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Johann Wolfgang von Goethe
German poet
Fanny and Felix Mendosslen, Berlioz
Franz Schubert ElfKing
Was not impressed with the young composer’s dramatic setting, possibly because it did not convey the “folk song” character that the poet wanted to evoke
Leading figure along with Heine among a group of poets in England who favored short, personal “lyric” poems
Heinrich Heine
German Poet
Robert Schumann, A Poet’s Love, In the Lovely Month of May
Victor Hugo
France’s lead poet and playwright
Verdi’s Rigoletto based on Hugo’s Le roi s’amuse
Berlioz
Franz Peter Schubert
German composer
A classical romanticist, First in the classic-romantic structure
Composed more than 600 Lieder
Some song like Elf King performed in concert setting, most were in intimate settings because he wrote dances and chamber works
Born in Vienna, sang in Vienna Boys’ Choir
Schubertiad: dinner parties where Schubert would have others perform his works at his home in Vienna for his circle of musical friends
Robert Schumann
German composer
Classic romanticist, he liked the forms of the classical period but was very romantic in his expression
Poster child for Romantic era
Music critic
1840; Schumann wrote a lot of music inspired by Clara
Many mental struggles, spent his last 2 years in a mental asylum after he threw himself into a river
Health prevented him from being a concert pianist -> turned to composing
Lots of programmatic music (often piano music, with poetry attached)
Wrote over 200 lieder, song cycles, solo piano, solo vocal, 1 opera, choral music
Song cycles: Frauenliebe und Leben ("Woman's Love and Life") and Dichterliebe ("Poet's Love")
Frédéric Chopin
From Poland- wrote inspired by wars occurring in his country (Poland and Russia)
Nationalist composer
First performed at age 8
First work published at 15 in Vienna
Journalist endorsed him -> rise in popularity
Wide circle of artistic friends and patrons
Paris (met Rossini, Bellini, Berlioz, and Hedrich Heine (poet) networking w/ composers)
Aurore Dudevant (George Sand): author; had 9 yr relationship w/ Chopin, was his muse
Full liberation of the piano from other things
Performance style of piano/tradition of solo piano started by Chopin
Modulations anticipate the the style of the 20th century
Wrote exclusively for piano
Fanny Mendelssohn Hensel
German composer and pianist
Presided over salon performances at the Mendelssohn house
Wrote a character piece from piano cycle that had 12 pieces one for each month
Also a child prodigy, talented piano and composer and teacher
Wrote Lieder
Only advised to exhibit her skills in private life
Clara Wieck Schumann
German
talented performer and composer of piano, vocal, and chamber music
Daughter of Friedrich who was Schumann’s teacher
Hector Berlioz
french composer
Most of his music is dramatic in nature (tells stories)
Bold, intense, passionate
Master of orchestration: knew how to combine instruments to get the colors he wants
Mother was devout religious, Father was an intellectual
Became fascinated with literature early on
Self-taught, no formal education
Began composing as a teenager
Attended med school in Paris- witnessed local opera scene -> picked up guitar and flute
Early music career
Finished medical degree -> turned toward music career
Won “Prix de Rome” at age of 27- composition competition
Personal LIfe
Turbulent relationship with Harriet Smithson, even got married
Music career cont’d
Conducted his own pieces
Music critic
Harriet Smithson
Irish Actress
Actor in Berlioz’s troupe, he fell in love with her
He frantically courted her only to realize it was Shakespeare he was in love with
Felix Mendelssohn
German/Jewish
Upper middle class family
Jewish so you might see Mendelssohn-Batholdy as a protestant name
Fanny and him both talented musicians taught by mother
Great artist, watercolors
Best education possible
Teacher introduced him to Goethe, the most important German poet at the time
Quality of his works are consistently good from childhood to death
Traveled throughout Europe performing
Helped create Leipzig Conservatory
Bartholdy- protestant name
Edvard Grieg
norweigan
Peer gynt, morning mood and hall of the mountain king
Nationalist composer, captured his country’s folklore
Henrik Ibsen
Scandinavian
Wrote Peer Gynt, Hedda Gabler, The Doll’s House
Scandinavian Shakespear
Peer Gynt
Lazy, cant get his life together
Journey from Norway to Africa and back
Peer Gynt suite → gathering of all the incidental music written for a play
Johannes Brahms
swedish
Classical romanticist, takes structure from classical and expression of the romantic period
Absolutist; unlike the rest of the era, he does not write programmatic music
Four symphonies, didn’t start writing symphonies until his 40s
Played the cello, piano
Influenced by the French Revolution, inspired by folk music of gypsies
Success skyrocketed after being endorsed by Schumann
Founded, conducted and composed for a women's chorus
German requiem made him famous, written in vernacular and was written for the living not the dead
He fell in love with Clara after Schumann died but didn’t act on it
Successor to Beethoven in terms of chamber music
F - Ab - F “Frei aber Froh”
Jinny Lind
Swedish
“Swedish Nightingale"
Toured around the world sponsored by Barnum
Wildly popular, merch, streets with her name, etc.
