (dB) - Speech enverlope - captures, vowels, melodies, a periodic noise



Frequency - time(s) 

  • Can find S concentrated in high frequencies - at the top 

  • Low frequencies - at the bottom 

  • Vocal cords hitting each other osscillatory periodic noise 



Light and dark - maps amplitude - amplitude frequency time

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Signal example/ frequency spectrum

Signal - hearing like vision

  • Every photon gives information 

  • Low frequency words on the bottom 

  • S on the top - higher frequency and fricative 

  • T - gap between the words/shading - voice onset time 

    • T sound - Silence - total closure 

    • 4 times tongue touches top of mouth 



<p><span style="background-color: transparent;">Signal - hearing like vision</span><br></p><ul><li><p><span style="background-color: transparent;">Every photon gives information&nbsp;</span><br></p></li></ul><ul><li><p><span style="background-color: transparent;">Low frequency words on the bottom&nbsp;</span></p></li></ul><ul><li><p><span style="background-color: transparent;"><strong>S on the top</strong> - higher frequency and fricative&nbsp;</span></p></li><li><p><span style="background-color: transparent;"><strong>T </strong>- gap between the words/shading - voice onset time&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">T sound - Silence - total closure&nbsp;</span></p></li><li><p><span style="background-color: transparent;">4 times tongue touches top of mouth&nbsp;</span></p></li></ul></li></ul><p><br></p>
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Cochlea

Hammer - connected to lever → hits another membrane → connected to vacuum sealed lever in membrane 


Cochlea configuration  

  • Sound/frequencies travels through cochlea  

  • Base of cochlea - narrow - tuned for high frequencies 

  • Apex of cochela - wider - lower pitch frequencies


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Frequencies and place in cochlea

High frequency: 8000 Hz

In the front/base: 5mm 

  • High frequencies resonate with top hairs and die off 


 

Low frequency: 250 Hz

In the bottom/back: 25mm 

  • Low frequency activate at bottom/back - end


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Tonotopy - linear gradient we get for free bc auditory cortex

Parts in primary auditory cortex respond to base or apex of cochlea
Get sounds from auditory cortex & lay out in line 

  • High pitch → low pitch 


Linear mapping 

  • Direct 

  • High pitch to low pitch 

  • Connected in a linear way 




Gradient 

  • connected to nerve fibers in cochlea 

  • blanketed into auditory cortex 


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<p>Top down processing Ex: cats are soft and furry </p>

Top down processing Ex: cats are soft and furry

once you have expectation about what you are going to hear  → actually affects what you hear 




Ex: vocoded voice 

  • Once you hear something you can’t unhear it


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phonemes are feature bundles ex

phoneme /k/

  • [+consonantal] (it is a consonant)

  • [-sonorant] (it is an obstruent, not a vowel, glide, or nasal)

  • [-voiced] (vocal cords do not vibrate)

  • [+velar] or [+high, +back] (articulated at the soft palate/velum)

  • [+stop] (airflow is completely blocked momentarily)


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Cats are soft and fury ex - tracking



Study tracking 2 things/streams 

  • Speech envelope 

  • Phonemes 




Speech envelope 

  • Know that its your turn to say something 


Rhythm - low level auditory tracking of speech envelope - can tell you where you are in a conversation 



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Speech envelope

  • Outline of speech 

  • Rythym, prosody 

    • Dont have high level information 



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Cochlear implants

  • More channels = more information and better hearing 

    • More like the performance of a real cochlea 


Ex: 20 channels - speech becomes able to understand 

  • Music -  you still might not be able to know what kind of music it is 


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Nuerogram 

  • Tonotopy - responding to pitch 

    • Shape 


  • Periodotopy - linear spatial arrangement of speech envelope 

    • Right hemisphere tracking speech - you know where you are at a discourse level - of speech


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Phonotopy

not currently agreed on whether there is a phonological mapping of features in the brain - phonotopy 

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Barton et al - textbook part

How is temporal info from speech envelope encoded in auditory cortex? Barton, Brener, et al.(2012)


  • An experiment mapping how different parts of auditory cortex responded to diff frequencies

    Experiment: When mapping how different parts of auditory cortex respond to sounds at different frequencies → tonopic patterns - shared



    Periodic stimuli → diff parts of auditory cortex responds to diff kinds of periodic stimuli → in a gradient

      ↑ new spatial code called periodotopy 




    (Neurons responding to 2Hz stimuli adjacent to those responding to 4Hz next to 8Hz) 

