Minoan, Mycenaean lecture video (Module 2)

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Last updated 12:26 AM on 9/30/26
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Homer on Minoans

(Homer was writing in the 9the century so post facto):

  • On the island of Crete, lived King Minos.

  • Had a pretty sick palace

  • sponsored sport of bull-dancing (went into combat w/ bulls and survived by dancing over their backs)

    • Got people to participate (battling the minotaur) by having it as a mandatory tax for each island he controlled

  • minotaur was imprisoned in a labyrinth (build by architect Dadalus)

  • Theseus from Athens got help from the daughter of King Minos(Adradne)

    • killed minotaur

    • used thread he left behind to get out


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Palace of Knossos, Crete, ca. 1700- 1400 BC:

Physical Attribute:

  • over 1,000 rooms

    • corridors connecting them looking like a labyrinth

  • Not fortified

    • probably because it's an island so all you need is to protect the shoreline

  • Minoan column

    • Arthur Evans sound sockets and partial columns figured that they were made of wood and were red

    • 435 (top and bottom flipped)

      • all of the whole columns rn are re-constructed

    • post and lintel construction

    • (from top to bottom): Capital -> Shaft -> base

    • entasis = change in diameter of shaft from base to top (smaller @ bottom, larger @ top)

    • "cushion" capital

minotaur - composite form that represents a successful bull dancer
Arthur Evans - Brtisih archeologist that worked on the excavation of the Palace of Knossos (1900-1905)

<p><strong>Palace of Knossos, Crete, ca. 1700- 1400 BC:</strong></p><p>Physical Attribute:</p><ul><li><p>over 1,000 rooms</p><ul><li><p>corridors connecting them looking like a <mark>labyrinth</mark></p></li></ul></li><li><p>Not fortified</p><ul><li><p>probably because it's an island so all you need is to protect the shoreline</p></li></ul></li><li><p><strong><mark>Minoan column</mark></strong></p><ul><li><p>Arthur Evans sound sockets and partial columns figured that they were made of wood and were red</p></li><li><p>435 (top and bottom flipped)</p><ul><li><p>all of the whole columns rn are re-constructed</p></li></ul></li><li><p>post and lintel construction</p></li><li><p>(from top to bottom): Capital -&gt; Shaft -&gt; base</p></li><li><p><mark>entasis</mark> = change in diameter of shaft from base to top (smaller @ bottom, larger @ top)</p></li><li><p>"cushion" capital</p></li></ul></li></ul><p>minotaur - composite form that represents a successful bull dancer<br>Arthur Evans - Brtisih archeologist that worked on the excavation of the Palace of Knossos (1900-1905)</p>
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<p></p>


King Minos’s throne room, labrys


Labrys = Axe

  • Tool Minoans used

  • Not used as a weapon

  • Stone making/carving

    • Construction

  • "labrys" maybe equals "labyrinth"??

  • On either side of the throne

    • Symmetry for the hero/rule

      • represents the opposite of chaos (controll)


<p><strong>King Minos’s throne room, labrys</strong></p><p></p><p>Labrys = Axe</p><ul><li><p>Tool Minoans used</p></li><li><p>Not used as a weapon</p></li><li><p>Stone making/carving</p><ul><li><p>Construction</p></li></ul></li><li><p>"labrys" maybe equals "labyrinth"??</p></li><li><p>On either side of the throne</p><ul><li><p>Symmetry for the hero/rule</p><ul><li><p>represents the opposite of chaos (controll)</p></li></ul></li></ul></li></ul><p></p>
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<p>(very basic)</p>

(very basic)

Composite form: peacock/lion

  • symbolize King Minos


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What Arthur Evans thought it would've looked like

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Queen’s chamber: “dolphin” fresco:


Arthur Evans figured based on the size of the room it must've been for the monarch or queen

  • tail/fin

  • One of many references found to the fact that Crete is an Island

  • Realistically represented (swimming w/ other fish)



See how they went from swirls to flowers?

