From Mona Lisa to Modernism - Assessment 1 Review

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Vocabulary terms and artwork identification flashcards for Assessment 1 of From Mona Lisa to Modernism.

Last updated 7:44 PM on 9/15/26
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37 Terms

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Triptych

A three-paneled painting, panel, or altarpiece, often hinged together side by side.

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City-states

Independent political units consisting of a city and its surrounding territory, prominent in Renaissance Italy.

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Medici Family

A powerful Florentine banking family and major art patrons who influenced the development of Renaissance art and culture.

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Humanism

A Renaissance cultural and intellectual movement emphasizing the value, potential, and agency of human beings, drawing on classical Greek and Roman texts.

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Naturalism

A style of art depicting objects, landscapes, and human figures with anatomical accuracy and observational realism.

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Italo-Byzantine Style

A medieval style of Italian art influenced by Byzantine art, characterized by flat spatial depth, golden backgrounds, formal figures, and decorative drapery.

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Fresco

A mural painting technique executed upon freshly laid, or wet, lime plaster with water-based pigments.

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Tempera

A permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder, traditionally egg yolk.

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Oil Painting

A painting technique using pigments suspended in a drying oil, enabling rich color, subtle shading, and fine details.

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Engraving

A printmaking technique in which a design is incised onto a hard surface, such as a metal plate, using a burin.

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Book of Hours

A medieval Christian devotional book containing prayers, psalms, and illustrations designated for specific hours of the day.

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Contrapposto

A asymmetrical pose in sculpture and painting where the figure's weight is placed on one leg, causing hips and shoulders to shift.

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Foreshortening

A technique used in visual arts to suggest depth by shortening an object or figure extending toward or away from the viewer.

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Aerial/Atmospheric Perspective

A technique of depicting depth by rendering distant objects with lighter, bluer, and less detailed tones.

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Linear Perspective

A mathematical drawing system used to create the illusion of three-dimensional space on a flat surface using converging lines and vanishing points.

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Giotto, Christ’s Entry into Jerusalem (ca. 1305)

Fresco artwork created by Giotto located in the Arena Chapel.

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Giotto, Lamentation (1305)

Fresco panel created by Giotto depicting grief over the dead Christ, located in the Arena Chapel.

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Giotto, Madonna Enthroned from the Church of Ognissanti (ca. 1310)

working in italo-byzantine style, but incorporating naturalism into his work.

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Duccio, Maestà altarpiece (1308–1311)

Large multi-panel altarpiece painted by Duccio for the Siena Cathedral.

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Andrea Pisano, St. John the Baptist Baptizing the Multitudes (1330-6)

Gilded bronze relief created for the south doors of the Baptistery of Florence.

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Claus Sluter, Well of Moses (1395-1406)

Monumental sculptural structure carved by Claus Sluter.

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Hubert and Jan van Eyck, Ghent Altarpiece (open) (completed 1432)

Monumental polyptych altarpiece completed by Hubert and Jan van Eyck.

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Hugo van der Goes, Portinari Altarpiece (1476)

Large Flemish triptych painting commissioned by the Portinari family.

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Jan van Eyck, Giovanni Arnolfini and His Wife (1434)

Full-length double portrait painted in oil by Jan van Eyck.

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Limbourg Brothers, January, Les Très Riches Heures du Duc de Berry (1413-6)

Illuminated manuscript calendar page depicting a lavish feast created for the Duke of Berry.

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Robert Campin, Mérode Triptych (1425-8)

Oil triptych painting depicting the Annunciation set in a contemporary domestic interior.

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Martin Schongauer, Saint Anthony Tormented by Demons (1470-75)

Engraving illustrating Saint Anthony surrounded and attacked by demonic creatures.

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Brunelleschi, Sacrifice of Isaac (1401-2)

Bronze relief entry created by Filippo Brunelleschi for the Florence Baptistery competition.

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Ghiberti, Sacrifice of Isaac (1401-2)

Winning bronze relief entry created by Lorenzo Ghiberti for the Florence Baptistery competition.

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Ghiberti, Isaac and His Sons from the Gates of Paradise (1425-52)

Gilded bronze relief panel featured on the east doors of the Florence Baptistery.

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Donatello, David (ca. 1440-60)

Early Renaissance bronze statue of David, recognized as the first standing nude sculpture since antiquity.

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Masaccio, Expulsion of Adam and Eve, Brancacci Chapel (ca. 1424–1427)

Dramatic fresco depicting Adam and Eve being cast out of the Garden of Eden.

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Masaccio, Tribute Money (ca. 1424-7)

Fresco located in the Brancacci Chapel demonstrating linear and atmospheric perspective.

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Botticelli, Birth of Venus (ca. 1484-6)

Large mythological panel painting created by Sandro Botticelli.

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Brunelleschi, Dome of Florence Cathedral (1420-36)

Iconic double-shelled dome structure designed by Filippo Brunelleschi for Florence Cathedral.

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Piero della Francesca, Baptism of Christ (1448-50)

Panel painting depicting the baptism of Jesus using geometric symmetry and light.

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Mantegna, Foreshortened Christ (ca. 1500)

Tempera painting by Andrea Mantegna showcasing intense perspective foreshortening of Christ's dead body.