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Cantata (Lutheran)
Poetry on a sacred theme or topic, rhymed and metered and set to music; principle music of the Lutheran service
Concerto
composition for solo instrument or group of solo instruments and orchestra, showcasing virtuosity and duality
Consonance
pitch or pitches that are contextually stable
“Creative explosion”
35,000 BCE when cave paintings and flutes began to appear
Form
structure of a composition
Genre
type of musical composition
Gregorian chant
music of Roman Catholic church in the Middle Ages: monophonic, modal, a cappella, nonmetric church music sung in Latin
Grotte Chauvet
Paeolithic cave in France
Homophony
two or more parts with identical or similar rhythm supporting a single melody
Imitative polyphony
two or more independent parts, melodic patterns repeated in all parts
Isorhythm
long repeating rhythmic pattern with varied pitch content
Melismatic organum
many notes against the cantus firmus
Meter
hierarchical organization of pulses in groups of twos and threes
Opera
sung drama; secular form of entertainment in the vernacular
Oratorio
large dramatic composition for orchestra, choir, soloists; non-theatrical and non-liturgical
Parallel organum
note against note, same interval throughout
Pleasure in music
balance of simplicity and complexity
Polyphony
two or more parts
Rhythm
patterns of durations of related events called rhythmic groups
Monteverdi’s second practice
music is subordinate to the words; dissonances express the sentiments of the words
String quartet
composition for two violins, a viola, and a cello
Strophic
song form with a single repeating melody and accompaniment and changing lyrics
Style
characteristic quality of music
Style galant
light-textured, elegant sound of the early Classical
Syllabic
one pitch per syllable
Symphony
extended work for orchestra normally in four movements
Triad
3-element pitch collection that can be spelled in thirds and is a subset of the diatonic collection
Monophony
one single pitch or melody
Motet
choral piece on a sacred, non-liturgical text
Music
Mental construct involving creating or imagining qualitative or quantitative relations between collections of pitches.