  • stages of development overtime


<p><strong>Queen’s chamber: “dolphin” fresco</strong>:</p><p></p><p>Arthur Evans figured based on the size of the room it must've been for the monarch or queen</p><ul><li><p>tail/fin</p></li><li><p>One of many references found to the fact that Crete is an Island</p></li><li><p>Realistically represented (swimming w/ other fish)</p></li></ul><p></p><p></p><p>See how they went from swirls to flowers?</p><ul><li><p>stages of development overtime</p></li></ul><p></p>
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“Toreador fresco,” Knossos, 1450-1400 BC:


  • profile view

    • still a frontal eye

  • multiple pieces put together

  • showing the steps

  • Gold coins of this

Screenshot 2026-09-28 at 11.07.59 AM.png

  • Schema

    • entasis of Minoan Column

    • Archietecture in the human form

    • post and lintel


<p><strong>“Toreador fresco,” Knossos, 1450-1400 BC</strong>:</p><p></p><ul><li><p>profile view</p><ul><li><p>still a frontal eye</p></li></ul></li><li><p>multiple pieces put together</p></li><li><p>showing the steps</p></li><li><p>Gold coins of this</p></li></ul><p>Screenshot 2026-09-28 at 11.07.59 AM.png</p><ul><li><p>Schema</p><ul><li><p>entasis of Minoan Column</p></li><li><p>Archietecture in the human form</p></li><li><p>post and lintel</p></li></ul></li></ul><p></p>
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Snake goddess, Knossos, 1600 BC:


Many of these images

  • Minoan Column entasis?

  • Gold coins of this

  • outstretched hands

  • subduing of the snacks


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“Cupbearers procession” fresco, Knossos, 1400 BC:


Arthur Evans found a little bit of detail and finished it


  • Bringing an offering in

  • walking forward

  • profile view w/ frontal eye

  • ritualized object to celebration

  • Schema

    • entasis of Minoan Column

Minoan content in Art:

  • Nature

  • Seasons

  • Celebrations

  • "everyday life"

    • Safe, prosperous island life


<p><strong>“Cupbearers procession” fresco, Knossos, 1400 BC</strong>:</p><p></p><p>Arthur Evans found a little bit of detail and finished it</p><p></p><ul><li><p>Bringing an offering in</p></li><li><p>walking forward</p></li><li><p>profile view w/ frontal eye</p></li><li><p>ritualized object to celebration</p></li><li><p>Schema</p><ul><li><p>entasis of Minoan Column</p></li></ul></li></ul><p>Minoan content in Art:</p><ul><li><p>Nature</p></li><li><p>Seasons</p></li><li><p>Celebrations</p></li><li><p>"everyday life"</p><ul><li><p>Safe, prosperous island life</p></li></ul></li></ul><p></p>
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“Springtime” fresco, Thera, 1650 BC:


Physical Attributes:

  • Beautiful island life

    • Iris is growing

    • birds flying


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“Fisherman” fresco, Thera, 1650 BC:


  • not a consistent profile view

    • maybe to emphasize how good of a fishing session he's had

  • Schema

    • Minoan Column


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“Wrestlers” fresco, Thera, 1650 BC:


Physical Attributes:

  • Still some general beauty

    • deers

  • Overlapping (wrestlers)

  • convincing realism

  • Schema

    • yep the column again


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Octopus vase, 1500 BC:

Physical Attributes:

  • made of clay

  • referencing their islands existance

    • their an island so octopus is fitting

  • octopus conforms to the curves of the vase

    • not frightening


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Harvester’s vase, 1500 BC:

Physical Attributes

  • made of clay

    • clay is carved

    • sunken relief

  • people going to the harvest

    • olive harvest

    • smiling

    • celebration

  • More schema of columns


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Citadel, Mycenae:


  • Fortified

  • only one entrance

  • warrior culture

  • walls 20ft thick

Heinrich Schliemann

  • Archaelogist of Mycenae and Troy

  • originally owned the Knossos site but Arthur bought it at his death

  • career focus on finding Troy and proving Homer

  • 1876-1878


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shaft grave circle, 1400 –1200 BC:

inside the city

  • fortified walls

    • Massive stones (took it very seriously)

  • 90ft in diameter

  • shaft graves

  • burial w/ full sets of armor and weapons

    • Warrior culture

  • The pathways and even ceilings had these massive stones

    • Corbeled gallery, 1300-1250 BC

    • Achieved this w/ corbel; corbelling

    • 190

    • 179

    • moving away from post and lintel


<p><strong>shaft grave circle, 1400 –1200 BC</strong>:</p><p>inside the city</p><ul><li><p>fortified walls</p><ul><li><p>Massive stones (took it very seriously)</p></li></ul></li><li><p>90ft in diameter</p></li><li><p>shaft graves</p></li><li><p>burial w/ full sets of armor and weapons</p><ul><li><p>Warrior culture</p></li></ul></li><li><p>The pathways and even ceilings had these massive stones</p><ul><li><p><strong>Corbeled gallery, 1300-1250 BC</strong></p></li><li><p><mark>Achieved this w/ corbel; corbelling</mark></p></li><li><p>190</p></li><li><p>179</p></li><li><p>moving away from post and lintel</p></li></ul></li></ul><p></p>
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Lions Gate, 1300-1250 BC:


