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Upanishadic thinkers, fatalists, materialists
Upanishads thinkers
Curious about the meaning of life
Possibility of life after death and rebirth
Concerned with understanding and expressing the nature of ultimate reality
Fatalists
Everything is predetermined
Materialists
Believe in material life
Central teachings of Jainism
The entire world is animated, even rocks and stones
Non-injury to living beings, especially to humans, animals, etc.
Principle of Ahinsa emphasised
Cycle of birth and rebirth is shaped through Karma
Asceticism and penance are required to free oneself from the cycle of Karma
Can be achieved through renouncing the world
Monastic existence is a necessary condition of salvation
The role of Begums of Bhopal in preserving the stupa at Sanchi
The nawabs of Bhopal, Shahjehan Begum and her successor Sultan Jehan Begum provided
Money for the preservation of the ancient site
Funded the museum that was built
Funded the guest house where John Marshall lived and wrote the volumes
Funded the publication of John Marshall’s volumes
The stupa survived the grubby hands of Europeans and stayed preserved in no small measure due to their wise decisions
The aid of Buddhist literature in understanding the sculptures at Sanchi
Art historians had to first acquire familiarity with Buddhist literature in order to understand Buddhist literature
Many early sculpture show Buddha’s presence through symbols such as
The empty seat for the meditation of Buddha
The stupa for Mahaparinibbana
The wheel for the first sermon of the Buddha, at Sarnath
Such symbols can be understood with the traditions of those who produced these works
The scene at the northern gateway seems to depict
A rural scene with huts and trees.
However after study it was found to have been depicting a scene from Vessantara Jataka, a story of a generous prince
James Fergusson, unaware of Buddhist traditions and myth, considered Sanchi to be a center of tree and serpent worship
Arriving on a conclusion only based on the images, he was wrong.
Development in sculpture and architecture associated with the rise of Vaishvanism and Shaivism
In Hinduism, c.600BCE, there developed two traditions
Vaishvanism: Vishnu worshiped as the principal deity
Shaivism: Shiva was the chief god
In these traditions. there was special bond b/w devotee & the God-Bhakti
Growth of Architecture and sculpture
Stupas were being made during the time where the first temples that housed images of gods and goddesses were being built
Early temples were single small square rooms, called the Garbhagriha with a single doorway for the worshiper
Gradually a tall structure known as the Shikhara was built over the central shrine, their walls were often decorated with sculptures
Later temples became more elaborate with assembly halls, huge walls and gateways
Unique feature of early temples: Some of these were hollowed out of huge rocks as artificial caves
Earlier temples were constructed in c.200 BCE on the order of Asoka for renouncers who belonged to the Ajivika sect
How and why were stupas built?
How
Inscriptions found on the railings and pillars of stupas record donations made for buildings and decorating them
Some donations were made by guilds, such as ivory workers who financed part of one of the gateways at Sanchi
Some donations were made by kings, such as Satvahanas
100s of donations were made by women and men who had mentioned their names sometimes, adding the place from where they came
Bhikkus and Bhikunis also contributes towards building these movements
Why
The places they were built at were regarded as sacred
As relics of Buddha such as his bodily remains and objects used by him were buried there
These mounds were known as Stupas
The tradition of creating stupas may have been pre-Buddhist, but they are now associated with Buddhism
Buddhist texts, Ashokavandana, Asoka distrubuted portions of the Buddhist relics to every imp. town
By the end of c. 100 BCE, a number of stupas at Bharhut, Sanchi, Sarnath had been built
Social conditions that give way to the rise of Jainism and Buddhism
The sacrificial traditons
The rigveda consists of hymns in praise of a variety of deities, especially Agni, Indra and Soma
These were chanted when sacrifices were performed for good health, wealth, sons, etc.
At first, sacrifices were performed collectively, later some were performed by the head of the house for the being of the domestic unit
More elaborate ones, such as the Rajasuya, were performed by the chiefs and kings, and required Brahamana priests
New questions about existence
Many ideas found in Upanishads show that people were curious about the meaning of life and the possibility of life after death
Others, outside of vedic traditions, questioned whether or not there even was a single ultimate reality
People also questioned the significance of sacrificial traditions
Debates and discussions
Many of these teachers, including Mahavira and Buddha, questioned the authority of the vedas
They also emphasised the individual agency, that men and women could strive to attain liberation from the tribulations of a worldly existence.
On the opposite side, an individual’s existence was determined by their birth in a specific caste or gender
Kutugarahshala
A hut with a pointed roof
Groves where travelling medicates halted
A place where debates took place
5 vows taken by jaina monks and nuns
To observe celibacy
to abstain from possessing property
to abstain from killing
to abstain from lying
to abstain from stealing