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Mediterranean Sea
sea between Europe, Asia, and Africa
provided trade routes and cultural exchanges
Aegean Sea
part of the Mediterranean Sea between Greece and Turkey
polis
city-state
Greek Agonism
athletic contest not focused on victory or defeat but the struggle of the battle itself
timē
the concept of honor, value, and social worth
motivates people to fight, compete, and protect their reputation
Classical Studies/Classics
Education (study literature, drama, history, art, etc.), Authors (works have been known across centuries), Archaeology (investigate Mediterranean civilizations)
Greek Miracle
the move from explaining natural phenomena through myth to using rational, observational explanations
Classical Ideal
Sense that Greeks do no wrong, portray as “ideal” instead of what actually look like
shaped cultural values, artistic practice, and even modern perceptions of perfection
Paleolithic
early stage of Stone Age
represents period of human prehistoric technology
Neolithic
later part of Stone Age
final stage of technological development among prehistoric humans
Agricultural Revolution
shift from nomadic hunting and gathering to settled farming
included the reallocation of land ownership to make farms more compact and an increased investment in technical improvements
Sedentism
living in one place for a long time
face-to-face model
learning that occurs in person
Social Stratification
structured system that organized individuals into ranked groups with differing rights, privileges, and roles
based off of land ownership, gender, citizenship, birth and lineage
lithics/flint knapping/obsidian
shaping flint or obsidian into tools to build walls
essential for making tools, weapons, decorative items
ancestor worship
honored their ancestors through festivals, funerary rites, and offerings
reflecting a deep belief in the continued influence of the dead on the living
megaron
central hall of a large Mycenaean house
place for religious ceremonies to be held
Cycladic figurines
consisted of men, women, musicians
flat, may be meant for funerals, painted, tattoos?
marble (metamorphic carbonate)
primary medium for architecture, sculpture, and religious expression
valued not only for its beauty but also for its durability, precision, and symbolic meaning
primitivism
represent the physical world on nature
Maria Gimbutas
archaeologist known for her research in Neolithic and Bronze Age
located the Proto-Indo-European homeland
Sir Arthur Evans
excavated the site of Knossos
provided a foundational understanding of Minoan civilization and its significance
labrys
double-bitted axe
sacred symbol of the Minoan religion
Horns of Consecration
stone or clay on top of roofs
thought to represent the horns of the sacred bull
rhyton
container that held liquids, usually in the form of an animal head
used to pour wine or blood for sacrifices
magazines
storerooms in palaces
stored oils, wine, grains, and other goods gifted to the king or queen
Phaistos Disk
clay disk with an unknown language
discovered in palace, may be a syllabary or alphabet
Linear A
primary script used in palace and religious writings of the Minoan civilization
Linear B
syllabic script used for writing
the only Bronze Age Aegean script to have been diciphered
procession
acts of worships
people came together to honor specific deities to secure protection and stability
proskynesis
the act of submission or worship
solemn gesture of respect towards gods and people of higher status
Cultural Hybridity
a mix of cultures, when two cultures come in contact it causes mixing
caused the mix of traditions and influences
Tholos tomb
a dome shaped tomb created by corbelling
usually used for burials, but sometimes used for homes or rituals
Fresco
mural painting on wet plaster
depict scenes of life and society of ancient Greece
Grave Circle A
royal cemetery
gold masks, weapons, and jewelry were found in the graves
Grave Circle B
royal cemetery before Grave Circle A
Stele and false doors found there
Continuity versus collapse
Continuity: preserving core traditions
Collapse: continuity broke down
continuity explains the resilience and legacy of Greek culture, while collapse explains the limits of that resilience and the forces that reshaped the Mediterranean
Chiefdom
central community surrounded by smaller communities
represented or governed by a chief
ruling one singular kinship group than a multiple group of them
Early Iron Age
final age after copper and bronze
Homer
Greek epic poet
author of Iliad and the Odyssey
poems were used as sources by others
Amphora
a tall jar with two handles and a narrow neck
Hellenes
what the Greeks called themselves
Euboea
a strategically important and culturally influential island in ancient Greece, home to major city-states like Chalcis and Eretria, and a hub for trade, colonization, and early Greek civilization
Early Iron Age
1000-700BC
-loss of writing, substantial stone architecture, sculpture, wall painting, rich burials
Lefkandi
on the island of Euboea, discovery of the Heroon and centaur
Heroon
shrine dedicated to a hero
-contained tombs of a man and a woman and another tomb of 4 horses
-buried with various possessions
-man was cremated but woman wasn't
-Early Iron Age
-amphora
Ancestor Veneration/Worship
the dead remained part of the living world and needed to be honored to maintain harmony between generations
offerings, feasts, rites
Greek Dark Age
can’t see whats happening bc no writing
Inhumation vs. cremation
choice depending on period, region, and social status
inhumation: Believed to provide the deceased with comfort in the afterlife
cremation: early Archaic period, cremation was the norm
Oral Composition
literature that was created, performed, and transmitted orally
Geometric Period
triangles, squares, spirals, circles, and rhombi to decorate pottery
horror vacui
Registers
official public records—often inscribed on stone or kept on wooden tablets and papyrus—that documented transactions, obligations, and civic activities
Meanders
a geometric pattern made from a single continuous line that turns at right angles in a repeating, interlocking sequence
Dipylon Cemetary
major burial ground in Kerameikos, used for both private and state burials, and is famous for its Geometric period grave markers such as the Dipylon kraters and amphorae
Dipylon Master
Attic Geometric vase painter active around 760–750 BC in Athens, renowned for producing large funerary vessels for aristocratic graves at the Dipylon Gate cemetery
Krater
a large two‑handled vessel used in Ancient Greece primarily for mixing wine with water, used at symposia
Prothesis
ritual display of a deceased person’s body before burial.
