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dear lord

Bayeux Tapestry: The Battle of Hastings Begins
England and France, Bayeux (Normandy) /Norman-Anglo-Saxon
c. 1066-1082
Linen/Wool

Tunic
in Peru/Inca culture
c. 1500
Camelid fiber, cotton

The Unicorn Rests in a Garden
Flanders, French/Flemish
c. 1495-1505
wool/silk/metal thread

Shakyamuni Buddha
Saspol Cave 3 in Gon-Nila-Phuk Cave Temples, India
c. 15th C.
Mural Painting —> just a painting on a cave wall

Separation of Light from Darkness by Michelangelo
Sistine Chapel ceiling, Vatican Palace (Rome)
1511-1512
Fresco (wet plaster, charcoal dust)
Note* fresco = way of painting —> plaster+paint on plaster
cycles of frescos = series

Waves at Matsushima by Tawaraya Sotatsu
Kyoto
late 16th – early 17th C.
painted screen, gold, ink, color, paper

Court ladies preparing newly woven silk
Beijing, Song Dynasty (Emperor Huizong)
12th C
ink/color/gold on silk

Virgin and Child with Saints Dominic and Aurea by Duccio di Buoninsegna
Siena
c. 1312-15
tempera/gold/panel
Note* tempera is a kind of paint that uses egg white, uses pigment with a binder (egg white)

Garden of Earthly Delights by Hieronymus Bosch
Brussels
c. 1505-1515
oil/wood

Adam and Eve by Albrecht Dürer
Nuremberg Germany
1504
engraving (copper plate + burin + ink + paper)

The Great Wave by Katsushika Hokusai
Japan, from Thirty-Six Views of Mount Fuji
c. 1831
polychrome woodblock print/paper

The Letter by Mary Cassatt
Paris
1890-91
color drypoint, aquatint, etching (wax and acid)

St. Francis in Ecstasy by Giovanni Bellini
Venice
c. 1470s
oil/tempera/wood

Mountain Market, Clear with Rising Mist
Korea, Joseon Dynasty
early 1500s
painted scroll, ink on silk

Great Serpent Mound
Adams County, Ohio
c. 1070
Earth, rocks, dirt

Mona Lisa by Leonardo da Vinci
Italy
c. 1503-1506
oil/wood

Hip Pendant of an iyoba (Queen Mother)
Benin City, Nigeria + Edo culture
c. 1550
ivory/iron/copper

Jahangir Preferring a Sufi Shaykh to Kings by Bichitr
Mughal empire, in northern India
c. 1615-18
gouache/gold/ink/paper

Twin Figures (Ere Ibeji)
Nigeria, Yoruba culture
early 20th C.
wood/glass beads/cotton/coconut shell beads/pigments (indigo,
tukula)

Whirling Log Ceremony by Hosteen Klah
American Southwest (think Utah), Diné (Navajo) culture
c. 1925
weaving after a sand-painting design

Te-Hau-Ki-Turanga, Maori Meeting House by Raharuhi Rukupo
New Zealand
1842-1843, restored 1935
wood/shell/grass/flax/pigments