Electronic Superhighway: Continental US, Alaska, Hawaii by Nam June Paik (1995)

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Last updated 1:06 AM on 10/7/26
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137 Terms

1
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Where was Nam June Paik born?

Seoul, South Korea

2
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When was Nam June paik born?

1932

3
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Nam June Paik was born at a time when South Korea was controlled by whom?

The Japanese empire

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Nam June Paik was born into what type of family?

AN elite family that highly prized education

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Nam June Paik’s family introduced him to what at a young age?

European music and literature

6
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When did Paik leave Korea?

1952

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Where did Nam June Paik move in 1952?

Japamn

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What did Paik study in Japan?

Aesthetics and music theory

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Where did Paik study?

University of Tokyo

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Where did Nam June Paik go after graduating?

Munich, West Germany

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What nation was Munich in when Paik moved where?

West Germany

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What did Paik become connected with in Munich?

A multi-media avant garde art scene

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The multi media art scene Paik become involved with in Munich encompassed what arts?

Music, performane and conceptual art

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When did Paik begin working on performance and installation?

Late 1950s

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What did Paik begin working on in the late 1950s?

Performance and installation art

16
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The approach Paik used in the late 1950s came from what?

Buddhism and American pop culture

17
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What culture saturated Paik’s youth in Korea Japan?

American POp culture

18
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Whom did paik claim was the first person he learned the full name of?

Shirley Temple

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Why did paik make a comment about his having learned SHirley Temples full name before anyone elses including his family?

TO prove that his youth iN korea and japan was saturated with American pop culture

20
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Who was Shirley Temple?

American child star

21
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What do Paik’s earliest works demonstrate?

His collision of influences

22
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“Hommage a John Cage” is an example of Paik’s work that does what?

Its a performance that mediates on emptiness and silence

23
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When was “Hommage a John cage” made?

1959

24
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What is “Zen for TV?”

A TV set whose output was manipulated or distorted

25
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When was “Zen for TV” made?

1963

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When was Paik photographed?

1959

27
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When did Paik become connected with “Fluxus?”

Early 1960s

28
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What was fluxus?

An international avant-garde movement of experimental artists whose conceptual art focused on breaking down barriers between everyday life and art

29
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Fluxus was practiced by what types of people?

Artists, musicians, and performers

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What type of work characterized FLuxus practice?

Participatory, performative, immersive, and collaborative media

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What members are loosely associated with Fluxus?

George Maciunas, Alison Knowles, Yoko Ono, and Joseph Beuys

32
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When did Paik begin teaching himself electronics?

Late 1950s early 1960s

33
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Whom did Paik collaborate with to help him learn about technically complex artworks?

Abe Shuya

34
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Who was Abe Shuya?

A Japanese engineer that Paik collaborate with

35
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What did Paik take away from his collaboration with Abe SHuya and his learning of electronics?

That technically complex artworks include responsive feedback, pre-recorded and live footage, and various forms of sonic and visual distortion

36
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Where did Paik move in 1964?

New York

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Where did Paik spend most of the rest of his career after 1964?

New York

38
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Is Paik's work easy to characterize?

No

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Paik's work ranged from what to what?

“Scores” to musical notations with unconventional instruments, performances,m sculptures, video pieces, robots, public TV broadcasts and large-scale installations incorporating digital data

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What are “scores?”

Instructions for performances that can be followed by anyone

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Scores are a common __________ strategy

Fluxus Screens and digital data

42
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Paik’s large scale installations often incorporated what?

Screens and Digital Data

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Paik’s musical notations sometimes used ______________ instruments

Unconventional

44
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Paik is considered one of the most influential _______________ artists of the 20th century

New Media

45
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When did Paik pass away?

2006

46
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Where is “Electronic Superhighway” permanently exhibited?

Smithsonian American Art Museum

47
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Where is the SMithsonian Art museum?

Washington DC

48
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Which work from the SMithsonian Art museum is one of Paik’s most monumental constructions?

“Electronic Superhighway”

49
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What committee propose a highway expansion in 1955?

President’s Advisory Committee

50
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The Presidents Advisory Committee proposed what in 1955?

A national Highway program

51
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What is “Electronic Superhighway” consisted of?

More than 300 TV screens with neon tubing/lights

52
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The TV screens in “Electronic Superhighway” are __________ and _________

Stacked and nested

53
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How big is “Electronic Superhighway?”

40×15 feet

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How does “Electronic Superhighway”draw the eye?