Ekphora
carrying the deceased from the home to the burial site, typically before dawn within three days of death, after prothesis, symbolized the transition of the deceased from the world of the living to the realm of the dead
Greek colonization
After the collapse of Mycenaean civilization, Greek groups began migrating and founding new settlements, especially along the Anatolian coast.
widespread migration, the founding of new city-states, and the spread of Greek culture, trade
Synoecism
uniting settlements into one polis
ex when Theseus united Athens and Attica
urbanization
growth of towns and cities
sphyrelaton
sculpture made from hammered metal sheets
orthogonal plans
layouts with streets crossing at right angles
hekatompedon
a “100 foot” temple or building
Archaic-period temple on the Acropolis of Athens, built from limestone and dedicated to Athena
relief
sculpture projecting from a background
architectural sculpture
sculpture made for a building
apoikia
a self-governing Greek settlement abroad
metropolis
“mother city” the community that founded an apoikia
oikist
the leader credited with founding an apoika
polos
a high, cylindrical crown worn by goddesses in Ancient Greek art and religion, symbolizing divine authority, fertility, and high status
appears in terracotta figurines, marble statues, and vase paintings from the Mycenaean to Classical periods
Daedalic
early Archaic Greek sculptural style, named after the legendary craftsman Daedalus
Orientalizing period
Greek art adopted Near Eastern and Egyptian motifs—such as floral patterns, lions, sphinxes, and mythological creatures
votive offering
objects dedicated in sanctuaries as gifts to the gods, often in thanks for favors or in hopes of healing, with major deposits found at sites such as the Asklepieion at Corinth
proto-Attic pottery
a shift from symbolic, geometric patterns to narrative storytelling on ceramic, influencing later black‑figure and red‑figure styles
Corinthian wares
pottery and metalwork produced in Corinth
copper with small amounts of gold and/or silver
horror vacui
artists filled every available surface with patterns, figures, and symbols to avoid blank areas
Panhellenic Sanctuaries
religious sites open to all Greeks, serving as neutral meeting places, pilgrimage destinations, and venues for major festivals and games
Oracle of Delphi
most influential prophetic institution in ancient Greece, believed to convey the words of Apollo
symposion
male drinking party held after a meal, featuring wine, music, poetry, philosophical debate, and entertainment, typically hosted in a special room called the andron
komos/komastes
procession of revelers marked by music, dancing, and festive excess, closely tied to Dionysian worship
hetairai
educated, high-status female companions in ancient Greece who combined intellectual, artistic, and sexual services, distinguishing them from ordinary prostitutes and citizen wives
at symposia
kottabos
skill-based drinking game played at Greek and Etruscan symposia
kylix
wide, shallow drinking cup central to ancient Greek social life, especially in symposiums
Kouros / kouroi
free‑standing marble statues of nude male youths produced mainly in the Archaic period
Kore / korai
freestanding Archaic-period statue of a young, draped female figure, serving as a votive offering to a deity or as a commemorative grave marker
Archaic smile
upturn of the lips on Archaic Greek statues, intended to suggest liveliness, vitality, and ideal well-being rather than emotion
Funerary sculpture
simple stone slabs to monumental marble statues, serving both as memorials and as expressions of identity, status, and belief in the afterlife