    • Arrangement of this response - nueeonds responding to periodotopy 

    • Changes 90° offset from those responses to frequency changes


<p><span style="background-color: transparent;">How is <strong>temporal info</strong> from <strong>speech envelope</strong> <strong>encoded in auditory cortex?</strong> Barton, Brener, et al.(2012)</span></p><p></p><ul><li><p><span style="background-color: transparent;"><strong>An </strong>experiment mapping how different parts of auditory cortex responded to diff frequencies </span></p><p><span style="background-color: transparent;">Experiment: When mapping how different parts of auditory cortex respond to sounds at different frequencies → tonopic patterns - shared</span></p><p><br></p><p><span style="background-color: transparent;"><strong>Periodic stimuli</strong> → diff parts of auditory cortex responds to diff kinds of periodic stimuli → in a gradient</span></p><p><span style="background-color: transparent;"><u>&nbsp;&nbsp;↑ new spatial code called </u></span><span><u>periodotopy&nbsp;</u></span></p><p><br><br></p><p><span style="background-color: transparent;">(Neurons responding to 2Hz stimuli adjacent to those responding to 4Hz next to 8Hz)&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">Arrangement of this response - nueeonds responding to periodotopy&nbsp;</span></p></li><li><p><span style="background-color: transparent;"><strong>Changes 90° offset from those responses to frequency changes</strong></span></p></li></ul></li></ul><p></p>
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phonemic receptive fields - mesgarani et al (2014)


While patients listened to the continuous natural speech - spoken sentences, researchers recorded real-time, high-resolution neural activity from the electrodes covering the STG—a major high-order auditory processing hub in the brain. [1]



Instead of looking for electrodes that just responded to specific words, they analyzed how individual electrodes responded to the microscopic building blocks of those words: phonemes (distinct units of sound) and their acoustic properties


  • areas of neurons in the auditory cortex that are tuned to select, process, and differentiate distinct speech sounds (phonemes).



Different groups of phonemes (dipthongs + vowels, nasal, plosives) have different activations of neurons - phonemic receptive fields 




  • Was found that electrodes at different sites respond to different phonemes 

    • Nemo Mesogarani- shows that populations of neurons in STG have phonemic receptive fields 

      • 1 electrode may be sensitive to class of stop consonants, not specific phones


<p></p><p>While patients listened to the continuous natural speech - spoken sentences, researchers recorded real-time, high-resolution neural activity from the electrodes covering the STG—a major high-order auditory processing hub in the brain. [1]</p><p></p><p></p><p>Instead of looking for electrodes that just responded to specific <em>words</em>, they analyzed how individual electrodes responded to the microscopic building blocks of those words: <strong>phonemes</strong> (distinct units of sound) and their acoustic properties</p><p></p><ul><li><p><span style="background-color: transparent;"><strong>areas of neurons in the auditory cortex that are tuned to select, process, and differentiate distinct speech sounds (phonemes).</strong></span></p></li></ul><p><br></p><p><span style="background-color: transparent;">Different groups of phonemes (dipthongs + vowels, nasal, plosives) have different activations of neurons - phonemic receptive fields&nbsp;</span></p><p></p><p></p><p></p><ul><li><p><span style="background-color: transparent;"><strong>Was found that electrodes at different sites respond to different phonemes&nbsp;</strong></span></p><ul><li><p><span style="background-color: transparent;"><strong>Nemo Mesogarani-</strong> shows that populations of neurons in STG have phonemic receptive fields<strong>&nbsp;</strong></span></p><ul><li><p><span>1 electrode may be sensitive to class of stop consonants, not specific phones</span><br></p></li></ul></li></ul></li></ul><p></p>
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Analysis by synthesis ex - phonemic receptive fields 

  • Takes info in a neurological way and maps it to cochlea 



Generally goes forward 

  •  take information about sensory event and you build upwards - what do you think is true about phonology of word - can build upwards in this 

Top down thingy 

  • Info filters backwards and can influence what you hear/know 

Breaking something down to understand it 

  • Break it down by building it up 

  • Figure out what words are by figuring out what parts are made of - figure out what parts are made of by figuring out what words are 



