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satire
a work that targets human vices and follies, or social institutions and conventions, from reform or ridicule.
simile
an explicit comparison, normally using “like,” “as,” or “if.”
style
consideration of style has two purposes:
an evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices. can be flowery, explicit, succinct, rambling, bombastic, commonplace, incisive, or laconic
classification of authors to a group and comparison of an author to similar authors
syllogism
Greek “reckoning together,” a deductive system of formal logic that presents two premises— that inevitably lead to a sound conclusion
major premise: all men are mortal
minor premise: Socrates is a man
conclusion: therefore, Socrates is mortal.
symbol/symbolism
anything that represents or stands for something else.
natural symbols use objects and occurrences from nature to represent ideas commonly associated with them
conventional symbols are those that have been invested with meaning by a group
literary symbols are conventional in the sense that they are found in a variety works and are generally recognized
syntax
the way an author chooses to join words into phrases, clauses, and sentences,
tone
similar to mood, describes the author’s attitude toward his or her material, the audience, or both
transition
a word or phrase that links different ideas
understatement
the ironic minimizing of fact
litotes: a figure of speech by which an affirmation is made indirectly by denying its opposite. EX: “It was no mean feat”
meiosis: Greek term from understatement or belittling
wit
in modern usage, is intellectually amusing language that surprises and delights.