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convention
generally accepted way of describing a form or a thing
findspot
where an object is found
prehistoric
before written history
post-in-lintel architecture
2 vertical objects with 1 horizontal object on top (ex. stonehenge)
ziggurat
man-made stepped pyramid used as a temple to connect the world with heaven
cult statue
object that serves as phyical dwelling place for a deity w/in religious tradition
lapis lazuli
precious blue stone uses as pigment
cuniform
writing system of ancient mesopotamia
stele
upright stone/wooden slab commemorating the dead and/or military victories
votive
small gift/offering left in temple to establish a personal relationship with a deity
relief sculpture
3d artwork sculpted figures and designs remained attached to a solid background
apkallu
7 demi-gods in ancient mesopotamian religion — protective
standard inscriptions
lists kings on relief sculptures of Assurnasirpal , repetitive text
lamassu
doorway sculpture of human-headed animal used to protect against evil-spirits
lower egypt
red crown
upper egypt
white crown
osiris, isis, seth, nepthys
osiris - afterlife (wings/green)
isis - mothehood, magic (woman)
seth - chaos (hybrid animal)
nepthys - war (falcon)
ka
life force
ka statue
houses ka after death
mastaba
flat, rectangular tomb
serdab
hollowed out chamber housing ka statue
capital
top of column
nemes headress
important headress worn by pharoh - symbol of kindship
false beard
symbol of kingship
shabiti figure
small, funerary statuette placed in tombs acting as magical servants for deceased in afterlife
wedjat eye
symbol of healing, devine protection
false door
theoretical doorway allowing ka to go back and forth between realworld and underworld
canopic jars
stores organs before embalming, stays in the tomb
Thutmose ii
hatshepsuts husband, when he died, she took over the throne
hatshepsut
1st female pharaoh, in sculptures she’s represents in male body — male body connected to power
Thutmose iii
son of hatshepsut, reestablished masculinity in eqypt, destroyed sculptures of hatshepsut
iconoclasm
deliberate destruction of an icon
damnatio memoriae
to erase the memory of someone
akhanaten
shifted egypt towards monotheism
amarna style
more stylized, less naturalist — tied to akhanaten’s rule
aukh
symbol representing life
papyrus
made from plant, paper material
ashlar masonry
cutting stones into specfici geometric shapes
relieving triangle
triangle wedged inbetween arched stones to take weight off, normally lighter and with designs carved into it
polis
ancient greek city state
metopes/triglyphs
alternating decorative units making up the frieze in doric order/3 lines, with a picture in between
entablature
horizontal structure sitting on top of the structures
pediment
triangle placed on top of entablature
volute
thin, spiral scrolls on captials
slip
water-down paint used to paint vases
kouros
nude, youth, male figure
koro
female version of kouros, but clothed
archaic smile
slight upturned parting of the lips
controposto
stance of figure (one foot in front of the other)
cyryatid
replacement of columns w/ human female figure — erechtheion
nike figure
personification of victory, winged female
foreshortening
representing 3d on a 2d surface
winkelmann
art historian who differentiated between greek, roman, and greco-roman art
realism
non-idealized, demonstrating reality, unembellished
verism
hyper-realistic style of art
voussoir
wedge-shaped bricks in arches
barrell vault
extended arch tunnel
granulation
decorative element on jewlery, small balls of metal
trompe l’oeil
to deceive the eye, realistic imagery to create illusion
still life
inanimate object painting
plimy
guy who wrote natural history (see reading)
atmospheric perspective
background objects blurry, foreground sharp
mimesis
illusionistic depiction of nature
octavian
octavian turned augustus
kleopatra and mark antony
allied, depicted in sculptures often, fought augustus
31 bce
battle of actium
27 bce
octavian becomes augustus
corinthian captial
type of capital with an acanthus plant on it — product of the corinthian order
corbeling
masonry technique where successive courses (layers) of stone, brick, or wood step upward and outward from a vertical wal