<ul><li><p><span style="background-color: transparent;"><strong>Takes info in a neurological way and maps it to cochlea&nbsp;</strong></span></p></li></ul><p><br></p><p><span><strong>Generally goes forward&nbsp;</strong></span></p><ul><li><p><span style="background-color: transparent;">&nbsp;take information about sensory event and you build upwards - what do you think is true about phonology of word - can build upwards in this&nbsp;</span><br></p></li></ul><p><span><strong>Top down thingy&nbsp;</strong></span></p><ul><li><p><span style="background-color: transparent;">Info filters backwards and can influence what you hear/know&nbsp;</span><br></p></li></ul><p><span><strong>Breaking something down to understand it&nbsp;</strong></span></p><ul><li><p><span style="background-color: transparent;">Break it down by building it up&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Figure out what words are by figuring out what parts are made of - figure out what parts are made of by figuring out what words are&nbsp;</span></p></li></ul><p><br></p>
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multi voxel pattern analysis

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How to get from continuous acoustic spectra to categorical representation

  • phone to phoneme


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Continuous acoustic spectra 

  • populations of features that respond to things like classes 


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Chang study


Natural speech - in form of like audio books - see if you can correlate patches to different phonemens 

  • See if they respond selectively to different phonemess

  • Neural populations that respond to individual phonemes 

  • chang study 



Kinds of discrete representations we see in brain and what to look for 





Categorical representation 

Activate different features - abstract features of speech sounds  

  • Manner 

  • Place - in IPA - based on where your articulators - lips - come into contact 

  • Voice - is it voiced or not 

  • Sound 



Dedicated areas that are respondent to and tracking speech sounds that are not really reducable to just physics 

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Ganong effect

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Voice onset time experiment

  1. Take a word thats an actual word and then a word thats not



  • Tuft (T - burst of air)

  • vs duft 

  • What feature do they differ in 

  1. Tongue placement and amount of air 



  1. Voice onset time 


  • d sound - Vocal chords start vibrating immediately

    • Close to 0 - start voicing right away 

  • t sound - air released then start vibrating

    • Gap or puff of air 

    • Timing thing is continuous - can start the voicing whenever you want after a T 




  1. 5ms intervals between t and d 

  • Ask people in study if they heard a t or a d 



Result 

  • People biased if it sounds like a real world vs if it doesn’t 

  • Tuft - duft 

  • Tash - dash 

    • Even if speech sound in beginning not d but t - people will hear d if hearing the word dash 



  • Start with something analog and continuous and map it to different features


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Speech sampling rate ex


Speech sampling rate ex: 

Audio file,  chopped into segments, with each segment reversed.

  • Listen to file and try to decipher what it says 




200 ms 

  • 4 per sample 

  • wrong order 



100 ms 

  • 2 samples per chunk

  • wrong order 




50 ms 

  • Sampling once every chunk 

  • Doesnt matter that much - its reversed 


20 ms 

  • So small that its below speech sampling rate 


0 ms 


The rate at which we sample speech is pretty low 

  • Meaning fewer data points transmitted per second 



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Temporal windows of integration

  • How fast phonemes come in 

  • Speech envelope thing happening 



Short window 



25-40 ms

  • Phonemes

  • Features


Long window 



200-300 ms

  • Syllables

  • Speech envelope

  • Audiovisual

  • integration



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2 windows of integraton + hemispheres




2 windows -  dissociate in hemispheres - different patterns of resolution 



  • Right hemisphere - long window 

  • Left hemisphere  - short window 




<p><br><br></p><p><span style="background-color: transparent;"><strong>2 windows -&nbsp; dissociate in hemispheres - different patterns of resolution&nbsp;</strong></span></p><p><br></p><ul><li><p><span style="background-color: transparent;"><strong>Right hemisphere </strong>- long window&nbsp;</span></p></li><li><p><span style="background-color: transparent;"><strong>Left hemisphere </strong>&nbsp;- short window&nbsp;</span></p></li></ul><p><br></p><p></p>
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2 levels of categorical perception

  • top down


  1. Acoustic auditory encoding - perception

  • perception - continuous clues - what you hear 



  1. Acoustic space carved into categories - cognition

  • cognition - categories 


The big claim: The auditory percept is changed or warped by the category labels.


Whatever you hear changes based on the category you put on it 


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Mismatch negativity

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phonological features

  • A way to organize speech sounds: 

    • Phonological features 


ex: t

  • + coronal

  • - voiced

  • +obs


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underspecification

Featurally Underspecified Lexicon (FUL) uses three values.


