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"no good writer ever prepared his symptoms ahead of time and wrote his book about them, but out if a good book which is true to life symboled may arise and be profitably explored if not over emphasized"
Ernest Hemingway
liked to write about soldiers hunters bullfighters - tough at times roma give people whose courage and honesty are set against the brutal ways of modern society and who in this confrontation lose hope and faith
Ernest Hemingway
grade school like grammar
Ernest Hemingway
use if understatement
Ernest Hemingway
plain efficient word choice
Ernest Hemingway
short declarative sentences
Ernest Hemingway
used language accessible to the common reader
Ernest Hemingway
use of repetition in dialogue to help ready remember what has been said
Ernest Hemingway
theory of omission aka "ice burg principle" (by omitting certain parts a story is strengthened) writer must know the omissions and write enough for ready to sense the omitted parts. (when immured parts are senses a greater perception and understanding can be achieved)
Ernest Hemingway
ice burg principle - "i guess the story that tops them all for leave out was a clean well lighted place i left everything out of that one... may be my fav story"
Ernest Hemingway
charges of being anti-semantic racist and sexist (others argue he shows the complexity of human life and needed to tackle sensitive subjects)
Ernest Hemingway
A Clean, Well-Lighted Place
Ernest Hemingway
"i am not tragically colored. there is no great sorrow dammed up in my soul not lurking behind my eyes. i do not mind at all. i do not belong to the sobbing school of negrohood who hold that nature somehow has given then a lowdown dirty deal and whose feelings are all hurt about... no i do not weep at the world - i am too busy sharpening my oyster knife."
Zora Neale Hurston
"it is urgent to realize that minorities do think and think about something other than the race problem. that they are very human and internally according to natural endowment are just like everybody else. so long as this is not conceived there must remain the feeling of insurmountable difference to the average man means something bad. "
Zora Neale Hurston
Eatonville, Florida
first incorporated black municipality in U.S. when she was 1 yrs old
Zora Neale Hurston
raised im environment where she saw african americans in leadership positions in politics education law etc
Zora Neale Hurston
barnard college 1925
frank boaz - father of anthropology
Zora Neale Hurston
after graduating returned to eatonville to collect folklore materials (aided in choice to use rural black southern vernacular as dialogue in stories)
Zora Neale Hurston
one of the key writers of the harlem renaissance
Zora Neale Hurston
one of the shapers of the black literary and cultural movements
Zora Neale Hurston
under attack from many members of black arts movement who criticized her portrayal of african american (charging her with reaffirming racial stereotypes used against african americans
Zora Neale Hurston
charged that there were more to african americans than their race and that her characterizations shower them in their humanity not in the restricted terms of race
Zora Neale Hurston
vernacular and southern dialect of everyday african americans through dialogue with more urbane educated standard english of the narrator
Zora Neale Hurston
concerned with issues of racial and gender identity
Zora Neale Hurston
encourages women to rise above the burdens places upon them by men and realize their true potential as women
Zora Neale Hurston
records the renal growth possible in relationships with supportive black men and the dangers to black women's identify in relationships with oppressive black men
Zora Neale Hurston
Sweat
Zora Neale Hurston
my theory is that literature is sssentisk to society in the way that dreams are essential to our lives. we can't live without dreaming as we can't live without sleep. we are conscious beings for only a limited period of time then we sink back into sleep the unconscious. it is nourishing in ways we can't fully understand.
Joyce Carol Oates
focused on everyday life, familiar territory and recognizable character traits
Joyce Carol Oates
dark violence more often than not bleed through the everyday world of their work
Joyce Carol Oates
attempts to "distort the reality the ready once felt safe with"
Joyce Carol Oates
focuses upon common American obsessions: love, money, evil and reveals them as the root of fear in people
Joyce Carol Oates
tells the tale of "a people paralyzed by their fear of being powerless to change things;" attempts
to "raise the consciousness of ordinary people to the realization of the destruction of their lives,
to 'show us how to get through and transcend pain,' to encourage us to continue the struggle to
put some meaning into human life" (Grant 4-5)
Joyce Carol Oates
strong believer in there being "meaning in human life," but works often have characters who
"demonstrate the problems that go along with a society that is drunk with violence and washed of
all innocence;" shows the harsh realities of our world
Joyce Carol Oates
male characters are often very brutal or very weak; female characters are usually victims
Joyce Carol Oates
~ wants their readers to avoid being lulled into "false ideals
Joyce Carol Oates
frequently asked, "Why is your writing so violent?" which they argues actually means, "why is
your writing so violent for a woman." For Oates, "The question is always insulting. The question
is always ignorant. The question is always sexist."
