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1st characteristic
Embraces controversy
Transitions from serious to nonsensical
Violent imagery
Vastly different from others.
2nd Characteristic
Referred to as surrealism’s “father”.
Changed the perception of art
Created new relationships with audience
Established conceptual art
3rd characteristic
Ridiculous imagery
Rejected conventional artistic logic
Gibberish at times
Sounds serious when it’s nonsense
Ridiculous possibilities suggested
4th characteristic
A form of mockery
Does not follow traditional norms
Makes normal items art
Has no actual rules
Works convey nonchalant attitude
5th Characteristic
Strings words together
Embraces chance
Embraces spontaneity
Dada was a random word
The randomness mirrors world chaos
1st bio
Tristan Tzara
Born Samuel Rosenstock in 1896.
Helped create Dada in 1916.
Started editing Dada in 1917.
Shifts to surrealism in 1929.
Died in Paris in 1963.
2nd bio
Kurt Schwitters
Schwitters was born in 1887.
He was a pioneering artist.
Created Dada branch called Merz.
Used untraditional elements for art.
He died in 1948.
3rd bio
Richard Huelsenbeck
Born in 1892 in Germany.
Pioneered sound poetry.
Became a clinician in NYC.
Laid groundwork for art therapy.
Died in 1974 in Switzerland.
What is after the bio’s
Poem reading
Close reading 1
The snippet :
“the elevator lugged a king
...
he cut his right arm to the bone
sent it to the pope in rome“
The violence shocks people
Connects to 1st characteristic
Close Reading 2
The snippet:
“nor the bicyclist
nor the man
was ever happy or sad again”
The errors mock grammar rules
Conveys the 4th characteristic
In which order do all the parts appear in.
Intro, characteristics, bio, poem, and close reading
Close Reading 3
The snippet:
“that’s why later
the elevator
had no more dada in its heart”
An elevator has no heart
Is no piece of personification
Meant to have no meaning
Matches 3rd characteristic