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Reckless Blues
Bessie Smith, Blues, 1920s (Armstrong filling in around vocals with trumpet)
Maple Leaf Rag
Scott Joplin, Ragtime, 1899
Maple Leaf Rag (ii)
Jelly Roll Morton, New Orleans/Dixieland, 1920s (swings and has improv)
Black Bottom Stomp
Jelly Roll Morton, New Orleans/Dixieland, 1920s (Long piano solo, faster, high clarinet refrain)
Snake Rag
King Oliver, New Orleans/Dixieland, 1920s (Armstrong and Lili Hardin on this, 2 trumpets, descending chromatic lines in the trumpets followed by a trombone glissando)
Potato Head Blues
Louis Armstrong, New Orleans/Dixieland, 1920s (not 12 bar, lengthy trumpet solo, uses lots of stop time)
Hotter than That
Louis Armstrong, New Orleans/Dixieland, 1920s (Scat Solo, cadenza w/ scat and guitar, guitar at end of song
West end blues
Louis Armstrong, New Orleans, 1920s (solo trumpet cadenza, 12 bar blues, slower)
I Gotta Right to Sing the Blues
Louis Armstrong, New Orleans/Dixieland 1930s
You’ve Got to be Modernistic
James P. Johnson, Stride, 1920s (showier than other solo piano songs and more harmonically daring, faster)
Christopher Columbus
Fats Waller, swing, 1930s (heavier stride piano, humorous lyrics)
Singin’ the Blues
Bix Beiderbecke, Pop/Early Big Band, 1920s (Saxophone melody at outset, Bix on trumpet and New Orleans polyphony- trumpet, clarinet, and trombone with sax)
The Stampede
Fletcher Henderson, Early Big Band, 1920s (Clarinet Trio)
Black and Tan Fantasy
Duke Ellington, Early Big Band, 1920s (“jungle band” sound, feature Bubber Miley on Trumpet and Joe “Tricky Sam” Nanton on Trombone playing Growly solos)
Walkin’ and Swingin’
Andy Kirk, Mary Lou Williams, Swing, 1930s (not 12 bar blues, williams arranges and composed and plays piano)
One O’Clock Jump
Count Basie, Swing, 1930s (Faster 12-bar blues, Lester young soloing, Buck Clayton trumpet solo quotes “when the saints go marching in”)
A Sailboat In the Moonlight
Billie Holiday, Swing, 1930s (Lester Young filling in tenor sax solos as background around her vocals)
Blue Skies
Ella Fitzgerald, Swing, 1950s (later recording, large big band, scatting)
Honky Tonk Train Blues
Meade "Lux" Lewis, Boogie-Woogie, 1920s (12-bar blues, very repetitive, riffing rhythmically)
Body and Soul
Coleman Hawkins, swing, 1930s (Tenor sax soloing the entire time, slow ballad)