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Quam Pulchra Es
An example of countenance angloise
Form and rhythms molded to the words
Missa Caput Kyrie
Tenor placed below an octave, acting as an effective bass
Ockeghem expanded vocal range
Missa L’homme armé
Song is 31 measures
Each movement begins identically: head motive consisting of a duo in which the lower voice anticipates the cantus firmus melody
Ave Maria, Virgo Serena
Includes example of word painting: descent of Archangel Gabriel signified by the melodic line falling through the voices
Opening melody based on sequence of Ave Maria From the Annunciation
Missa Papae Marcelli Credo
Little repetition in melody or rhythms
Polyphonic in nature, but variation in the number of voices
Christ lag in Todesbanden
Was part of a compilation of sacred songs for the intended purpose of veering off from secular music
Melody primarly in the soprano line
Moro, lasso, il mio duolo
Extremely chromatic
Contrast between diatonic and chromatic = contrast between life and death