GREEK AH - Midterm IMAGES

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Votives from Eleon; 6th and early 5th cent.

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Ceramic Petrography of Eleon

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Franchthi Cave, mainland Greece; paleolithic

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Reconstruction of Sesklo; 5000 BCE

  • agglomerative space, lack of social stratification


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Pot from Sesklo; 5 cent. BCE

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Cup from Sesklo; 5 cent. BCE

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Reconstruction of a building at Sesklo; 5th cent. BCE

  • undifferentiated spaces


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Pot from Dimini; 4th-3rd cent. BCE

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Bowl from Dimini; 4000. BCE

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Figure from Sesklo; Neolithic

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“Venus of Willendorf”, Austria; Paleolithic

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Chart of Lithic Analysis

  • Chaîne Opératoire

  • Series of choices made by producers


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West House, Vasilike; EM II

  • Agglomerative

  • Differentiated spaces, communal spaces


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Tholos tombs, Crete; EM

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Ivory stamp seal, Crete; EM II

  • Glyptic art (engraving)

  • Likely came to Crete through trading

  • Likely worn and official


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Stone Jug, Crete; EM II

  • Object of high value, materials found through trading


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Aghios Onouphorios Ware, Crete; EM I

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Vasilike Ware, Crete; EM II

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Fortification walls, Cyclades; EC

  • needed for defense

  • not seen in CreteC


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Cycladic Figurine, Keros; EC II

  • used in burials and domestic contexts

  • hundreds of these ritually-broken figurines found at Keros


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“Frying Pan”, Syros; EC II

  • incised with decorations: slight celestial themes, representational, abstract figures


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Plan of Lerna; EH II

  • shows the House of the Tiles!

  • fortified; agglomerative


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Stamp seal impressions, Lerna; EH II

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Sauceboat, Lerna; EH II

  • Urfurnis, burnishing (rubbing for a finish), pottery


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Palace Knossos Plan, Crete; MBA

  • monumental building excavated by Arthur Evans

  • Rooms with different purposes…


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Lustral Basin, Malia; MBA

  • Use unknown, only seen at palaces (like Knossos)


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Theatral Area, Knossos; MBA

  • shows gathering space…


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Phaistos Disk, Phaistos; MM or LM

  • Symbols like Linear A and other hieroglyphic writing systems

  • Minoan script, not deciphered


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Snake Goddess, Knossos; MM III

  • clearly ritual figure

  • representational depiction


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Ivory Acrobats, Knossos; MM III

  • representational figures, clearly in motion

  • doing a sport? purpose unknown


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Ivory Acrobats, Knossos; MM III

  • representational figures, clearly in motion

  • doing a sport? purpose unknown


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Kamares Ware Jug, Phaistos; MM II

  • Made on the wheel, eggshell:tableware, courseware:storage


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Minyan Ware, Mainland Greece; MH

  • color can change depending on atmosphere fired in

  • meant to emulate bronze?


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Polychrome painted jug, Lerna; MH

  • emulating forms and colors of Kamares ware


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Queens Hall, Pier-and-door construction, Knossos; LM

  • type of construction

  • wall painting symbolizes affinity for the natural world


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Throne Room, Knossos; LM

  • Wall of piers looking into a courtyard

  • naturalistic scene with illusionistic elements… light depth/perspective


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Horns of Consecration, Knossos; LM

  • exact meaning unknown but frequent at palatial sites

  • has ritualistic connotations


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Bull Leaping Fresco, Knossos; LM

  • Illusionistic rendering, possible ritual practice/game/sport…


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Marine Style Pot, Knossos; LM

  • style of stylized marine creatures

  • naturalistic depictions


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Akrotiri, Theta; LC

  • agglomerative plan

  • minoan influence


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Cycladic wall painting, Akrotiri; LC

  • natural world depicted through animals…

  • two boys fighting

  • Minoan influence!


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Saffron Gatherers, Akrotiri; LC

  • strong ground line

  • natural scene… depictions of womenS


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Segment of Ship Fresco, Akrotiri; LC

  • renderings of human architecture and natural world

  • ritual? tradition?

