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in-point
the frame at which the shot will appear on the screen
out-point
the frame at which the shot is replaced with another shot
coverage
multiple angles and shot types covering the same action
classical cutting
selecting which angle will be best used for a shot input with the master shot
parallel editing / crosscutting
cutting back and forth between two or more actions happening simultaneously in separate locations
intercutting
insertion of shots into a scene in a way that interrupt the narrative (flashbacks, flash forwards)
juxtaposition
placing two shots together in sequence
montage editing
use of juxtaposition to create and communicate meaning
associative editing / intellectual editing
uses juxtaposition to impart meaning that we can’t help but notice
nondiegetic inserts
images from outside the story are inserted
ellipsis
temporal leap between shots to jump from one moment to another in evident ways
overlapping action
the reason for one piece’s pacing
content curve
curve representing when audiences are ready to see the next shot
pace
speed at which a shot sequence flows
rhythm
changing of pace during a scene or sequence
continuity editing
ensuring an invisible flow between shots
30 degree rule
cam should shift 30 degrees between each shot of the same subject
match cuts
continuity editing on an action or movement ish