How Art Became Modern in China. Midterm

Guo Xi, Early Spring, 1072, ink and color on silk

Liang Kai, Li Bai Chanting a Poem, early 13th century

Gu Kaizhi, Nymph of the Luo River, 12-13th c. copy of a 4th century original, handscoll ink and color on silk

Gu Kaizhi, Admonitions of the Palace Instructress, 7th-8th century copy of a 4th century original, handscroll ink and color on silk

anonymous court painters, Portrait of Emperor Qianlong, 1791, ink and color on silk

Zeng Jing, Portrait of Pan Qintai, 1621, ink and color on silk

You Zhao, Wang Gong, Female Students of Suiyan, 1792, ink and color on paper

Huaisu, Autobiographic al Essay, 730s-770s, handscroll ink on paper

Huang Mingqi, The Peony Pavilion, woodblock illustration, 1617

Dong Qichang, Landscape after Ancient Masters, 1630, ink on paper

Lu Shutong, Self Portrait, 1911, oil on canvas

Chinese blue-and-white porcelain plate with monogram of the Dutch East India Company, 1660

Chinese blue-and-white porcelains from Nanking Cargo, 1752

Dong Qichang, Wanluan Thatched Hall, 1597, hanging scroll ink on paper

Guo Xu, Mi Fu Bowing to Elder Brother Rock, 1503, album leaves ink on paper

Huang Gongwang, Dwelling in the Fuchun Mountains, 1338, ink on paper

Bronze Incense burner with gold inlay, 2nd century BCE

Wang Qihan, Library Scene, 10th c., ink and color on silk

Guo Zhongshu, Wangchuan Villa, 14th-17th century, ink and color on paper

Li Cheng, A Solitary Temple Amid Clearing Peaks, c. 960, ink on silk

Fan Kuan, Travelers Among Mountains and Streams, 11th c., ink and color on silk

Ma Yuan, Walking on a Mountain Path in Spring, 13th c., ink on silk

Ni Zan, The Rongxi Studio, 1372, ink on paper

Li Zhaodao, Emperor Ming Huang’s Journey to Shu, 8th c., ink and color on silk

Reconstruction of 8th c. Mingtang (Bright Hall)

Wen Zhengming, Garden of the Inapt Administrator, 1551, ink on paper

Wang Zhenpeng, Dragon Boat Regatta, 14th c., handscroll ink on paper

Xia Yong, Yuyang Pavilion, 14th c. album leaf ink on paper

Canon law books

Map of Fujian province and Western Taiwan from Maps of Imperial Territories, 1717

Illustration of Giulio Aleni’s Explanations of Scripture with Images of the Lord of Heaven Incarnate, 1637

Christ Praying in the Garden of Gethsemane from Nadal 1619

Crucifixion from Rocha 1619

Christ Washing the Disciples’ Feet from Rocha, 1619

Matteo Ricci and Xu Guangqi from Athanasius Kircher’s China Illustrata, 1667

Matteo Ricci, Zhong Wentao, and Li Zhizao, Kunyu Wanguo Quantu (The Complete Map of All Nations on Earth), woodblock print, 1602

Map of Shandong Province from Maps of Imperial Territories, 1717

Michele Ruggieri, Map of Nanjing, 1606

Martino Martini, Map of Shanxi, 1654

Giuseppe Castiglione and Ding Guanpeng, The Qianlong Emperor Looking at a Painting, 1746-1750, ink and color on paper

Giuseppe Castiglione and Jin Tingbiao, The Blue Goats, 1759-1760, ink and color on silk

Wang Gong, Female Students of Suiyan, 1792, ink and color on paper

Ding Yunpeng, Washing the Elephant, 1588, ink and color on paper

Unknown Chinese artist, view of canton, c. 1800, watercolor and gouache on paper

William Daniell, A View of the European Factories of Canton, 1805, oil on canvas

William Heine, Old China Street, Canton, 1856, chromolithograph on bristol board

Lam Qua, Self Portrait, 1853, oil on canvas

Unknown Chinese artist, The Studio of Tingqua (or Lam Qua), 19th c., watercolors on paper

