Broadcast News Glossary Core Terms

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Practice flashcards reviewing core broadcast journalism terminology, including story formats, staff roles, and attribution levels.

Last updated 9:22 AM on 9/7/26
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32 Terms

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A-Block

The first segment of a newscast, running from the open through the first commercial break, which typically carries the day's top, most newsworthy stories.

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Anchor

The on-air host who presents the newscast from the studio, reading readers and VOs and introducing packages and live shots.

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Assignment Editor

The newsroom staffer who monitors scanners, tips, and the day's events, and assigns reporters and crews to cover stories.

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B-Roll

Raw, unedited supplemental video used to cover narration in a story, as opposed to the main interview or event footage.

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Chyron / Lower Third

The text graphic at the bottom of the screen identifying a speaker's name and title, or labeling a story.

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Cutaway

A brief shot away from the main subject — a reaction shot or different angle — used to smooth over an edit within an interview.

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Deep Background

An attribution level in which a source's information can be used in a story with no attribution at all, not even a generic description.

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DMA (Designated Market Area)

A Nielsen-defined television market consisting of a group of counties where local stations capture most of the measurable viewing. There are 210 DMAs covering the U.S.

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Executive Producer

Oversees the content and consistency of all of a station's newscasts across the broadcast day.

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General Manager

The top executive at a station, overseeing the entire operation — not just the newsroom.

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Lead Story

The first, and typically most prominent, story in a newscast or news block.

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Live Shot

A report delivered in real time by a reporter from a location outside the studio.

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Look Live

A package whose reporter intro and/or tag was recorded ahead of time but is formatted to appear live during the newscast.

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MMJ (Multimedia Journalist)

A journalist who shoots, writes, and edits their own stories, often working alone — common at smaller-market stations.

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Nat Sound (Natural Sound)

Ambient sound recorded at the scene — traffic, crowd noise, sirens — used in a package to add realism.

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News Director

Runs the newsroom day to day: hiring, editorial direction, and journalistic standards.

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Off the Record

An attribution level in which a source's information cannot be published or used in a story at all — it may only guide further reporting.

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On Background

An attribution level in which a reporter can use a source's information but cannot name them — only describe them generically, as agreed in advance (e.g., "a city official").

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On the Record

The default attribution level: everything a source says can be quoted and attributed to them by name and title.

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Outcue

The last few words of a soundbite, noted in a script so producers, directors, and editors know exactly when it ends.

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Package (PKG)

A fully produced, reporter-narrated story with a scripted track, multiple soundbites, and natural sound breaks.

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Photographer / Videographer?

Shoots video in the field, often alongside a reporter (sometimes called a "shooter").

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Producer

Builds the rundown for a single newscast — story order, timing, and scripts.

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Reader (RDR)?

A story the anchor reads entirely on camera, with no supporting video. Used for brief or breaking information.

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Reporter

A journalist who gathers information, writes, and delivers stories, typically reporting from the field rather than the studio.

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Rundown

The producer's ordered list of every story and segment in a newscast, with assigned times and formats.

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Slug

The short internal name given to a story, used to identify it consistently in scripts, rundowns, and video files.

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SOT (Sound On Tape)

A soundbite — a recorded clip of someone speaking, used within a VO/SOT or package.

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Stand-Up

A segment where a reporter appears on camera, live or recorded, to deliver part of a package's narration.

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TRT

Total Running Time: The exact length of a story, soundbite, or full newscast segment.

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VO (Voice-Over)

The anchor reads a script live while video plays underneath — no soundbite is included.

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VO/SOT

The anchor reads over video, a soundbite (SOT) plays, then the anchor returns live to close or move to the next story.