Concerts & opera performances
Giuseppina Streppon
Italian
Verdi’s second wife
His muse, musical partner
Singing soprano star
Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini
Italian
three undisputed masters of the 19th-century Italian bel canto ("beautiful singing") opera tradition
Giuseppe Verdi
Opera buffa and seria but mostly seria
Bel canto (beautiful singing) school
Melodic, melismatic
Easy production
Agility
Rossini, Donizetti, Bellini
His operas have never fallen out
Natural gifted child composer at the organ
Self taught until patron sent to Milan Conservatory and failed the entrance exam
Nabucco; met his wife, Guiseppina Strepponi, who was in the opera
Viva VERDI: Viva Emmanuel Rei Di Italia
Reunification of italy
Political motto
William Shakespeare
English
Playwright and poet that inspired numerous compositions from Verdi and Berlioz
Richard Wagner
German
established the idea that multimedia can convey multiple meanings at once
The greatest figure in german opera
Developed endless melody
Gesamtkunstwerk: total artwork
Pioneer of the Music drama
Giacomo Puccini
Italian
leading late-Romantic Italian opera composer who bridged traditional Italian melodic opera with the dramatic realism of the verismo movement
Romantic
it originally referred to writing in a common everyday language (the vernacular) rather than formal Latin, and later described chivalric adventure stories or wild, imaginative landscapes
Modified strophic
in between through composed and strophic
Strophe 1
Middle section
Strophe 2
Coda
Schubertiads
dinner parties where Schubert would have others perform his works at his home in Vienna for his circle of musical friends
Neue Zeitschrift für Musik-(New Journal of Music)
publication established by Robert Schumann that became the leading journal of music criticism in Europe
Rubato
“robbed time” the performer hesitates here or hurries forward there, imparting flexibility to the written note values
Prix de Rome
Competition that awarded scholarship to the winner and allowing them to study music (or their chosen art) in Rome for 3-5 years , famously won by Debussy and Berlioz
idée fixe
“fixed idea” program music that is meant to refer to a person, place, or thing
col legno
playing with the wooden part of the bow
Conservatory of Leipzig
famous music school in Germany founded by Felix Mendelssohn
Nationalism
pride for one’s region or nation
bel canto style (know characteristics and composers)
Beautiful singing, melodic, melismatic, agile; Big three: Rossini, Donizetti, Bellini along with Giuseppe Verdi who was inspired by them
“Viva VERDI!”
“Viva Emmanuel Rei Di Italia”, Political motto championing the reunification of Italy
Festival Theatre at Bayreuth
wagner’s customized opera house in Bayreuth, Germany,
first ever orchestra pit
built specifically to perform the stage works of composer Richard Wagner funded primarily by King Ludwig II of Bavaria
Gesamtkunstwerk- (Complete art work)
Wagner viewed opera as “total artwork” in which the arts of music, poetry, drama, and visuals are fused together
Leitmotif
recurring ideas that represent a person, place or idea, famously used by Wagner
Post-Romanticism
an expansion of late Romantic trends such as verismo (realism) and exoticism (Japanese culture and music)
Verismo
Operatic realism
Exoticism
musical style in which rhythm, melodies, and/or instruments evoke the color and atmosphere of faraway lands (particularly Japan)
Pentatonic
Five note pattern within in an octave
Dichterliebe (A Poet’s Love)
Song cycle by Robert Schumann set to the poetry of Heine in 1840 one of many works dedicated to Clara and reflecting psychological journey of love that he experienced
Symphonie fantastique
Program symphony with five movements by Berlioz, a lovesick artist in an opium trance is haunted by a vision of his beloved, which becomes an idée fixe (fixed idea).
