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Archetypes
common patterns that create certain expectations for how situations will progress and be resolved
Complexity
the competing, conflicting, or inconsistent elements within a text that develop significance in style and content, which a reader engages with in order to develop a defensible thesis
claim
a statement that requires defense with evidence from the text
thesis statement
expresses an interpretation of a literary text that requires a defense through the use of textual evidence and a line of reasoning, both of which are explained in an essay through expressive commentary; it can be “closed” and list points of interpretation, literary elements to be analyzed, or specific evidence to be used; or, it can be “open” and not include such lists
perspective
how narrators, characters, or speakers understand their circumstances; it is informed by background, personality traits, biases, and relationships; a character's perspective is both shaped and revealed by relationships with other characters, the environment, the events of the plot, and the ideas expressed in the text; a character's perspective may shift over the course of the narrative; NOT to be confused with point of view
theme
the central message—or "meaning of the work as a whole"—developed through a work of literature
transitional elements
words or other elements (phrases, clauses, sentences, or paragraphs) that assist in creating coherence between sentences and paragraphs by showing relationships between ideas and structural components
Diction
word choice, focus on connotative meaning
Connotation
implications of a word/phrase as opposed to exact meaning
Denotation
literal, dictionary definition of a word
euphemism
using indirection to avoid offensive bluntness
pun
the humorous use of a word so as to emphasize or suggest its different meanings; a play on words
jargon
special language of a profession or group
alliteration
repetition of the same consonant sounds at the beginning of two or more words within a line of poetry or prose
assonance
repetition of the same vowel sounds within a line of poetry or prose
consonance
repetition of a consonant sound, especially at the end of a word, in a passage of prose or verse
allusion
a reference in a work of literature to something outside the work, especially to a well-known historical or literary event, person, or work; allusions can also reference to mythology, art, and culture
hyperbole
exaggerating an aspect of an object to focus attention on the trait and convey perspective about the object
understatement
minimizing an aspect of an object to focus attention on the trait and convey perspective about the object
imagery
vivid appeals to one or more of the five senses (sight, sound, touch, taste, or smell)
irony
a technique of indicating, through character or plot development, an intention or attitude opposite to that which is actually or ostensibly stated
dramatic irony
depends upon the audience knowing something the protagonist has not yet realized (and thus experiencing simultaneously its own interpretation of events and that of the protagonist)
situational irony
when events in the text are inconsistent with the expectations the reader brings to the text or the expectations established by the text itself
verbal irony
when statements in the text are inconsistent with the expectations the reader brings to the text or the expectations established by the text itself; stating the opposite of what is meant
contrast
the result of shifts, juxtapositions, and/or both
metaphor
a comparison expressed without the use of a comparative term “like” or “as”
simile
comparing two objects or concepts, usually with “like” or “as"; includes a main subject (the thing being compared) and a comparison subject (the thing to which it is being compared)
oxymoron
two contradictory terms side by side
paradox
a contradictory statement that is true
parody
imitates the style of another work for comic effect
satire
writing that exposes folly or vice; the purpose is always reform
personification
endowing the nonhuman with human characteristic
shifts
may be signaled by a word, structural convention, or punctuation
stereotype
a simplified and standardized conception or image of a group of people
structural convention
fundamental elements of organizing text, such as stanza breaks, paragraph breaks, etc
structure
affects readers' reactions and expectations by presenting the relationships among the ideas of the text via their relative positions and their placement within the text as a whole
symbol
something that is simultaneously itself and also a sign of something else
motif
a unified pattern of recurring objects or images used to emphasize a significant idea in large parts of or throughout an entire text
syntax
the structure of a sentence; the arrangement of words in a sentence
anaphora
repetition of a word or words at the beginning of two or more successive verses, clauses, or phrases
antithesis
the placing of a sentence or one of its parts against another to which it is opposed to form a balanced contrast of ideas
loose sentence
a sentence in which the main clause is first, followed by dependent clauses and/or modifying phrases
parallel structure
a similar grammatical structure within a sentence or paragraph
periodic sentence
a sentence in which the main clause comes at the end of the sentence
rhetorical question
a question asked for effect, not in expectation of a reply
tempo
the speed at which textual events occur
tone
the attitude or feeling towards a subject by a speaker, narrator, or author
unresolved ending
a lack of resolution that contributes to multiple interpretations of the text
modify
to restrict or limit in meaning (modifiers = adjectives and adverbs)
adjective
a descriptive word that qualifies or modifies the noun it describes and affects the reader's interaction with the tex
adverb
a descriptive word that qualifies or modifies the verb it describes and affects the reader's interaction with the text, often ending in -ly
antecedent
that which goes before, especially the word, phrase, or clause to which a pronoun refers
referent
