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Third-person effects
Belief that others are more affected by messaging than you personally are.
Marketing perspective
Advertising strategy that emphasizes importance of understanding consumer needs and benefits.
Daniel Pope typology
Typology based on the development of advertising agencies
Merle Curti typology
Typology based on how consumers conceptualize the behaviors of consumers
Leiss, Kline, and Jhally typology
Typology based on content of advertising
Trout and Reis typology
Typology based on post-WW2 marketing strategies
1800-1870 ad characteristics
Simple product announcements; communicate what product is being sold at a glance
1800-1870 key historical events
Access to new markets via westward expansion, growth of national production, rise of new consumer bases
1870-1910 key historical events
Mass industrialization, larger markets & greater competition, improvements in printing technology
Development of independent advertising agencies
Influenced by innovations in print, growth in national firms, and increasing competition requiring specialists in advertising services
1870-1910 ad characteristics
Limited use of images
Use people to improve relatability
Use of emotion/”soft sell” to persuade
1870-1910 technology ads
Educate consumers on new product
1870-1910 medical ads
False, misleading, & ridiculous claims to drive sales
1910-1930 key historical events
Radio
Roaring 20s prosperity
1910-1930s ad characteristics
Shift from hard sell to soft-sell
Focus on consumers
Selling status, elegance, luxury
Manipulating consumer fears to drive sales
Increasing use of images & photography to catch attention
1930s-1940s
Innovation: broadcast media
Defining characteristic: drama & emotional appeals
1930s-1940s key historical events
Great depression & WW2 —> massive societal challenges
Rapid acquisition of radio & TV
Expansion of mass production
1930s ad characteristics
sell “ideal world” during a time of instability
Create problems for consumers and position product as remedy
WW2 ad characteristics
Position firms as patriotic & encouraging of behaviors that support the war effort
Cross promotions
Post WW2, using actors to promote both movies and products (i.e cigarettes)
1950s
Innovation: mass marketing
Defining characteristics: celebrating the nuclear family
1950s key historical events
Cold war
Civil rights movement
TV use becoming widespread
Post-WW2 economic boom
1950s ad characteristics
“Sell what we produce”
Reliance on hard sell; connect product to American dream/ideal family lifestyle
1960s
Innovation: marketing perspective
Defining characteristic: segmentation and positioning
1960 key historical events
Vietnam
Women’s liberation
Rise of counter culture
Television becomes dominant advertising medium
“Produce what we sell”
Utilizing marketing research to assess consumer characteristics, identify niche audiences, and create products to meet consumer needs
“Businesses adapt to consumers”
1960s role of advertising
Massive proliferation of new products, consumers faced with endless choices
Advertising becomes important to differentiate highly similar products to target different groups
Proliferation/Concentration Paradox
As firms expand production to stay competitive, they must target increasingly niche groups of consumers to make $$$
Proliferation of advertising
Caused a rise in importance of brand names
Increased the importance of product difference
3 types of product differentiation
Highlighting real differences in products
Emphasizing insignificant product attributes
Creating product attributes that don’t exist
Product positioning
Identifying a target segment of the market, then trying to get people to think abut your brand in a certain way
Create associations between brand and qualities
1970s
Innovation: cable television
Defining feature: entertainment-oriented, socially-concious advertising
1970s key historical events
End of Vetnam
Nixon/Watergate
Inflation surges, energuy crisis
Cable television
Creates “crowded” media environment, increases competition for attention of consumers
Solution: make advertisements entertaining via humor or irony
1980s
Innovation: narrowcasting
Defining characteristics: personalization
1980s key historical events
Growth of cable TV
Mass deregulation
Merger mania
Technology ads in the 1980s
No longer about introducing a new technology; focuses on how a product can fit your individual needs
1980s ad characteristics
Cinematic, highly produced, big-budget
1990s
Innovation: the internet
Defining characteristic: website marketing
1990s key historical events
Growth of internet
Good econ
1990s ad characteristics
Focus on repetition, memorability
2000s
Innovation: social media
Defining characteristics: social marketing
2010s
Innovation: mobile media
Defining characteristics: digital advertising
Advertising age, Part 1
As communication technology & market access increased in the late 19th century, businesses become more competitive, demanding product differentiation. Advertising captured this untapped market and became more complex as competition increased.
Hard sell
Advertising that conveys qualities of item and its superiority compared to competitors
Soft sell
Advertising that conveys a “feeling” or a desired lifestyle to consumers.
1A Amdorfer et al — marbles in soup
First use of corrective advertising to protect consumers from false claims
1A Amdorfer et al — Toyoto in America
Toyota adapts its car models to meet tastes of American consumers
Advertising Age Part 2
1930s — rise of radio
1940s — radio becomes primary form of mass media consumption
1950s — selling techniques shift to motivartion research & demographic targeting
1B Campbelll — double-edged sword
Ban on advertising hurt female doctors because they required advertising to drive business for their private practices, but medical advertising made women appear unprofessional
1B Campbell — Blackwell’s advertising techniques
Used lecture series to advertise her business in a manner that appeared professional.
Advertising Age Part 3
1960s — creative revolution
1970s— rise of data-driven marketing
1980s — shift to 15-second TV ads; “war for attention”
1C Martin — television & marketing
Television allowed advertisers to target niche markets and create brand consciousness
1C Martin — women & marketing
Women in the 1950s often held the power of the purse, so ads were created to directly reach women and receive their approval
1D Marchand R — consumption ethic
Advertising in the 1920s encouraged consumers to make purchases based on style, fashion, or preference
1D Marchand R — why consumption ethic?
Invent new business through merchandising style to escape cutthroat pricing competition
1D Marchand R — color
Color options used to encourage purchases based on style instead of utility
1D Marchand R — design
Convert simple goods into fashionable items via lines, shapes, and imagery
1D Marchand R — color ensemble
Create constant demand by selling items in a set of a design or color
Encourage personalization of mundane products
1D Marchand R — style education
Advertisers & retailers began to adopt role as “fashion educators;” consumers relied on salespeople for aesthetic advice
1D Marchand R — planned obsolesence
Introduce regular changes in style & technologies to make items appear “outdated,” thus driving constant sales
1D Marchand R — fine art & photography
Reimagine common items by borrowing credibility from fine art & photography
1D Jolly — facebook advertising
Offer free goods/discounts to garner clicks
1D Jolly — instagram advertising
Use visual media or short videos to capture Gen Z attention
1D Jolly — twitter advertising
Use organic engagement to develop consumer relationships with brands
1D Jolly — pinterest advertising
Create highly specific advertisements geared for searches
1D Jolly — LinkedIn Advertising
B2B, create advertisements designed for professionals
1D Jolly — snapchat advertising
Create advertisements geared for Gen Z
1E McKendrick — conditions for success
Industrial rev/new technological innovations
Increase in demand for tea/coffee —> new demand for cups
Growth of middle class eager to refine their tastes
1E McKendrick — Wedgwood’s strategy
Created demand for his products by targeting nobility; set high prices to give products sense of exclusivity
1E McKendrick — Wedgwood’s advertising
Generated aristocratic brand identity; used nobility to advertise
Used showrooms, exhibitions, and signature designs to promote brand identity
Altered products to appeal to tastes of consumers in different markets