Art History Midterm Mannerism, Venetian, Northern European

Descent From the Cross

artist Descent From the Cross

Pontormo

year/style Descent From the Cross

early 16th century Italian Mannerism

What are the characteristics of figures in mannerism?

Figures are elongated and exaggerated.

What subjects are commonly interpreted in mannerism?

Interpretations of religious, mythological, and allegorical narratives; recognition of earlier artistic and written sources.

What is a characteristic of color in mannerism?

Color is iridescent and creates a specific emotional effect.

How is composition described in mannerism?

Composition is complex.

What mood is often conveyed in mannerism?

Mood is restless, withdrawn, and ambiguous.

How is space utilized in mannerism?

Space is compressed and dominated by figures.

maniera

style or manner

mannerism

artifice over realism

Abduction of the Sabine Women

artist Abduction of the Sabine Women

Bologna

style/ year Abduction of the Sabine Women

late 16th century Italian Mannerism

artist The Abduction of a Sabine Women, Loggia die Lanzi relief

Boulogne

style/year The Abduction of a Sabine Women, Loggia die Lanzi relief

late 16th-century Italian Mannerism

The Last Judgment

artist The Last Judgment

Michelangelo

style/year The Last Judgment

mid 16th century Italian Mannerism

top of Michelangelo, The Last Judgment

Wingless angels with instruments of the Passion

center of The Last Judgement

Christ and Virgin Mary flanked by John the Baptist and Peter

(below Christ):

St.Bartholomew (Michelangelo)

lower center of The Last Judgement

angels with trumpets and book

left of The Last Judgement

the blessed moving upward to heaven

Right of The Last Judgment

sinners movingtoward hell

Pieta

artist Pieta

Michelangelo

year/style Pieta

late 15th century Italian High Renaissance

artist Madonna with the Long Neck

Parmigianino

year/style Madonna with the Long Neck

Mid 16th-century Italian Mannerism

Venice - pictorial qualities

Oil on canvas, brush drawing on canvas Dynamic asymmetryColor (colore vs. disegno)New subject - poesia

San Zaccaria Altarpiece,Virgin and Child Enthroned with Saints

year/style San Zaccaria Altarpiece,Virgin and Child Enthroned with Saints

early 16th century Italian Venetian High Renaissance

sacra conversazione

an altarpiece in which the Madonna and Child are accompanied by saints and engaged in a "holy conversation"

poesia

paintings inspired by myth, legend, fantasies

Pastoral Symphony,

artist Pastoral Symphony

Giorgione and Titian

style/ year Pastoral Symphony

early 16th century Italian Venetian Renaissance

Meeting of Bacchus and Ariadne

artist Meeting of Bacchus and Ariadne

Titian

year/style Meeting of Bacchus and Ariadne

early 16th century Italian Venetian Renaissance

Last Supper

artist Last Supper

Tintoretto

year/style Last Supper

late 16th century Italian Renaissance

The Last Supper

Artist The Last Supper

Leonardo da Vinci

year/style The Last Supper

late 15th century high Italian Renaissance

The Last Supper terms

one-point linear perspective, rational, harmonious

Tintoretto's Last Supper terms

receding diagonals, action, spiritual light

Fifteenth-Century Painting in Northern Europe Stylistic Characteristics

-- Experimentation with oil glaze technique -- Transformation of the familiar; merging the secular, worldly and spiritual realms (Paradise) -- Oil medium used for small and large-scale works -- Representation of the miniature and monumental --Non-idealized figures -- Elevated vantage points and atmospheric perspective (landscape)

The Deposition of Christ

artist The Deposition of Christ

Rogier van der Weyden

year/style The Deposition of Christ

Mid 15th century Flemish Northern European Renaissance

terms The Deposition of Christ

Overlapping figures, directional and implied lines, Single-color garments, Fabrics -texture, pattern

Flemish Painting

Christianity (piety,empathy)Roman Catholicism Flanders, Brussels economic prosperity textile manufacture artist guilds oil glaze painting

Man in a Red Turban -self portrait

artist Man in a Red Turban

Jan Van Eyck

year/ style Man in a Red Turban

early 15th century Flemish Northern European Renaissance

Ghent Altarpiece (closed)

artist Ghent Altarpiece

Hubert van Eyck and Jan van Eyck

The Ghent Altarpiece (open)

year/style The Ghent Altarpiece

early 15th century Flemish Northern European Renaissance

Giovanni Arnolfini and His Wife

artist Giovanni Arnolfini and His Wife

Jan van Eyck

year/style Giovanni Arnolfini and His Wife

early 15th century Flemish Northern European Renaissance

Iconography Giovanni Arnolfini and His Wife

candle-bridal or God's eye, life, Giovanni side Signature of the artist (included as witness with others), mirror-convex, Passion of Christ oranges-imported fruit, marriage, fidelity clogs-status and practicality? terrier-brussels griffon, fidelity red drapery, costly, bed- birthchamber, fertility broom-Virgin Mary bedpost, st. Margaret, childbirth white- purity green- fertility rug-wealth, trade, bedchamber

Saint Luke Drawing the Virgin

artist Saint Luke Drawing the Virgin

Roger Van Der Weyden

year/style Saint Luke Drawing the Virgin

early 15th century Flemish Northern European Renaissance