Neon tubing and constatnly changing images

55
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In order to see that “Electronic Superhighway” represents a map what is needed?

To step back from the wokr

56
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The __________ of screens in “Electronic Superhighway” represents a map

conglomeration

57
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Are Alaska and Hawaii depicted in “Electronic Superhighway?”

Yes they are off to the side

58
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How is the depiction of ALaska and Hawaii in “Electronic Superhighway” similar to maps?

They are “printed” off to the side like map insets

59
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What is each state border outlined with in “Electronic Superhighway?”

Brightly colored Neon lights

60
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What natural features are depicted in “Electronic Superhighway?”

Mississippi River and the Great Lakes

61
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How are bodies of water depicted in “Electronic Superhighway?”

They are highlighted with neon lights

62
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What appears to hover behind the map?

TV screens of various sizes fit together like puzzle pieces

63
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What is “Electronic Superhighway” supported by?

A substantial armature of wooden framing

64
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Each state’s outline contains how many screens in “Electronic Superhighway?”

1 or more screens

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What do the screens in “Electronic Superhighway” show?

They show clips of film or TV footage related to the state

66
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WHat does the outline of Kansas show?

Clips from “The Wizard of Oz”

67
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When was “The WIzard of Oz” made?

1939

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Who is the main character of “The Wizard of Oz?”

Dorothy Gale

69
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Where does DOrothy Gale live?

On her family’s farm in kansas

70
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Paik was fascinated by the US ___________ system

Highway

71
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What did the US highway system do?

Link Continental US ina web of multi-lane freeways

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Who implemented the US highway system?

President Dwight Eisenhower’s administration

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What legislation implemented the US highway system?

Interstate Highway Act of 1956

74
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When was Eisenhower’s Interstate Highway Act?

1956

75
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What did the interstate system allow for?>

Easier and faster travel across the country

76
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Was the interstate highway act and its highways the first establishment of major highways?

No, earlier projects had established some

77
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Why were the highways made under the Interstate Highway Act of 1956 significant?

They were more intentionally integrated and made with consistent construction principles, numbering, and signage

78
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What innovation was a aggressively marketed in the postwar era as one which promotes family?

The automobile

79
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What did the interstate system promote in coalition with the family automobile?

It encouraged Americans to take to the roads during their leisure time

80
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What did Paik marvel about in relation to the interstate highway system?

How it contributed to processes of American cultural unification in the postwar years

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What processes of American cultural unification in the postwar years did the interstate highway system accomplish?

Connecting people, expanding product distribution networks and facilitating the spread of nationally recognizable chain stores and restaurants

82
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How does “Electronic Superhighway” present the physical network of interstate highways?

As a unifying force

83
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The unifying force of the interstate highway system is depicted in “Electronic Superhighway” alongside what other element of cultural hegemony?

The Television

84
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The interstate highway and television are represented in “Electronic Superhighway” as being elements of AMerican cultural ___________

Hegemony

85
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Paik is sometimes called the father of what?

Video art

86
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Paik was on eof the first people to create what type of artwork?

Viewer-responsive artworks

87
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Paik particularly uses what technology in creating his viewer-responsive works?

Televisual technology

88
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What group exhibition did Paik participate in 1969?

“TV as a Creative Medium”

89
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When was the “TV as a Creative MEdium” exhibition?

1969

90
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Where was the “TV as a Creative Medium” Exhibition?

New York

91
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What did Paik exhibit in the “TV as a Creative Medium” group exhibit?

A TV programmed to respond to the sounds visitors made into a microphone

92
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Attempts to “humanize" the technology” with participator elements were ultimately what according to Stephanie Harrington?

Off-putting and lacking a unifying idea

93
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Stephanie Harrington is a critic from what magazine?

“Village Voice”

94
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Who described attempts to humanize TV technology as “off-putting” and lacking a “unifying idea?”

Stephanie Harrington

95
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What drove questions about machine learning, feedback, and other networked systems for Paik?

The theory of cybernetics

96
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What popularized the theory of cybernetics?

An influential 1948 book by Norbert WIener

97
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Who was Norbert WIener?

A computer scientist who wrote an influential book about cybernetics

98
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The theory of cybernetics drove what for Paik?

Questions about machine learning, feedback, and other networked systems

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What conceptual artists adopted Wiener’s theories of cybernetics?

Dan Graham, Hans Haacke, and Nam June Paik

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What types of artists are noted for adopting Norbert Wiener’s theories?

Conceptual artists