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Allusion
An indirect reference to something (usually a literary text, although it can be other things
commonly known, such as plays, songs, historical events) with which the reader is supposed to be familiar.
Diction
Word choice, particularly as an element of style. Different types of words have significant effects
on meaning. An essay written in academic diction would be much less colorful, but perhaps more precise
than street slang. You should be able to describe an author's diction. You SHOULD NOT write in your
thesis, "The author uses diction...". This is essentially saying, "The author uses words to write." (Duh.)
Instead, describe the type of diction (for example, formal or informal, ornate or plain).
Colloquial
Ordinary or familiar type of conversation. A “colloquialism” is a common or
familiar type of saying, similar to an adage or an aphorism.
Connotation
Rather than the dictionary definition (denotation), the associations suggested by a
word. Implied meaning rather than literal meaning. (For example, “policeman,” “cop,” and “The
Man” all denote the same literal meaning of police officer, but each has a different connotation.)
Denotation
The literal, explicit meaning of a word, without its connotations.
Jargon
The diction used by a group which practices a similar profession or activity. Lawyers
speak using particular jargon, as do soccer players.
Vernacular
1. Language or dialect of a particular country. 2. Language or dialect of a regional
clan or group. 3. Plain everyday speech
Figurative Language
“Figurative Language” is the opposite of “Literal Language.” Literal language is
writing that makes complete sense when you take it at face value. “Figurative Language” is the opposite:
writing that is not meant to be taken literally.
Analogy
An analogy is a comparison of one pair of variables to a parallel set of variables. When
a writer uses an analogy, he or she argues that the relationship between the first pair of variables is
the same as the relationship between the second pair of variables. “America is to the world as the
hippo is to the jungle.” Similes and metaphors are sometimes also analogies.
Hyperbole
Exaggeration. “My mother will kill me if I am late.”
Idiom
A common, often used expression that doesn’t make sense if you take it literally. “I got
chewed out by my coach.”
Metaphor
Making an implied comparison, not using “like,” as,” or other such words. “My feet
are popsicles.” An extended metaphor is when the metaphor is continued later in the written
work. If I continued to call my feet “my popsicles” in later paragraphs, that would be an extended
metaphor. A particularly elaborate extended metaphor is called using conceit.
Metonymy
Replacing an actual word or idea, with a related word or concept. “Relations
between London and Washington have been strained,” does not literally mean relations between
the two cities, but between the leaders of The United States and England. Metonymy is often used
with body parts: “I could not understand his tongue,” means his language or his speech.
Synecdoche
A kind of metonymy when a whole is represented by naming one of its
parts, or vice versa. “The cattle rancher owned 500 head.” “Check out my new wheels.”
Simile
Using words such as “like” or “as” to make a direct comparison between two very
different things. “My feet are so cold they feel like popsicles.”
Synesthesia
a description involving a “crossing of the senses.” Examples: “A purplish scent
filled the room.” “I was deafened by his brightly-colored clothing.”
Personification
Giving human-like qualities to something that is not human. “The tired old truck
groaned as it inched up the hill.”
Foreshadowing
When an author gives hints about what will occur later in a story.
Imagery
Word or words that create a picture in the reader's mind. Usually this involves the five senses.
Authors often use imagery in conjunction with metaphors, similes, or figures of speech.
Irony
When the opposite of what you expect to happen does.
Mood
The atmosphere created by the literature and accomplished through word choice (diction). Syntax
is often a creator of mood since word order, sentence length and strength and complexity also affect pacing
and therefore mood. Setting, tone, and events can all affect the mood.
Motif
a recurring idea in a piece of literature. In To Kill a Mockingbird, the idea that “you never really
understand another person until you consider things from his or her point of view” is a motif, because the
idea is brought up several times over the course of the novel.
Satire
A work that reveals a critical attitude toward some element of life to a humorous effect. It targets
human vices and follies, or social institutions and conventions. Good satire usually has three layers: serious
on the surface; humorous when you discover that it is satire instead of reality; and serious when you discern
the underlying point of the author.
Symbol
Anything that represents or stands for something else. Usually a symbol is something concrete
such as an object, actions, character...that represents something more abstract. Examples of symbols
include the Whale in Moby D**k, the river and the jungle in Heart of Darkness, and the Raven in “The
Raven.”
Theme
The central idea or message of a work. The theme may be directly stated in nonfiction works,
although not necessarily. It is rarely stated directly in fiction.
Tone
A writer's attitude toward his subject matter revealed through diction, figurative language and
organization. To identify tone, consider how the piece would sound if read aloud (or how the author wanted
it to sound aloud). Tone can be: playful, serious, businesslike, sarcastic, humorous, formal, somber, etc.