Explains why sometimes certain sounds change in their environment, but the change is not symmetric 


  • Sound

  • Manner 

  • Voice 


<p><span style="background-color: transparent;"><u>Featurally Underspecified Lexicon (FUL) uses three values.</u></span></p><p></p><table style="min-width: 25px;"><colgroup><col style="min-width: 25px;"></colgroup><tbody><tr><td colspan="1" rowspan="1" style="border-width: 1pt; border-style: solid; border-color: rgb(0, 0, 0); vertical-align: top; padding: 5pt; overflow: hidden; overflow-wrap: break-word;"><p><span style="background-color: transparent;">Explains why sometimes certain sounds change in their environment, but the change is not symmetric&nbsp;</span></p></td></tr></tbody></table><p></p><ul><li><p><span style="background-color: transparent;"><em>Sound</em></span></p></li><li><p><span style="background-color: transparent;"><em>Manner&nbsp;</em></span></p></li><li><p><span style="background-color: transparent;"><em>Voice&nbsp;</em></span></p></li></ul><p></p>
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<p>In certain environment things get underspecified - t to d </p>

In certain environment things get underspecified - t to d

Walk

Vs 



Walked 

 [wak←t] 




  • T can change to d 





Greet



Vs greeted 



 

 [griea←d] 



  • D can’t change to t


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In certain environment things get underspecified - t to z - plurals

Plurals - only turn into s in certain environment (is it not this environment?) 



Cat → catz



dog → dogz







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The environment the phoneme/word was found in changes it 

knowt flashcard image
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Eulitz & Lahiri (2004)

standard stimuli create a central sound representation that is more abstract than the sum


  • Linking theory 

    • Fill in the feature values as you hear something over & over again 



  • 1st time you hear something - represented the way it is 

  • Hear over & over - brain gets lazy do you get representation thats underspecified 



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<p><span>Underspecfied sounds in language&nbsp;&nbsp; - </span><span style="background-color: transparent;">Eulitz &amp; Lahiri (2004)</span></p>

Underspecfied sounds in language   - Eulitz & Lahiri (2004)





1st time you hear it - deviant 

Deviant - features in acoustic signal


5th time you hear it - standard 



Standard - features in the memory rep. 

  • Only one (one more time) should lead to mismatch 

  • Clash in negativity 



Types of sounds 

  • Coronal  - tip of tongue 

  • Labial - lips rounded

  • Dorsal - back of tongue 



O -standard 

O crossed out - deviant 

  • Matters because of linking theory 


<p><br><br><br></p><p><span style="background-color: transparent;"><strong>1st time you hear it - </strong>deviant&nbsp;</span></p><p><span><strong>Deviant - </strong>features in acoustic signal</span><br><br></p><p><span style="background-color: transparent;"><strong>5th time you hear it - </strong>standard&nbsp;</span></p><p><br></p><p><span><strong>Standard -</strong> features in the memory rep.&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">Only one (one more time) should lead to mismatch&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Clash in negativity&nbsp;</span></p></li></ul><p><br></p><p><span style="background-color: transparent;"><strong>Types of sounds&nbsp;</strong></span></p><ul><li><p><span style="background-color: transparent;"><strong>Coronal&nbsp; </strong>- tip of tongue&nbsp;</span></p></li><li><p><span style="background-color: transparent;"><strong>Labial </strong>- lips rounded</span></p></li><li><p><span style="background-color: transparent;"><strong>Dorsal </strong>- back of tongue&nbsp;</span></p></li></ul><p><br></p><p><span style="background-color: transparent;">O -standard&nbsp;</span></p><p><span style="background-color: transparent;">O crossed out - deviant&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">Matters because of linking theory&nbsp;</span></p></li></ul><p></p>
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Underspecfied sounds in language   - Eulitz & Lahiri (2004) MMN

Non conflict cases - MMN amp/latency does not vary.

  • mismatch negativity



conflict cases - MMN significantly earlier and larger when there is

conflict [o vs ø] compared to non conflict [ø vs o].



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Hestvik & Durvasula (2016)

Did experiment to compare t vs ds

  • Take all information & lay out lineralty → represent linearly in brain responses

  • Phonotopy - is there an abstract phonological layer 

  • Yes - underspecified features are more specivied than phonemes 



<p>Did experiment to compare t vs ds <br></p><ul><li><p><span style="background-color: transparent;">Take all information &amp; lay out lineralty → represent linearly in brain responses</span><br></p></li></ul><ul><li><p><span style="background-color: transparent;">Phonotopy - is there an abstract phonological layer&nbsp;</span></p></li></ul><ul><li><p><span style="background-color: transparent;">Yes - underspecified features are more specivied than phonemes&nbsp;</span></p></li></ul><p><br></p>
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<p>Standard vs deviant compare t and ds - <span style="background-color: transparent;"><strong>Hestvik &amp; Durvasula (2016)</strong></span></p>

Standard vs deviant compare t and ds - Hestvik & Durvasula (2016)

Compare d’s- big difference

Compare t’s - nothing

<p>Compare d’s-  big difference </p><p>Compare t’s - nothing</p>
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Sound is gradient but perception is categorical.


