RCM Level 10 History Baroque Era

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Last updated 5:07 PM on 9/1/26
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940 Terms

1
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What does the term "Baroque" come from

Portuguese *barroco*, meaning "irregularly shaped pearl."

2
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When was "Baroque" first used to refer to a musical style

Mid-18th century.

3
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Why did mid-18th-century critics use "Baroque" to describe music

To describe the baffling complexity of works by J.S. Bach and Jean-Philippe Rameau.

4
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How did 19th-century critics come to view 17th- and 18th-century music

They increasingly appreciated its complex textures.

5
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What period does "Baroque" generally refer to today

The art and music period from approximately 1600 to 1750.

6
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What characterized the historical period of the Baroque era

Monarchy, religious conflict, and major developments in math, science, and medicine.

7
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How did monarchy and religious conflict affect Baroque culture

They were reflected in the arts and culture.

8
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What mathematical, scientific, and medical developments occurred during the Baroque era

Significant advances in mathematics, science, and medicine.

9
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What are the major musical terms to define from the Baroque introduction

Baroque, figured bass, basso continuo, the Affections, terraced dynamics, binary form, rounded binary form, and ternary form.

10
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What is the two-part musical form in which both sections are normally repeated

Binary form.

11
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What treatises are especially important to Baroque music

Rameau's *Treatise on Harmony* and C.P.E. Bach's *Essay*.

12
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What is the significance of Rameau's *Treatise on Harmony*

It established chord-based harmony and treated inversions as variations of the same chord.

13
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What is the significance of C.P.E. Bach's *Essay on the True Art of Playing Keyboard Instruments*

It became a comprehensive guide to keyboard performance and musicianship.

14
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Who was Charles LeBrun

A French Baroque painter who explored how to represent human emotions through outward signs.

15
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What did LeBrun call human emotions

The "affects" or "affections."

16
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What did LeBrun's work convey about emotions

That emotions could be represented and recognized through outward physical signs.

17
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How did LeBrun represent affects

Through visual cues of emotional signs.

18
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What auditory idea can be compared with LeBrun's visual representation of affects

Using musical cues so listeners experience specific emotions.

19
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What did Baroque composers generally seek to accomplish with the Affections

Project a single clear emotional state through an entire piece or movement.

20
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What is the Doctrine of the Affections

A Baroque philosophy projecting one clear emotional state through an entire work.

21
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What inspired the Baroque Doctrine of the Affections

Ancient Greek and Roman writers and orators.

22
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What does "affect" mean in Baroque music

A specific emotional state of the soul.

23
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How did vocal music use the Affections

To depict the emotions of the text or dramatic situation.

24
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What was *The Expression of the Passions*

A 1688 work associated with LeBrun's emotional representations.

25
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Why did the harpsichord become important during the Baroque era

It gained popularity as a primary keyboard instrument.

26
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Why can't a harpsichord produce gradual dynamic changes

Its mechanism does not allow volume variation.

27
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What type of dynamic changes can performers make on a harpsichord

Abrupt volume shifts.

28
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What are "terraced dynamics"

Sudden, abrupt changes in volume.

29
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How can terraced dynamics be produced on a single-manual harpsichord

Using a "buffer" stop.

30
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How can terraced dynamics be produced on a double-manual harpsichord

By coupling and uncoupling the keyboards.

31
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What other Baroque keyboard instrument allowed abrupt dynamic changes

The organ.

32
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What did many Baroque composers write specifically for the organ

Elaborate works.

33
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What is figured bass

A musical shorthand indicating chords above a notated bass line.

34
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What is another name for figured bass

Basso continuo notation.

35
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What instruments are required for a typical basso continuo texture

A lower-register instrument and a chord-playing instrument.

36
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What does the lower-register instrument do in basso continuo

Plays the notated bass line.

37
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What instruments could play the notated bass line

Cello or bassoon.

38
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What does the chord-playing instrument do in basso continuo

Realizes the harmony.

39
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What instruments could realize the harmony in basso continuo

Harpsichord, organ, or lute.

40
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What aspects of a figured-bass realization are left to the performer

Arrangement, voicing, and texture.

41
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Why does figured-bass realization involve improvisation

The performer must create the accompaniment from the bass and figures.

42
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What does figured-bass notation contain

A bass line plus Arabic numerals indicating intervals.

43
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What do figured-bass figures normally refer to

Notes within the specified key.

44
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What does the absence of a figured-bass numeral indicate

A root-position triad.

45
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What does an accidental without a numeral indicate in figured bass

The third of the chord.

46
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How skilled did Baroque musicians become at figured-bass realization

Highly skilled at improvising accompaniments.

47
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What were performers expected to use when realizing figured bass

Musical judgment.