Lion is symbolic to protecting the city
- propagandistic

  • Lion also representing the quality of the Mycenaen people (warrior)

    • Many lion references found throughout

  • Another civilization tried to erase the lions a bit

  • The column between the lions is a Minoan column

    • represents the defeat of the Minoan civilization

    • Arthur Evans used this as proof

Screenshot 2026-09-28 at 11.52.27 AM.png

  • propagandistic


<p><strong>Lions Gate, 1300-1250 BC</strong>:</p><p></p><p>Lion is symbolic to protecting the city<br>- propagandistic</p><ul><li><p>Lion also representing the quality of the Mycenaen people (warrior)</p><ul><li><p>Many lion references found throughout</p></li></ul></li><li><p>Another civilization tried to erase the lions a bit</p></li><li><p>The column between the lions is a Minoan column</p><ul><li><p>represents the defeat of the Minoan civilization</p></li><li><p>Arthur Evans used this as proof</p></li></ul></li></ul><p>Screenshot 2026-09-28 at 11.52.27 AM.png</p><ul><li><p>propagandistic</p></li></ul><p></p>
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“Treasury of Atreus,” Mycenae, 1300-1250 BC:


  • Named by Schliemann

  • Atreus

    • a king of Mycenae

    • father of Agamemnon, Menelaus

  • Sub-terrainian

  • Corbelling

  • Lintel stone above doorway (120 tons)

    • probably used leverage

410

  • inside

  • 48 ft diameter

  • 50 ft highest point

  • Beehive tomb

    • corbelled in the round

  • Many artifacts buried inside (below)


<p><strong>“Treasury of Atreus,” Mycenae, 1300-1250 BC</strong>:</p><p></p><ul><li><p>Named by Schliemann</p></li><li><p>Atreus</p><ul><li><p>a king of Mycenae</p></li><li><p>father of Agamemnon, Menelaus</p></li></ul></li><li><p>Sub-terrainian</p></li><li><p>Corbelling</p></li><li><p>Lintel stone above doorway (120 tons)</p><ul><li><p>probably used leverage</p></li></ul></li></ul><p>410</p><ul><li><p>inside</p></li><li><p>48 ft diameter</p></li><li><p>50 ft highest point</p></li><li><p><mark>Beehive tomb</mark></p><ul><li><p>corbelled in the round</p></li></ul></li><li><p>Many artifacts buried inside (below)</p></li></ul><p></p>
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Funeral Masks, 1600-1400 BC:


Zoomorphism
- lion/human
- mane of the lion

  • Many found buried w/ people

  • Found in the Grave Circle

Repousse:

  • metal working technique

  • sheet of gold hammered against a form (wooden)

  • transfered over

    • clearly the gold is soft


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Warrior vase, 1200 BC:


  • composite view

  • Handle is a lion's head

  • Really focused in on their armor and weapons and shields, etc (because that was really important to them)

  • avoided making it look Minoan and their schema


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Dagger Blades, 1400 BC:


  • Ceremonial

    • never sharpens and made of bronze

  • Bronze w/ gold, silver inlay

  • found in grave circles

  • 2 different people worked on these

    • Lions represented differently

    • One Minoan gold worker(looked better)

    • Mycenaean gold worker

  • Schema of the minoan human form

    • battle against Minoans

  • Overlapping

  • Motion


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Vaphio cups, 1400 BC (found in Mycenae, crafted by Minoan metalworkers):


  • "How to capture a bull"

    • to dance or to battle with the bull

    • one above it shows a human being trampled by the bull

    • Success: one brings in a cow to distract the bull

      • then the human ties the bull

  • Repousse technique


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Closing

Arthur Evans

  • practice archaeology of restoring

    • trying to keep it as close to the original condition as possible

    • Criticized for it

Heinrich Schliemann

  • **archaeology of preserving

    • maintaining the artifact in the condition it was found during excavation

Connoisseurship

  • making judgments about quality, skill, or excellence