Auditory perception + linguistic theory 

Using EEG we can see 

  • Gradient acoustic encoding.

  • Categorical symbolic representations.

  • Decomposing features of symbolic representations.


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Dual stream model 

2 pathways sound goes down

2 routes we take when doing the phonological processing of words 




Dorsal pathway 

  • Sound to articulation

  • Where things are located in space 

  • Hear something - maps it to part of brain that does motor gestures 

  • Affects people’s perception because you map your system to motor system when you hear it 

  • We use motor system when linking 





Ventral pathway 

  • Sound to meaning

  • Want to know what sound is  

  • Map to meaning so you know what something is when you hear it 



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Temporal windows of integration (again) 

Short window 



25-40 ms

  • Phonemes

  • Features


Long window 



200-300 ms

  • Syllables

  • Speech envelope

  • Audiovisual

  • integration



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IFG - Broca’s area is part of the dorsal steam that maps speech sounds to articulatory representations. 


How does this fit withe what we know about Broca’s aphasia? 

Fits with what we know about Broca’s area because broca’s area is used for production, said to be where language is localized for comprehension so it would make sense that it has to do with articulatory representations and actually articulating parts of language

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Speech waveform/envelope

shows slow changes in loudness following speach intensity envelope 

  • Shows syllabic information 

    • Grey line 


<p> shows slow changes in loudness following speach intensity envelope&nbsp;</p><ul><li><p><span style="background-color: transparent;">Shows syllabic information&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">Grey line&nbsp;</span></p></li></ul></li></ul><p></p>
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<p><span style="background-color: transparent;"><strong>Spectral information </strong>-</span></p>

Spectral information -

fine structure detail that shows phoneme features.

  • rapid change from [f] to [t]

  • Shows more air coming our vs not 


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How is sound represented in auditory cortex? 

Look at:

1. tonotopy - cortical spatial code for sound

  • different parts of auditory cortex respond selectively to different frequencies 

  • In spatial code created in cochela perseved in auditory cortex 

  • Could also say neurons in primary auditory cortex have different frequencies



2. receptive field of neuron - connection between a certain stimulus and the response of a given neuron




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Recognizing speech

(frequency information not always important for understanding) 

  1. Speech envelope - outline of the peaks (loud moments) and troughs (soft moments) in waveform - gives speech patterns of syllables & stress 

 → neurons with similar tuning are adjacent to each other 


  1. Fine structure - rapid sound vibrations making up speech energy at different frequencies

- has narrow bands of energy-distinguish things like vowels

- broad band- sibilants, fricatives

 →  speech comprehension good even when little fine structure & only speech envelope provided



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→ testing fine structure

noise vocoding- speech envelope extracted from an utterance, fine stricture replaced with white noise - speech stull understandable 



Brain needs to represent 

  • spectral signature of speech - frequency info




  • Changes in loudness over time - temporal info

    • tracks it speech envelope in much detail


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entrainment

match between brain activity & perceptual input.

⬇

Locks onto things you focus attention on 

- speech we comprehend only a fraction of what we hear



link found to fluctuation of brain activity & temporal lobe 




Cocktail party effect

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2 ways to navigate chaos of real life acoustic inputs 

1 - hear all of it at early stages (including overlapping acoustic input from multiple sources) 




→ rely on higher level inguistic processing to sort out words to attend to 

2 - Early perceptual processing

being more selective



→ we only hear what acoustic input we consider important 



Data more consistent with #2

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Toscano et al (2010)

Toscano - would think things on one side of threshold would have a cutoff and one thing would have something else 

  • Tells us 

  • VOT - looks like a kind of tonotopy 

  • Linear distribution of a certain kidn of feature 

  • EEG - amplitude of the signal 

  • Getting a linear spread of the feature 

  • Feature not present in tonotopy - all of the pitch information coming out of the cochlea - continuous  

