Worksheets Roles in Video Production

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/146

flashcard set

Earn XP

Description and Tags

Flashcards covering key vocabulary and concepts from the lecture on video production roles and terms.

Last updated 8:33 PM on 1/15/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai
Chat

No analytics yet

Send a link to your students to track their progress

147 Terms

1
New cards

Director

Person in charge of preproduction details, working out camera and talent positions.

2
New cards

Script

Written 'blueprint' of what everyone will do, say, etc.

3
New cards

Producer

Person who's generally in charge of the entire production.

4
New cards

Technical Director

Person who operates the video switcher.

5
New cards

Talent

On-camera host, guest, etc.

6
New cards

Continuity Secretary

Person who makes notes on details of scene, talent accessories, etc.

7
New cards

Preproduction

The most important production phase.

8
New cards

Table read

Where talent first sits down together to go through a script.

9
New cards

Strike

Term for removing or disassembling sets.

10
New cards

Editor

Person who blends together footage, music and effects for final product.

11
New cards

Floor manager

Person who's responsible for coordinating activities in the studio or on the set.

12
New cards

Program proposal

Initial written summary of non-dramatic production.

13
New cards

Writing

Primary skill associated with most top production jobs.

14
New cards

Treatment

Written summary of story in dramatic production.

15
New cards

Target audience

Term for viewers you are 'aiming at'.

16
New cards

Farenheit 451

Book about censorship that has been censored.

17
New cards

Watchdog

One of the responsibilities of a free media is to be the ___ of the democratic process.

18
New cards

Demographics

Basic audience characteristics.

19
New cards

Staging

Positing of sets, cameras, actors, etc.

20
New cards

Off-line editing

Editing using a copy of original footage.

21
New cards

Ratings

Percentage of households watching a program from total number of TV households in an area.

22
New cards

CPM

Advertising cost per thousand people.

23
New cards

Period Piece

Dramatic production that takes place in a specific historic era.

24
New cards

Casting

Process of selecting key talent.

25
New cards

Institutional TV

Includes corporate and educational video production.

26
New cards

Share

Percentage of households watching a program from total number of sets turned on.

27
New cards

Time-code

Numbers that designate precise point in video footage.

28
New cards

Flashback

Momentarily cutting back to an earlier time.

29
New cards

B-roll

Video footage that supports the primary footage.

30
New cards

Parallel Stories

Two or more stories running concurrently.

31
New cards

Zoom

An optical version of a dolly.

32
New cards

Subjective

A shot from the actor's perspective.

33
New cards

Lap Dissolve

When two video sources in a transition momentarily overlap.

34
New cards

Truck

A lateral camera move.

35
New cards

Dolly

Moving the entire camera forward or backward in relation to the subject.

36
New cards

Canted

A Dutch angle is also referred to as a ___.

37
New cards

Below the line

Expense elements related to the physical elements (sets, props, production equipment, etc.).

38
New cards

Cost per viewer

Dividing the monetary investment for doing a production by size of the audience.

39
New cards

Depreciate

Writing off the cost of equipment over time.

40
New cards

PSA

Commercial-like announcement, generally for a non-profit cause or organization.

41
New cards

NTSC

Designation of U.S. broadcast system.

42
New cards

CCD

Camera 'chip' that records image.

43
New cards

Progressive

Non-interlaced scanning is also called ___ scanning.

44
New cards

Analog

Electronic signals originating in a camera or mic.

45
New cards

Noise

Hissing sound in audio or subtle snow in video.

46
New cards

Interlaced

Describes the odd-even approach to video scanning.

47
New cards

Frame

Two fields equal one __.

48
New cards

Amplitude

Strength of an audio or video signal.

49
New cards

16:9

Width-height of HDTV image.

50
New cards

FCC

Primary governing body for U.S. television.

51
New cards

Aspect Ratio

Width-height proportion of video picture.

52
New cards

PAL

System of TV developed in Germany and used in Britain and most of Western Europe.

53
New cards

4:3

Width-height ratio of SDTV.