effects interpretation when it is ambiguous and refers to more than one antecedent
clause
group of words with subject and verb; may be dependent (not a sentence) or independent (a sentence)
phrase
two or more words arranged and acting as a unit in a sentence
imperative
mood of a verb that gives an order
closed forms of poetry
include predictable patterns in the structure of lines, stanzas, meter, and rhyme that develop relationships among ideas in the poem
sonnent
a fourteen-line poem, written in iambic pentameter
open forms of poetry
may not follow expected or predictable patterns in the structure of their lines or stanzas, but they may still have structures that develop relationships between ideas in the poem
meter
the basic rhythmic structure of verse; the regular pattern of stressed and unstressed syllables in a line of poetry
speaker
in poetry, relates accounts to readers and establishes a relationship between the text and the reader
stanza
usually a repeated grouping of 2+ lines within a poem that has the same meter and rhyme scheme
end-stopped
a pause at the end of a line of poetry (period, comma, colon, semicolon)
apostrophe
direct address to someone or something not present
extended metaphor
created when the comparison of a main subject and comparison subject persist through parts of an entire text; when the comparison is expanded through additional details, similes, and images
conceit
a form of extended metaphor that develops complex comparisons—images, concepts, and associations in surprising or paradoxical ways
onomatopoeia
words whose sound suggests their meaning
rhyme
repetition of concluding sounds in different words
internal rhyme
rhyme within a line rather than at end of line
dramatic situation(narrative)
includes the setting and action of the plot and how the narrative develops to place characters in conflict(s), and often involves the rising or falling fortunes of a main character or set of characters
setting
the time and place of a play, story, or novel
exposition
sometimes included in the plot; focuses the reader's attention on the parts of the narrative that matter most to its development, including characters, their relationships, their roles within the narrative, and their relationships with the setting
episodes
encounters and scenes in a narrative that introduce and develop plot and character
pacing
the manipulation of time within a text that may evoke an emotional reaction in readers by the order in which information is revealed; the relationship between the information, when it is revealed, and other parts of the narrative; several factors contribute, including the frequency of details, repetition, the frequency of events, shifts in tense, or the chronology of events
flashback
a narrative structure that returns to prior events in the narrative (interrupting the chronology of the plot)—can directly affect readers' experiences with the text by creating anticipation, suspense, or building tension
in media res
a narrative structure in which a narrative begins in the middle of the story and then returns to the beginning (interrupting the chronology of the plot)—can directly affect readers' experiences with the text by creating anticipation, or suspense, or building tension
foreshadowing
a narrative structure that provides hints about what will happen later in the story (interrupting the chronology of the plot)—can directly affect readers' experiences with the text by creating anticipation, or suspense, or building tension
stream-of-consciousness
a narrative structure that duplicates that inner workings of a character’s mind (interrupting the chronology of the plot)—can directly affect readers' experiences with the text by creating anticipation, or suspense, or building tension
suspense
when events in a plot collide and accumulate to create a sense of anticipation
epiphany
a character’s sudden realization that affects the plot when a character acts upon his/her new insight
resolution
the final stage in the plot when, after the climax, conflicts are worked out and action comes to an end
narrator
in prose, the narrator relates accounts to readers and establishes a relationship between the text and the reader
unreliable narrator
a narrator whose biases require consideration in relation to the factuality and significance of events relayed
point of view
vantage point from which a story is told (3rd person omniscient, 3rd person limited, 1st person, or multiple voices); NOT to be confused with perspective
point of view(omniscient)
the narrator can know, see, and report whatever he/she chooses; the narrator can describe the thoughts of any of the characters, can skip about in time or place, & can speak directly to the reader; creates narrative distance
conflict(external)
often arises among characters because of tensions generated from different value systems
conflict(internal)
psychological struggle within the mind of a character, the resolution of which creates the plot's suspense
protagonist
the main character in a narrative that changes from the beginning to the end of the story as a result of the obstacles encountered
antagonist
opposes the protagonist and may be another character, the internal conflicts of the protagonist, or a collective (such as society or nature)
dynamic character
develops over the course of a narrative; often makes choices that directly or indirectly affect the climax and/or the resolution of that narrative
static character
a character that does not undergo any significant change in personality or perspective over the course of a narrative
minor character
often remain unchanged because the narrative does not focus on him/her; may only be a part of the narrative to advance the plot or interact with major characters
foil characters
when a minor character serves to illuminate through contrasts the traits, attributes, or values of the protagonist
allegory
a story in which people, things, and events have both a literal and symbolic meaning
parable
a story designed to suggest a principle, illustrate a moral, or answer a question
catharsis
the purging of an audience's emotions (typically pity and fear) due to recognizing the shared potential to experience events similar to those in the narrative