48
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Until when was figured bass the primary way musicians understood harmonic relationships

The mid-18th century.

49
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What tends to form the basis of harmonic musical thought today

Chords and chord progressions.

50
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Who developed an influential new concept of harmony in 1722

Jean-Philippe Rameau.

51
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What did Rameau's 1722 *Treatise on Harmony* propose about triad positions

Root, first-inversion, and second-inversion positions are versions of the same triad.

52
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What is Rameau's concept of the "fundamental bass"

The underlying root of the chord.

53
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What is the fundamental bass of a C triad when E or G is the lowest note

C.

54
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What was innovative about Rameau's harmonic concept

Treating inverted chords as the same sonority.

55
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How did Rameau's concept affect voice-leading rules

It reduced the total number of rules needed.

56
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What harmonic system became the backbone of Baroque music

The major-minor tonal system.

57
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What happened to the number of major and minor keys available to Baroque composers

It increased.

58
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Why was the increased availability of major and minor keys novel

It opened new possibilities for composers and listeners.

59
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Which modes became preferred during the Baroque era

Ionian and Aeolian.

60
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What did the Ionian and Aeolian modes form the basis for

The major-minor tonal language.

61
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What does *Fortspinnung* mean

"Spinning out."

62
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Who introduced the term *Fortspinnung*

20th-century music historians.

63
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What does *Fortspinnung* describe

Developing a musical idea through simple compositional techniques.

64
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Which composers are especially associated with *Fortspinnung*

J.S. Bach and his contemporaries.

65
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What is repetition as a *Fortspinnung* technique

Repeating a musical idea without modification.

66
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What is sequential treatment as a *Fortspinnung* technique

Transposing a musical pattern to a different pitch level.

67
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What is variation as a *Fortspinnung* technique

Modifying a musical idea's rhythm or intervals.

68
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What type of melodic construction does *Fortspinnung* contrast with

Periodic melodic construction of the Classical era.

69
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What do unedited Baroque scores usually contain about tempo

Few tempo directions.

70
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What did Baroque composers often expect performers to determine themselves

A suitable tempo based on meter and character.

71
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What might a thin texture with fewer contrapuntal voices suggest about tempo

A relatively quick tempo.

72
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What might complex counterpoint suggest about tempo

A slower tempo.

73
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What were Baroque treatises

Instructional books on musical performance.

74
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Why did the need for instructional materials increase during the Baroque era

Domestic music-making expanded.

75
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Which important harmony treatise was written by Rameau

*Treatise on Harmony*.

76
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Who wrote *Essay on the True Art of Playing Keyboard Instruments*

C.P.E. Bach.

77
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When did C.P.E. Bach live

1714-1788.

78
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Who was C.P.E. Bach in relation to J.S. Bach

His second eldest son.

79
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Where did C.P.E. Bach work

At King Frederick the Great's court in Berlin.

80
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What was C.P.E. Bach's treatise primarily designed to be

A practical keyboard guide.

81
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What performance topics does C.P.E. Bach's treatise address

Figured bass, improvisation, ornamentation, and fingering.

82
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What broader topics does C.P.E. Bach's treatise address

General performance and musicianship.

83
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What physical-performance information does C.P.E. Bach's treatise provide

Descriptions of physical performance gestures.

84
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What else does C.P.E. Bach's treatise contain

Musical examples demonstrating his ideas.

85
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Who wrote *A Treatise on the Fundamental Principles of Violin Playing*

Leopold Mozart.

86
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When did Leopold Mozart live

1719-1787.

87
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Who was Leopold Mozart

W.A. Mozart's father and teacher.

88
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Where was Leopold Mozart a court musician

Salzburg.

89
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What is Leopold Mozart's treatise primarily about

Violin technique and phrasing.

90
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What broader insights does Leopold Mozart's treatise provide

Music theory and Baroque national styles.

91
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Who wrote *On Playing the Flute*

Johann Joachim Quantz.

92
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When did Quantz live

1697-1773.

93
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What was Quantz's relationship to C.P.E. Bach

A colleague at Frederick the Great's court.

94
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What does Quantz's treatise contain besides flute playing

Ornamentation, variation, form, and accompaniment.

95
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How much information does Quantz's treatise provide about flute construction and playing

Limited information.

96
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What happened to instrumental music during the Baroque era

It gained independent importance alongside vocal music.

97
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What major genre emerged from the increased importance of instrumental music

The concerto.

98
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What contrast does the Baroque concerto exploit

Between a large ensemble and a solo group or soloist.

99
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What did many Baroque composers do with stylized dances

Combined them into suites for listening.

100
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What inspired the rhythms of Baroque stylized dances

Popular court dances.