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Terraced Dynamics
Sudden change in volume
Forte
Loud (Throughout)
Time Signature
2|4
Demisemiquaver
A note that lasts 1/8 of a beat
Composer
Johann Sebastian Bach
Birth/Death
1685-1750
Period
Baroque
Larger work
Orchestral Suite No. 2
Genre
Chamber music
Binary form
2 sections - A B
Section A
Bars 02 - 16, 16 bars
Anacrusis
Starts before the bar (upbeat)
Motif X Features
Descending Bm Arpeggio
Motif Y Features
Ascending Bm Arpeggio then conjunct
Motif Y Developed
Motif - Added rising intervals
Motif X Developed
Motif - Rising sequence
Conjunct
Melodic movement by step
Disjunct
Melodic movement by leap
Imitation
Same idea different instrument
Legato
Played smoothly
Scalic
Melody forming part/all of a scale
Sequence
Same idea played higher/lower
Staccato
Short and sharp
Transverse Flute
Flute held horizontally
String orchestra
Violins, Viola and Cello
Harpsichord
Keyboard instrument plucking strings
Chordal (texture)
All parts same harmonic rhythm
Homophonic
Many parts moving together
Polyphonic
Many parts moving independently
Inversion
Chord notes in a different order
Contrary Motion
Parts moving in opposite direction
Diatonic
Notes that belong to a key
Dominant Chord
Chord built from 5th degree
Modulation
Change keys
Neapolitan 6th
Chord built on ♭ii 1st inversion
Dominant 7th
4 note chord built on 5th degree
Perfect cadence
Cadence - V-I: Bars - A B 32-41 | 72-81 | 112-121 | 152-161 | 192-201 | 232-241 | 272-281 | 312-321 | 372-381 | 392-401
Imperfect cadence
Cadence - Any chord to V: Bars - A B 92-101 | 202-211 | 292-301 | 351-361
Suspension
Non-chord note held from previous chord 81 | 101 | 321
Secondary Dominant
Chord V7 of a non-Tonic chord Bars - A B 242
Fermata
𝄐 A pause
Repeat sign
𝄆 𝄇 Bar lines indicate to play again
Alto clef
𝄡 C is 3rd line. Between treble & bass register
Appoggiatura
Ornament that takes 1/2 the value of the next note
Trill
Ornament to rapidly alternate between 2 adjacent notes
Harmonic Minor
Minor scale Raised 7th