Reveries – Passions
A Ball
Scene in the Country
March to the Scaffold
Dream of a Witches' Sabbath
A Midsummer Night’s Dream
play by Shakespeare where Felix Mendelssohn wrote a concert overture for
Peer Gynt
Play by Henrik Ibsen based on a Norwegian folk tale. Peer is a lazy and boastful youth who kidnaps his fiancee only to abandon her later. He then goes to the forest and seduces a girl that is later revealed to be the daughter of the Mountain King, etc. Greig wrote incidental music based on this play
Rigoletto
Verdi’s opera based on Victor Hugo’s play
The Ring of the Nibelung
Wagner’s most famous work and music drama; four opera cycle includes The Valkyries
Madame Butterfly
Opera by Puccini which combines verismo (realism) and exoticism, inspired by Japanese culture
La bohéme, Tosca, Turando
Three very successful operas by Puccini, with Turandot being his last opera
GENRE: Lied/Lieder
german art song
GENRE: Song cycle
Group of songs that are unified musically or through their texts
GENRE: Character piece- Ballades
a one-movement instrumental piece that translates poetic storytelling into a free-form musical narrative
GENRE: Character piece- Études
a short musical composition created to help a musician practice and perfect a specific technical challenge
GENRE: Character piece- Mazurka
a Polish folk dance and musical genre in triple meter
GENRE: Character piece- Polonaises
a stately, slow-to-moderate processional instrumental composition in triple meter used for formal events
GENRE: Character piece- scherzos
fast tempos, jovial sound characteristics, and a triple meter usually in the third movement of a multimovement piece
GENRE: Character piece - waltzes
a musical and dance form written in triple meter (3/4 time) featuring a strong, accented first beat followed by two softer beats
GENRE: Character piece - impromptus
a free-form, single-movement solo instrumental piece designed to sound spontaneous and improvised on the spot, even though it is fully pre-composed
GENRE: Character piece - nocturnes
musical composition that is inspired by the night, slow tempos, subdued dynamics, lyrical melodies, uses rubato
GENRE: Piano cycle
Group of piano pieces that are unified musically or through their texts
GENRE: Concert overture
Single movement, stand-alone dramatic work performed at the beginning of a concert
GENRE: Incidental music
Music created for a play/show that doesn’t already have music
GENRE: symphonic poem/tone poem
One movement programmatic work for orchestra, metered/rhythmic invented by Franz Liszt
GENRE: German Romantic Opera
the immediate predecessor of the Singspiel characterized by melodrama, the most significant figure in this genre being Wagner
GENRE: Music drama/music drama cycle
Total artwork in which music, poetry, drama, endless melody, and visuals are fused together with the orchestra and leitmotifs as its focal point, invented by Wagner
Romantic era dates
1820-1900
Three elements of Romantic mood:
eternal longing
regret for lost happiness of childhood
discontent, pessimism
Romantic Style Traits:
Lyrical melodies with immediate appeal
Expressive harmonies marked by more chromaticism and dissonance
Expanded Classical-era instrumental forms
More programmatic forms and genres
Music draws closer to other arts-they all influence each other
Be able to differentiate the four categories of character pieces and most important composers:
Fanciful titles
Dance-inspired
Descriptive titles
Études
Contributions of Chopin
Pioneered full liberation of the piano from other things
Wrote exclusively for piano
Performance style of piano and tradition of solo piano started by Chopin
His modulations anticipate the the style of the 20th century
expanded symphonic form
Movement 1: may contain as slow intro, most dramatic movement, generally retains sonata allegro form, longer development
Movement 2: loose 3 part form, large range of mood so could be lyrical or whimsical or tragic
Movement 3: strongly rhythmic dance or scherzo, with overtones of humor, surprise, caprice, or folk dance
Movement 4: balances the first movement, often follows sonata form and may close the symphony on a note of triumph or pathos
LISTENING: “Elf-King” (“Erlkönig”)
composer: Franz Schubert
genre: lied
texture: homophonic
LISTENING: “In the Lovely Month of May” (“Im wunderschönen Monat mai”) from Dichterliebe
composer: Robert Schumann
genre: Lied from song cycle
texture: Homophonic
LISTENING: Étude, Op. 10, No. 12 (Revolutionary)
composer: Chopin
genre: character piece- etude
texture: homophonic
LISTENING: “September: At the River” from The Year (Das Jahr)
composer: Fanny Mendelssohn Hensel
genre: character piece from piano cycle
texture: polyphonic
LISTENING: Symphonie fantastique, IV and V
composer: hector berlioz
genre: programmatic symphony
texture: polyphonic
LISTENING: Overture to A Midsummer Night’s Dream
composer: Felix Mendelssohn
genre: concert overture
texture: homophonic
LISTENING: Peer Gynt, Suite No. 1, excerpts
composer: Edvard Grieg
genre: incidental music
texture: homophonic
LISTENING: Symphony No. 3 in F Major, III
composer: Johannes Brahms
genre: symphony
texture: homophonic
LISTENING: Rigoletto, Act III, excerpts (opera aria, opera quartet in two parts)
composer: Giuseppe Verdi
genre: Italian opera aria and opera quartet in two parts
texture: homophonic
LISTENING: Die Walküre (The Valkyrie), Act III Opening and Finale
composer: Richard Wagner
genre: music drama
texture: opening polyphonic, ending homophonic
LISTENING: “Un bel di” (“One beautiful day”) from Madame Butterfly, Act II
composer: Giacomo Puccini
genre: verismo opera aria
texture: homophonic