  • Voice onset time - temporal measure between tow events 

  • The amount fo time that happens between he burst and the voicign 





  • Tonotpy does not get this - to get info you have extract it over time 

  • Already this is more abstract than tonotpy - but not phonotoy


<p><span style="background-color: transparent;">Toscano - would think things on one side of threshold would have a cutoff and one thing would have something else&nbsp;</span></p><ul><li><p><span style="background-color: transparent;">Tells us&nbsp;</span></p></li><li><p><span style="background-color: transparent;">VOT - looks like a kind of tonotopy&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Linear distribution of a certain kidn of feature&nbsp;</span></p></li><li><p><span style="background-color: transparent;">EEG - amplitude of the signal&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Getting a linear spread of the feature&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Feature not present in tonotopy - all of the pitch information coming out of the cochlea - continuous&nbsp;&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Voice onset time - temporal measure between tow events&nbsp;</span></p></li><li><p><span style="background-color: transparent;">The amount fo time that happens between he burst and the voicign&nbsp;</span></p></li></ul><p><br><br><br></p><ul><li><p><span style="background-color: transparent;">Tonotpy does not get this - to get info you have extract it over time&nbsp;</span></p></li><li><p><span style="background-color: transparent;">Already this is more abstract than tonotpy - but not phonotoy</span></p></li></ul><p></p>
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Kuhl & Miller (1978)

Categorical perception is task dependent 


meaning that

a person showing categorical perception—perceiving continuous physical changes as distinct categories rather than a smooth gradient—depends on how you test or ask them to process the stimuli


tested categorical perception in chinchillas and found that it was just like humans


If you tell people to sort out sounds into categories they can do it 

  • Chinchillas can also do it 


<p><span style="background-color: transparent;"><strong><u>Categorical perception is</u></strong></span><span><strong><u> task dependent&nbsp;</u></strong></span></p><p></p><p>meaning that </p><p>a person showing categorical perception—pe<u>rceiving continuous physical changes as distinct categories rather than a smooth gradient</u>—depends on <em>how</em> you test or ask them to process the stimuli</p><p></p><p>tested categorical perception in chinchillas and found that it was just like humans </p><p></p><p><span style="background-color: transparent;">If you tell people to sort out sounds into categories they can do it&nbsp;</span></p><ul><li><p><span style="background-color: transparent;"><em>Chinchillas can also do it&nbsp;</em></span></p></li></ul><p></p>
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Eulitz & Lahiri (2004) test

used an auditory "oddball" paradigm + Event-Related Potential (ERP) recordings to measure - Mismatch Negativity (MMN)—to understand how the brain processes standard versus deviant phonological features


  1. The Stimuli: Participants were presented with pairs of spoken vowels (such as [e] and [o]). [1]

  2. The Reversal Technique: The researchers flipped which vowel served as the standard (the repetitive background sound) and which served as the deviant (the rare, unexpected sound) across different blocks. [1]

  3. Brain Tracking: While participants passively listened to the sounds, their automatic, pre-attentive brain activity was monitored using EEG/MEG to track the MMN response—an electrical brain wave triggered when the brain automatically notices a change in an auditory patter


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Eulitz & Lahiri (2004) predictions + results

  • test to see designed to see if the brain relies on fully detailed representations or underspecified representations (where some default linguistic features are omitted from long-term memory)


  • The Prediction: If the mental lexicon tracks every feature symmetrically, reversing the standard and deviant would yield the exact same MMN response. However, if the lexicon is underspecified, the MMN would be asymmetric. [1, 2]


  • The Result: They discovered a clear asymmetry. When the standard vowel lacked a specified feature (like a specific "place of articulation") in the listener's mental lexicon, the incoming deviant sound did not trigger a strong mismatch. When the roles were reversed and the standard was fully specified, the deviant triggered a significantly larger and faster MMN. [1, 2, 3]


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Mismatch Negativity (MMN)

—to understand how the brain processes standard versus deviant phonological features

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Hestvik & Durvasula (2016) tested

underspecification theory,

  • numarked phonemes are stored sparsely in long-term memory without certain features (e.g., /d/ is underspecified for voicing),

  • marked phonemes are fully specified (e.g., /t/ is specified as [spread glottis] or voiceless)


Mismatch Negativity (MMN) auditory event-related potential (ERP) to test if presenting an underspecified phoneme as a rare "deviant" among specified "standards" causes a different brain reaction than the inverse


Phonemic vs. Phonetic Processing: They introduced a new experimental modification to see if changing the paradigm to encourage short-term phonetic acoustic memory traces (rather than abstract phonemic lexical memory traces) would alter this effect.

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Hestvik & Durvasula (2016) results


  • Underspecification Asymmetry: They successfully demonstrated an underspecification-driven asymmetry in the brain's automatic response to contrasts in English. The brain reacted differently depending on the direction of the phoneme change, confirming that some speech sounds are represented more sparsely in long-term memory than others.