  • Minoan artist/inspiration


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Grave Circle A, Mycenae; 16-14th cent. BCE

  • shows burial practices

  • burial goods discovered are extensive/beautiful


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“Mask of Agememnon”, Mycenae; LH I

  • title shows affinity for mythological representations

  • found in shaft grave V


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Dagger blades, Mycenae; LH I

  • naturalistic scenes, minoan influence…

  • dichotomy between this and the other blade


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Dagger blades, Mycenae; LH I

  • Displays hunting of lions, from Mesopotamian tradition of hunting as a sign of power

  • body proportions… Minoan influence

  • dichotomy between this and the upper scene


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Lion Gate, Mycenae; LH III B

  • Example of cyclopean masonry… think of means to create this

  • monumental sculpture


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Treasury of Atreus, Mycenae; LH III B

  • enormous tholos tomb!

  • beehive shape with an extensive hallway (dromos)


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Treasury of Atreus, Mycenae; LH III B

  • enormous tholos tomb!

  • beehive shape with an extensive hallway (dromos)


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Megaron tripartite plan, Pylos; MH

  • huge building

  • decorated with wall paintings, natural life, etc.


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Combat Agate, Pylos; LH II

  • I know this


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Aghia Triada Sarcophagous, Phaistos; LM III

  • cultural shift, cross-cultural connection, depictions…


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Amarna Letters, Egypt; 14th cent. BCE

  • Letters between egyptian pharoahs and other rulers

  • Diplomacy and gift exchange, intermarriage, etc.


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Oxhide Ingot, Cyprus; LBA

  • rocks enriched with copper, mixed with tin…


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Glass Ingots; 14th cent.

  • examples of Late Bronze Age connectivity

  • comes from Egypt


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Medinet Habu, Egypt; 12 cent. BCE

  • Ramses III

  • “Sea peoples…”, palatial collapse


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Warrior Vase (krater), Mycenae; LH III C

  • pictorial style!

  • emergence of military themes… tie back to palatial collapse?

  • Boar’s Tusk Helmet!


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Pot depicting Horse chariots, Mycenae; LH III C

  • Pictorial style… military ideology

  • representations of animals and figures… noodle horse

  • interest in military power and luxury materials - appreciation for past?


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Stirrup Jar, Perati; LH IIIC

  • octopus shape? odd to find pictorial style stirrup jars

  • interpreted as oil flasks

  • Wheel thrown


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Animal depictions on Stirrup Jar from Perati; LH IIIC

  • depictions of naturalistic imagery

  • pictorial style stirrup jars are rare…


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Stone (steatite) jewelry mold, Eleon; LH IIIC


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Oinochoe, Athens; 11th-10th cent. BCE

  • example of protogeometric pottery!

  • style first appeared in athens

  • Kerameikos cemetery


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Lefkandi Heroon, Euboea; mid 10th cent. BCE

  • Man, woman, and four horses buried here. continued use over ~100 years…

  • Toumba cemetery… Huge building

  • Forerunner for greek temples?


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Cup of Nestor, Ischia; 8th cent. BCE

  • one of the earliest examples of this alphabet

  • belongs to nestor… play on homeric epics?

    • displays sharing of tales across locations


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Krater, Thebes; ca. 730 BCE

  • Geometric pottery!

  • not much figural imagery… depiction of rowers across water…


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Dipylon Amphora, Athens; 730 BCE

  • Dipylon pottery!

  • 5 ft. tall!

  • Burial Vessel displaying funerary scenes


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Pyxis from Argos; 7th cent. BCE?

  • 35 year old woman’s burial

  • burial pot, imagery depicted

  • Langdon reading: revealed the lives of those who used it, identity of the woman…


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Pithos from Thebes; 7th cent. BCE?

  • Childs burial!

  • burial pot, imagery depicted

  • Langdon reading: revealed the lives of those who used it, identity of the woman…


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Tripod Cauldron, Olympia; 8th cent. BCE

  • dedicated to gods as an offering

  • tripod is fused to the cauldron


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Cauldron with Griffin Heads, Cyprus; 8th cent. BCE

  • also used in offerings for dead

  • purpose of the griffins?


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Pelopeion at Olympia; 7th cent. BCE

  • Think of the myth of Pelops and Oenomaus! The location is memorialized because of this story

  • One of the first panhellenic places we have evidence of.


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Bronze Horse Votive, Olympia; 8th cent. BCE

  • Depicts charioteers and horses

  • a dedication to the gods! ritualistic importance at this site


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Temple of Hera Hekatompedon, Samos, 8th century.

  • Mudbrick, central columns

  • Treasured location for worship

  • construction of temples! (cult statue at back, thatched roofs, etc.)


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Hekatompedon II, ca. 650 BCE

  • constructed of stone and has two rows of interior columns! difference from 8th cent. construction