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Prehistoric Art
The Key Characteristic of this Historical Era are the following:
Ritualistic hunter-gatherer art
Animal representations for hunting magic
Fertility figurines
Megalithic stone alignments
Ancient Egyptian
The Key Characteristic of this Historical Era are the following:
Hieratic Scale (size equals social status)
Rigid frontal posture
Formalized canon of proportions
Funerary art created for the afterlife/immortality
Ancient Greek
The Key Characteristic of this Historical Era are the following:
Pursuit of ideal human beauty
Pursuit of ideal athletic proportion
Pursuit of ideal harmony
Pursuit of ideal balance
Pursuit of ideal humanism
Developed classical column orders of Doric, Ionic, and Corinthian
Ancient Roman
The Key Characteristic of this Historical Era are the following:
Utilitarianism
Grand scale
Engineering mastery
Invention of conrete (pozzolana)
True arches
Barrel/groin vaults
Massive domes
Added Tuscan and Composite column orders
Medieval Period
This Era/Style has the following Core Stylistic & Structural Characteristics:
Byzantine
Romanesque
Gothic
Renaissance (1400-1600)
This Era/Style has the following Core Stylistic & Structural Characteristics:
Rebirth of classical antiquity
Humanism
Revival of linear perspective
Anatomical study
Proportion balance
Techniques of sfumato and chiaroscuro
Baroque (1600-1750)
It is derived from the Portuguese word “barroco,” which means irregular pearl.
Baroque (1600-1750)
This Era/Style has the following Core Stylistic & Structural Characteristics:
Dynamic motion
Intense emotion
Theatrical lighting
Tenebrism
Rich ornamentation
Grand scale connecting exterior architecture to interior domes
Rococo
This Era/Style has the following Core Stylistic & Structural Characteristics:
Lighthearted
Delicate
Pastel color palette
Asymmetric shell motifs (rocaille)
Whimsical themes of aristocratic romance and leisure
19th Century Movements
This Era/Style has the following Core Stylistic & Structural Characteristics:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Modern & Contemporary
This Era/Style has the following Core Stylistic & Structural Characteristics:
Rejection of traditional representation
Abstraction
Functionalism
Non-ornamental steel, glass, and reinforced concrete architecture
International Style & Cubism
Doric
________ falls under Ancient Greek, which refers to simple, sturdy, unadorned cushion capital, no base
Ionic
________ falls under Ancient Greek, which refers to slender, scroll-like volute capitals
Corinthians
________ falls under Ancient Greek, which refers to highly ornate acanthus leaf capitals
Tuscan
________ falls under Ancient Roman, which is a simplified form of the Doric, and the Composite order, which is a combination of the Ionic and Corinthian orders.
Composite
________ falls under Ancient Roman, which was not ranked as a separate order until the Renaissance having its capital composing of Ionic volutes and Corinthian acanthus-leaf decoration.
Byzantine
_________ falls under the Medieval Period, which refers to the Christian iconology, flat stylized figures, gold background, and elaborate mosaics.
Romanesque
_________ falls under the Medieval Period, referring to the heavy masonry walls, round arches, thick piers, dark interiors, and barrel vaults.
Gothic
_________ falls under the Medieval Period, referring to light, soaring height, pointed arches, ribbed vaults, flying buttresses, and stained glass windows.
Sfumato
_________ falls under Renaissance (1400-1600), Italian Renaissance painting technique that creates soft, smooth transitions between colors and tones without harsh lines or borders.
Chiaroscuro
_________ falls under Renaissance (1400-1600), referring to an an art technique that uses strong contrasts between light and dark to give flat shapes a sense of volume, depth, and three-dimensional form
Tenebrism
_________ falls under Baroque (1600-1750), which uses extreme light-and-dark contrasts to make subjects look like they are standing under a spotlight
Neoclassicism
_________ falls under 19th Century Movements, focusing on order, heroism, moral virtue, and crisp line.
Romanticism
_________ falls under 19th Century Movements, focusing on passion, emotion, sublime nature, and imagination.
Realism
_________ falls under 19th Century Movements, focusing on the depiction of everyday working-class life.
Impressionism
_________ falls under 19th Century Movements, focusing on the capturing of fleeting light, visible brushwork, and plein-air painting.
Post-Impressionism
_________ falls under 19th Century Movements, focusing on structure, expression, and symbolic color.
Prehistoric Art
The following are the Representative Works and Masterpieces of this Historical Era:
Lascaux & Altamira Cave Paintings
Venus of Willendeorf
Stonehenge megaliths
Ancient Egyptian
The following are the Representative Works and Masterpieces of this Historical Era:
Great Pyramids of Giza
Sphinx
Bust of Nefertiti
Tomb of Tutankhamun
Ancient Greek
The following are the Representative Works and Masterpieces of this Historical Era:
Parthenon (architects Iktinos & Kallicrates; sculptor Phidias)
Discobolus (Myron)
Spear Bearer (Polykleitos)
Venus de Milo
Ancient Roman
The following are the Representative Works and Masterpieces of this Historical Era:
Colosseum
Pantheon (Rome)
Aqueducts (Pont du Gard)
Trajan’s Column
Arch of Constantine
Medieval Period
The following are the Representative Works and Masterpieces of this Era/Style:
Hagia Sophia (Constantinople)
St. Mark’s Basilica (Venice)
Chartres Cathedral, Notre-Dame de Paris, Abbey Church of Saint-Denis
Renaissance (1400-1600)
The following are the Representative Works and Masterpieces of this Era/Style:
Filippo Brunelleschi (Florence Cathedral Dome)
Leonardo da Vinci (Mona Lisa, The Last Supper)
Michelangelo (David, Sistine Chapel Ceiling)
Raphael (School of Athens)
Rococo
The following are the Representative Works and Masterpieces of this Era/Style:
Jean-Antoine Watteau
Jean-Honoré Fragonard (The Swing)
François Boucher
19th Century Movements
The following are the Representative Works and Masterpieces of this Era/Style:
Jacques-Louis David, J.A.D. Ingres
Eugène Delacroix, Francisco Goya, J.M.W. Turner
Gustave Courbet, Jean-François Millet
Claude Monet, Auguste Renoir, Edgard Degas
Vincent van Gogh, Paul Cézanne, Paul Gauguin
Modern & Contemporary
The following are the Representative Works and Masterpieces of this Era/Style:
Pablo Picasso (Cubism: Guernica)
Wassily Kandinsky
Le Corbusier (Villa Savoye)
Mies van der Rohe
Frank Lloyd Wright
Baroque (1600-1750)
The following are the Representative Works and Masterpieces of this Era/Style:
Gian Lorenzo Bernini (Ecstasy of St. Teresa, St. Peter’s Square Colonnade)
Caravaggio (Calling of St. Matthew)
Rembrandt
Peter Paul Rubens
Francesco Borromini (San Carlo)