  • Context-Dependent Disappearance: Crucially, they found that the asymmetry disappears when the MMN paradigm is modified to force the brain to form acoustic/phonetic memory traces instead of relying on underlying phonemic traces. [1, 2]


  • Neurobiological Proof: This provided direct neurobiological evidence that long-term phonological representations in the mental lexicon are highly abstract and sparsely coded compared to the fully specified phonetic processing of immediate acoustic inputs


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Ding & Simon (2013)

  • participants tisten to speech from audiobook mixed with noise 

    • Moderate levels - participants could understand the speech even though strongly distorted 




Temporal processing in auditory cortex

  • found that we can turn up volung selectively tune in out of diff speech sounds from other acoustic inputs


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Sound is characterized by 2 patterns

  1. spectral pattens- sound energy at different frequencies 

  2. temporal patterns - loudness varying over time


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2 pieces of evidence that speech perception can’t be understood using just continuous info 

  • mainly be speech signals vary greatly & variation handled with ease


Evidence 1 - categorical perception

Categorical perception - phenomenon stating that if you have speech sounds that have been artificially altered & start with 1 syllable, then 

change incrementally to another, listeners don't perciere a smooth change



Ganong effect - If hearing ambiguous sound between [s] vs [ʃ] (sh sound) they'll percive whichever one makes more sense in a word

- more likely to hear [s] for a male voice : “said”

-more likely to hear [ʃ] for a female voice : “shed”


Ganong effect different from McGurk 

  • Shows that continuous acoustic info not enough to explain brain recognition of phonemes & words 




  • Was found that electrodes at different sites respond to different phonemes 

    • Nemo Mesogarani- shows that populations of neurons in STG have phonemic receptive fields 

      • 1 electrode may be sensitive to class of stop consonants, not specific phones



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2 pieces of evidence that speech perception can’t be understood using just continuous info 

  • mainly be speech signals vary greatly & variation handled with ease


Evidence 2 - all or nothing




Evidence 2 : Best evidence that brain responses categorical

  • electrodes that show classic non- linear response associated with categorical perception

  • Specitic electrode responds in an "all or nothing" way when a consonant is voiced

  • one responds in "all or nothing" when consonant unvoiced

  • one responds to stops regardless if voiced or not




  • Even carry responses show categorical, not continuous features 

  • Categories can’t fully be understood as summaries of acoustic differences 


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How does the brain transform a continuous neurogram to a categorical representation of speech sounds?

Input:

  •  neurogram 




Transformation:

- occurs rapidly (100-200 ms after speech starts)

- in superior temporal lobe, in vicinity ot primary auditory cortex



Output: need

- Phoremic features

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Speech reversal thing

Temporal window of integration

  • Brain has sampling rate for speech sounds - takes a "snapshot" of acoustic info at fixed windows, everything during snapshot is in 1 chunk of info → info used to pick out phonemes

           ⬇


Speech reversal - 

  • participants couldn’t understand reversed speech spanning large segments (grains) - 200 - 300 ms 

  • Could hear some - less than 200 ms 

  • 100% accuracy - 30-50 ms 


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McGurk effect

 auditory & visual information combined and don’t match 

  • alters what participants hear


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Top down spech processing 

  • We make predictions about what person will say next 

    • internally synthesize upcoming speech → helps in analysis of speech signal when it comes 


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  • The phonological sketch is refined by


  • a series of feedback loops between acoustic input and linguistic knowledge called analysis by synthesis. 

  • The outcome of these interlocking processes is a representation suitable for identifying words.


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Point of speech perception

  • point depends on listener's task (what they were asked to do) 


1 type of task - finding meaning

  • In speech perception - identify words, phrases, sentences to understand speaker's message

  •  repeat/ shadow something you're just heard



2 - phoneme Monitoring task

- lab setting, push button if you hear certain thing

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Dual stream model

Ventral stream - understanding 

Place: temporal & frontal lohe

Role: transfom from acoustics → phonemes → lexial items → meanins of sentences






Dorsal stream - processing 

Place: temporal → superion regions of frontal lobe

Role: Map acoustic input to representations of articulation


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Turkish vowel study

Researchers tested if there was a “nuetral vowel space” 

  • Particiopants asked to press button when hearing a cerain consonant among sounds 


Evoked brain response - M100 response - auditiory cortex peaks about 100 ms after vowel begins 

  • Researchers reasoned - if there was a spatial code for phonemes - like there are for neurograms - the location of M100 peak would differ systematically for diff Turkish vowels 





Results - 

source locations fall along systematic axes: 

  • Front vowels - inferior - superior plane 

  • Back vowels - anterior to posterior plane 





Results - there is a vowel map in the STG 

  • Distinctive features map to separate axes in space


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Phoneme confusability experiment