Joyce Carol Oates
states that their "writing isn't usually explicitly violent, but deals, most of the time, with the
phenomenon of violence and its aftermath."
Joyce Carol Oates
dedicated to Bob Dylan; this arthur
acknowledges that Dylan's song, "It's All Over Now, Baby Blue" was an influence on her
story as was the story of Charles Schmid, "The Pied Piper of Tucson," a serial killer in
Arizona who was the subject of a LIFE magazine article in 1966.
Where Are You Going? Where Have You Been?
Where Are You Going? Where Have You Been?
Joyce Carol Oates
Men can starve from a lack of self-realization as much as they can from a lack
of bread." - native son 1940
Richard White
Ø one of first black writers to protest the racist treatment of blacks in the U.S.
Richard White
child of illiterate sharecropper and a schoolteacher; grandson of slaves
Richard White
Ø 1940, Native Son published, making Wright internationally famous - story of Biggar
Thomas, an attack on systemic racism and classism; considered one of the most
influential novels in American literature
Richard White
Ø In late 1940s, in response to racism they continued to experience in U.S., moved his
family to France to live as a permanent expatriate
Richard White
Criticized many other writers of the Harlem Renaissance, argued that their writing
was "rarely addressed to the Negro himself, to his needs, his sufferings, his
aspirations
Richard White
Known for: "unflinching, realistic, and purposely anti-romantic portraits of the
racial prejudice, oppression, and hypocrisy he experienced and witnessed during
much of their life"
Richard White
tried to fairly and honestly depict the lives of black Americans
Richard White
black characters are unhappy and unsatisfied with their lives, but are powerless to improve the situation
Richard White
Set during time of Great Depression, a time of severe hardship for most of
Americans, set in the South
The Man Who Was Almost a Man
During this period, the Great Migration occurs which entailed hundreds of
thousands. Southerners heading north in search of work and better lives; often they
met with the same poverty they left behind them
The Man Who Was Almost a Man
Set during a time in the South when share cropping kept people tied to the land and
often indebted to the landowner
The Man Who Was Almost a Man
o Set during the 1930s when there was an increase in lynching black Americans;
between 1930-1937, over 100 black men and women were lynched by whites
The Man Who Was Almost a Man
o During this period, whites and blacks had little formal education
The Man Who Was Almost a Man
The Man Who Was Almost a Man
Richard Wright
Men do change, and change comes like a little wind that ruffles the curtains at
dawn, and it comes like the stealthy perfume of wildflowers hidden in the
grass.
John Steinbeck
Novelist, short story writer; essayist, cultural critic, social historian; war correspondent;
Pulitzer & Noble Prize winner
John Steinbeck
Appreciation for environment stems from growing up in Salinas River Valley (100 miles
south of S.F.) and along Pacific coast
John Steinbeck
known for : their deep empathy for the weak, defenseless, working poor, the marginalized,
the lonely
John Steinbeck
known for : deeply concerned with the dignity of human beings.
John Steinbeck
Aware of an essential bond between humans and the environments they inhabit; the two
are inseparable; in his work, the local landscape is inseparable from his treatment of
character
John Steinbeck
Works tend to reflect tension between world of harsh reality and the world of
animal-like freedom
John Steinbeck
Often focuses upon friendship between men.
John Steinbeck
Symbolism a favorite literary technique used to convey theme
John Steinbeck
His women characters are viewed as being drawn as inferior to men; often presented
subordinate, and/or scandalous; they have often been stigmatized by a number of
critics as a misogynist
John Steinbeck
shows "a strong, capable woman kept from personal, social, and
sexual fulfillment by the prevailing conception of a woman's role in a world dominated
by men" (Renner 306)
The Chrysanthemums
"__________ world," observes Charles A. Sweet, Jr., "is a man's world, a world that
frustrates even minor league women's liberationists" (214)
John Steinbeck
The Chrysanthemums
John Steinbeck