Lam Qua, Portrait No. 14 (Fung Shi), 1834-1855, oil on canvas

Interior of Qianlong Emperor’s Studio of Exhaustion from Diligent Service, the Forbidden City

Harewood House, England, mid-18th-century chinese wallpaper

Panel of painted wallpaper, unknown maker, 1790-1800, Guangzhou, China

Wallpaper of repeat pattern of squirrels, peacocks, parakeets, and chinoiserie figures among flowers and foliage, unknown maker, c. 1700, Ord House, England

William Hogarth, Marriage a la Mode: The Tete a Tete, c. 1743, oil on canvas

Chippendale Rooms, England, 1766 & 1771

Robert Robinson, detail from the Painted Room, 1696

Chinese Court, Main Building, Centennial Exhibition, Philadelphia, 1876

Chinese parlor from Winterthur House, Delaware, decorated in 1929

The Powell House Room, MET, 1924

Anonymous artist, Interior with a Family Receiving Visitors, 1630, oil on panel

James McNeill Whistler, Purple and Rose: The Lange Leizen of the Six Marks, 1864, oil on canvas

Chinese blue-and-white porcelain from the Santos Palace in Lisbon, late 16th to early 17th century (Kraak Ware)

Plate with geese in a lotus pond, late 16th-early to 17th century, Jingdezhen, China, blue-and-white porcelain

Lidded jar, 1670-1685, delft, tin-glazed ceramic (delftware)

Pilgrim flask, 1575-early 17th century (medici porcelain)

Plate, c. 1740, Meissen, Germany (Meissen porcelain)

Royal Porcelain Collection, Dresden, Germany

Plate depicting a lady with parasol, c.1734-1737, Blue-and-white porcelain, Jingdezhen, China

Punch Bowl with Cantonese “Hongs,” 1788-1790, porcelain enamel

Puzzle jug, 1710-1720, blue-and-white porcelain, Jingdezhen, China

Famille Rose Armorial part service, 1770, Porcelain, enamel, Jingdezhen, China

Bottle, Kangxi Region, 1662-1722, famille verte porcelain, Jingdezhen, China (PINK DRAGON)

Plate, 1800-1820, blue-and-white porcelain, willow ware, Jingdezhen, China

Illustration from Stephen Bushell’s Oriental ceramic Art, 1897

small bulbous jar, 1736-1795, porcelain with OXBLOOD glaze, Jingdezhen, China

Vase, 1710-1722, Porcelain with KIDNEY-BEAN RED GLAZE, Jingdezhen, China

Vase, 1780-1820, porcelain with CELADON GLAZE, Jingdezhen, China

Cover of Oriental Ceramic Art, 1896

Glass painting, 1760-1780, colored pigment on glass

Plate glass manufacture depicted by Diderot and D’Alembert (1751-1777)

Puqua, A Glass Painter, 1790, watercolor and ink on paper

Winter, 1804, colored pigment on glass

glass painting with pheasants

Pair of pheasants, 1770-1780, reverse glass painting

Fatqua, Hebe Serving Wine, 1810-1815, colored pigment on glass

Chinese artist, Portrait of George Washington after a portrait by Gilbert Stuart, early 19th century, reverse glass painting

Pavilion of cheerful melodies, stage view toward the hall for viewing the opera in Forbidden City, Beijing

Winslow Homer, The War for the Union - A Bayonet Charge, 1862

Chinese Fruit Girl from Illustrated London News, 1858

Wu Youru, Touchstone Studio, 1884

Frontispiece and pages of Kangxi dictionary published by Touchstone Studios, 1889

Cover of the Illustrated Lithographer, 1884

Attacking the groom with stool, Illustrated Lithographer, 1885

Wu Youru, Enlightened through the obsession of an object, Illustrated Lithographer, 1887

Wu Youru, Paintings in the West, Illustrated Lithographer, 1893