  • Adults listened to a series of syllables that begun with different consonstants 

    • Measured similarity in terms of phoneme confusability 

    • Multi VOXEl pattern analysis 

      • Used to understand the nural representations that matter to a particular set of voxels in the brain 






Results 

  • Stimuli lead to distinct patters of activation 

    • Voxels discriminate between these kind of stimuli 

    • Nueral population in these voxels have receptive fields for whatever feature(s) separate the 2 stimulus types 




Superior temporal cortex represents phonological detail in a spatial code (phonemic receptive fields) 

  • Code is not organized in a phonotopic gradient with similar phonoemes activating adjacent nueronal populations


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Mismatch response (MMR)

  • Used to understand whether different stiumuli match or not 

    • If 2 ppl with different sounding voices make the same speech sound - does it activate the same or differnt mental representations in a listener?


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Oddball design 

In odd ball experiment there are

  • Standards - Certain stimuli are presented frequently - 80% of time 

  • Deviants - some stimuli presented rarely - 20% 



MMR - a signal that emerges around 200 ms after hearing a deviant item - relative to hearing the same stimulus when it is prenesnted as a standard 

  • Sensitive to phonemic difference, not just acoustic differences

  • Expected since brain has rapid sensitivity - less than 200 ms for phonemic features 


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Underspecified

- If phonemes include defaults then you don’t need to store every featural detail separately 

  • Mental representation only needs to track when phoneme differs from the default 


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Feauture that is underspecified 

  • CORONAL feature  - captures the articulation of consonants with the tongue tip 

  • Ex [t], [d], [s]



Contrasts with DORSAL feature - [k] 


[ta] is standard 

  • There is no explicite expectation for CORONAL (its the default) 

  • Then [ka] deviant will not show as strong a mismatch (rememebr that the acoustics are different so there will be at least some mismatch) 



IMportant point about MMR 

  • Feature understpefication predicts that MMR is asymmetric

    • [ta] will bne a large mismatc against standard [ka], but [ka] will be a smaller mismatch against a standard [ta] 


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Pullvermuller et all 

  • Participants engaged in speech tasks while fMRI scans 





  1. First task - produce [ta] and [pa] syllables 

  • Observed separate patterns of activation along motor cortex when participants produce a bilabial [pa] syllable (closure of lips) compared to alveolar (tongue tip) [ta] 



  1. Participants listened to those 2 types of sounds 

Results - 

  • activation in auditory cortex and motor cortex 

    • Spatially separated according to articulators 

    • Tongue region activated postivielt for [ta] but not [pa] 

    • Lip redion activated for [pa] but not [ta]




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Evidence that motor cortex activation → successful speech perception 

Mottonen Watkins (2009) 

Thought that 

  • If motor cortex is actively involved in speech perception - discrimination between phonemens that differ in one feature will be harder if activation is inhibited 




  • Inhibt activation of motor cortex using rTMS technique 



Results 

  • When rTMS inhibition targeted lip region patients found it harder to distinguish bilabial [pa] or [ba] segments from alveolar [ta] or [da] segments

  • Specific to lip motor cortex

  • rTMS did not affect ability to discriminate between phonemic pairs not involving lip articlators 



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Brain regions involved in controlling articulation may also play active role when simply listening to speech 



Evidence that 

  • Speech perception may use motor system but doesn’t depend on it 




Classical characterization of brocas area 

Experiment - Rogalsky & Hickok (2011)

  • 5 case studies 

  • Successful speech production doesnt depend on speech comprehension 

  • Al patients sufferend from left hemisphere lesions that impacted speech fluency 

  • All performed wll on speech comprehension tasks 



Critique - brain may compensate for url trauma 


Wada Procedure 

  • Anethetia injected inoto major artery for one brain hemisphere 

  • - puts one side of prain to sleep 

  • Patient not able to produce speech - affected hemisphere on that side is dominant for language 

  • Patient usually can comprehend speech just fine though 




Data indicate - motor systems involved in speech production not necessary for successful comprehension 

  • Motor Systems engaged during speech perception but not necessary for success 



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summary kinda

  • Comprehension relies on different neural systems that those for non speech sound perception - pure word deafness 

  • Systems may include motor/articualatory syrtems - for speech production 

    • Inhibit motor cortex with rTMS 



  • Spcial speech production systems not necessary for comprehension 

    • Wada procediere 

  • Auditory processing tuning to speech sounds is instatintation of general sensor systems that operate over fixed windows of time