MACS

The "gaze" refers to looking in terms of __________ and desire.

power

The Male Gaze highlights __________, objectification, and the use of stereotypical fantasies.

voyeurism

Portraiture is discussed as a tool for __________ rather than just revealing identity.

creating

The "Gaze" describes the relationship between looking and being looked at, which often involves __________ imbalances.

power

Cahun’s use of mirrors shows two sides of a face that the subject themselves cannot see, illustrating the complexity of the __________ relationship.

viewer/viewed

The Palace of Versailles serves as a primary example of how architecture and landscape are engineered to affirm __________ power.

absolute

The Hall of Mirrors functions as a "reception hall" where the Gaze signifies that __________ are constantly at work.

relations of power

In Diego Velázquez's Las Meninas, the artist includes himself in the painting to place the artist, the spectator, and the __________ in the same viewing position.

monarchy

Sylvia Sleigh's Turkish Bath disrupts the historical norm where women are __________ objects and men are active subjects.

passive

Orientalism is described as a Western style that centers on European fantasies regarding the __________.

"Orient"

Jean-Léon Gérôme's The Snake Charmer uses a "veneer of realism" to mask the __________ of a child.

sexualization

The concept of the "Othering" process stereotypes men as violent, lazy, or __________, while women are sexualized.

feminized

The Anthropocene is defined as a new epoch marked by collective human activities that have begun to alter the Earth’s surface, atmosphere, and __________ cycling.

nutrient

The Group of Seven's depictions of "uninhabited" environments complicate when acknowledging the history of __________ persons.

Indigenous

Edward Burtynsky creates "abstracted" landscapes that force the viewer to confront the grim reality of man-made __________ destruction.

environmental

The movement Superflat blurs the lines between high art and __________ culture.

commercial

Postmodern artists rejected hierarchies, intentionally mashing "high culture" with __________ elements.

low brow

Roy Lichtenstein's Brushstroke specifically parodies the "gestural" style of abstract expressionists like __________ Pollock.

Jackson

Andy Warhol's Death and Disaster series suggests that a picture can lose its emotional effect, leading to __________ to violence in print media.

desensitization

The work 727 by Takashi Murakami references the American B-29 __________ plane.

bomber