ARH301 Test II Review

Review of key images for art test 2

The Battle of Hastings Begins, Bayeux “Tapestry” (embroidery), Norman-Anglo-Saxon, England or France,

linen/wool, c. 1066-1082

Tunic, Peru, Inca, Camelid fiber, cotton, c. 1500

The Unicorn Rests in a Garden, from the Unicorn Tapestries, tapestry series, French/Flemish, wool/silk/metal thread, c. 1495-1505

Shakyamuni Buddha, Saspol Cave 3, Gon-Nila-Phuk Cave Temples, mural painting, c. 15th C

Michelangelo, Separation of Light from Darkness, Sistine Chapel ceiling, Vatican Palace, fresco, 1511-1512 

Tawaraya Satatsu, Waves at Matsushima, painted screen, gold ink, color, Kyoto, late 16th- early 17th C. 

Court ladies preparing newly woven silk, ink/color/gold on silk, Song Dynasty (Emperor Huizong), 12th C.

Duccio di Buoninsegna, Virgin and Child with Saints Dominic and Aurea, tempera/gold/panel, c. 1312-15

Hieronymus Bosch, Garden of Earthly Delights, Triptych, Brussels (?), oil/wood, c. 1505-1515

Albrecht Dürer, Adam and Eve, engraving, 1504, Nuremburg

Katsushika Hokusai, The Great Wave, from Thirty-Six Views of Mount Fuji, polychrome woodblock print/paper, c. 1831

Mary Cassatt, The Letter, color drypoint, aquatint, 1890-91

Giovanni Bellini, St. Francis in Ecstasy, oil/tempera/wood, c. 1470s

Mountain Market, Clear with Rising Mist, Joseon dynasty, Korea, painted scroll, ink on silk, early 1500s

Great Serpent Mound, Adams County, Ohio, c. 1070

Leonardo da Vinci, Mona Lisa, oil/wood, c.1503-1506

Hip Pendant of an iyoba (Queen Mother), Benin City, Nigeria, ivory/iron/copper, c. 1550 

Bichitr, Jahangir Preferring a Sufi Shaykh to Kings, gouache/gold/ink/paper, Mughal, c.1615-18

Twin Figures (Ere Ibeji), Yoruba culture, Nigeria, wood/glass beads/cotton/coconut shell beads/pigments (indigo,

After Hosteen Klah, Whirling Log Ceremony, weaving after a sand-painting design, c. 1925, Diné (Navajo)

Raharuhi Rukupo (master carver) Te-Hau-Ki-Turanga, Maori Meeting House, wood/shell/grass/flax/pigments, New