54
New cards

Rushes

First versions of filmed scenes for initial review.

55
New cards

Letterbox

Aspect ratio conversion method that results in black or unused areas at the top and bottom of the screen.

56
New cards

Digital Cinema

Another name for e-cinematography.

57
New cards

Shoot and Protect

Approach to shooting HDTV video that takes into consideration the smaller SDTV aspect ratio.

58
New cards

Multi-path reception

Results in ghost images in analog TV.

59
New cards

Pirating

Copying and selling illegal copies of videos.

60
New cards

Focal Length

Distance between optical center of lens and target.

61
New cards

Wide-angle

Lens that has a great angle of acceptance.

62
New cards

Zoom ratio

Focal length range of variable focal length lens.

63
New cards

Telephoto

Lens that has a narrow angle of acceptance.

64
New cards

Zoom

Variable focal length lens is called a ___.

65
New cards

Prime

A high quality, fixed focal length lens used in HDTV and film.

66
New cards

Lens Speed

The maximum amount of light that the lens can transmit.

67
New cards

Depth of Field

The area along the lens axis that's acceptably sharp.

68
New cards

Selective focus

Term for the process of using limited depth of field to intentionally throw areas of the picture out of focus.

69
New cards

Macro setting

Enables the lens to attain sharp focus on an object only a few inches or even a few millimeters from the front of the lens.

70
New cards

F-stops

The numerical points on a lens relating to the amount of light the lens transmits.

71
New cards

Reduces

Moving an iris setting from f:8 to f:16 does this to the amount of light going through the lens.

72
New cards

Rack Focus

Change focus to shift viewer attention from one part of the scene to another.

73
New cards

Increases

Moving an iris setting from f:11 to f:8 does this to the amount of light going through the lens.

74
New cards

Neutral Density (ND) filter

Filter used to control the amount of light passing through a lens.

75
New cards

Gel

A type of filter that's much cheaper than a glass filter.

76
New cards

Ultraviolet filter

Used primarily to protect the camera lens from adverse conditions encountered in ENG work.

77
New cards

Lens Hood

Used to protect a camera image from offending glare or loss of contrast.

78
New cards

C-mount

Finely threaded cylinder about 25 mm in diameter that attaches lens to some types of cameras.

79
New cards

Shot box

Electronically 'floats' an active picture frame within a slightly larger target area.

80
New cards

Digital Image Stabilization

Protects camera from inclement weather conditions.

81
New cards

Rain Jacket

Protects camera image from offending glare or loss of contrast.

82
New cards

Optical Image Stabilizer

Originally based on a gyroscopically controlled mechanism that resists short, fast movements.

83
New cards

Underexposure

Insufficient light on the camera target is caused by this.

84
New cards

Vectorscope

Measures color (chroma) information.

85
New cards

Waveform monitor

Graphically displays and measures the brightness or luminance level of video.

86
New cards

Compressed blacks

Video that's dark, without any detail in the shadow areas evidences this.

87
New cards

Video Noise

Snow-like pattern in picture.

88
New cards

A compressed grey scale

Exceeding the brightness range of the video system typically results in this.

89
New cards

Magenta, cyan and yellow

Secondary colors in color TV.

90
New cards

Saturation

The purity of a color.

91
New cards

Blanking Signal

Sometimes called pedestal or setup.

92
New cards

Sync Generator

Supplies a common timing pulse for all equipment that must work in unity within a production facility.

93
New cards

Red, green, blue

Primary colors in color TV.

94
New cards

Night Vision Module

Amplifies light going through a lens.

95
New cards

Test Pattern

Shows lines of resolution; used to align video cameras.

96
New cards

Lux

Primary unit of light intensity used in the U.S.

97
New cards

Fluid Head

Most-used type of camera mount, especially for news and documentary work.

98
New cards

Foot-candle

Unit of light intensity typically measured.

99
New cards

Subjective camera shot

Simulates what a moving subject is seeing.

100
New cards

Pedestal

Another name for a studio camera mount.