Baroque Music History for Exam 2 Ultimate Study Guide

The Baroque period spans the years __________ to __________.

1600 to 1750.

In the Baroque period, music was primarily sponsored by __________ courts and wealthy __________.

aristocratic; princes.

The Age of __________ corresponds politically with the Baroque period.

Absolutism.

In Baroque music, the __________ style refers to the dramatic, text-driven compositions by composers like Monteverdi.

Seconda Pratica.

The __________ is a continuous bass line that provides a permanent harmonic foundation in Baroque music.

Basso Continuo.

The doctrine of __________ holds that music has the power to influence the emotions of the listener.

Affections.

In baroque aesthetics, __________ refers to a solo vocal song that is accompanied.

Monody.

Instrumental music in the Baroque era frequently used __________, emphasizing the contrasts in dynamics and instrumental colors.

Idiomatic writing.

The Baroque violin was characterized by __________ strings and a shorter fingerboard compared to modern violins.

gut.

The __________ concerto contrasts a small group of soloists with a full orchestra in Baroque music.

Concerto Grosso.

__________ is a style of music characterized by juxtaposition of different ensembles or soloists and choral forces.

Stile Concertato.

A __________ was a dramatic sacred genre performed during Lent in unstaged presentations without costumes.

Oratorio.

The term __________ refers to Italian court entertainments featuring music, dance, poetry, and lavish scenery.

Masque.

The revolutionary concept of __________ was implemented during the Baroque period to create a new musical language.

Functional tonality.

The form __________ codified by Alessandro Scarlatti in cantatas is structured in ternary A-B-A form.

Da Capo Aria.

Dido's Lament from Purcell's Dido and Aeneas features a repeating __________ in its accompaniment.

Ground bass.

The use of __________ became prominent in orchestral music, characterized by elaborate embellishments and heightened expressiveness.

Ornamentation.

In England during the 17th-century, skepticism led to the emergence of the __________, a native form combining spoken play with music.

Semi-Opera.

The __________ marks a shift in musical tastes as composers began to favor clear tonal structures over modal systems.

Transition to tonality.

The practice of __________ involved tuning instruments in non-standard ways to achieve unique sound qualities in compositions.

Scordatura.

The __________ technique features alternating choral sections with soloists in large-scale sacred music of the Baroque period.

Polychoral.

The work of __________ played a key role in the establishment of modern principles of tonal music theory in the early 18th century.

Jean-Philippe Rameau.

The term __________ is associated with the transition from church modes to two primary scales: Major and Minor during the Baroque.

Harmonic progression shift.