ID4741 - Sample Exam #2

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25 Terms

1
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<p>Identify the Image</p><p><span>(1) Name (Architect/Designer/Artist)</span></p><p><span>(2) Title</span></p><p><span>(3) Location (Architect)</span></p><p><span>(4) Technique/Material (Furniture/Art/Artifacts)</span></p><p><span>(5) Date</span></p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Charles Percier and Pierre-Léonard Fontaine (interior design)

(2) Josephine’s Circular Bedroom in the Rueil-Malmaison

(3) Near Paris

(5) 1808

2
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(2) Studiolo of Frederico III da Montefeltro

(3) Ducal Palace, Urbino

(4) Wooden intarsia panels

(5) 1476

3
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1)  Fillippo Brunelleschi

(2) Dome of Florence Cathedral

(3) South View, Florence

(5) 1420-1436

4
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(2) Palazzo Davanzati

(3) Florence

(5) Late 14th century

5
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(2) Togu na (Men’s Meeting House; lit. “house of words”)

(3) Dogon, Mali

(5) 19th/20th century

6
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Jules Hardouin-Mansart and Charles Le Brun

(2) Galerie des Glaces (Hall of Mirrors)

(3) Palace of Versailles, Versailles

(5) c. 1680

7
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Balthasar Neumann (architect), Gian Battista Tiepolo and sons (ceiling decoration)

(2) Grand Staircase with the Ceiling of Apollo and the Continents

(3) Residenz, WĂĽrzburg

(4) Fresco

(5) 750-1752

8
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Jean-François Oeben and Jean-Henri Riesener

(2) Louis XV's roll-top secretary (Bureau Ă  cylindre),

(4) Louis XV style - wood, marquetry, bronze

(5) 1760-1769

9
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Jules Hardouin-Mansart and Charles Le Brun

(2) Galerie des Glaces (Hall of Mirrors)

(3) Palace of Versailles, Versailles

(5) c. 1680

10
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<p>The Background:</p><p><span style="line-height: 115%;">(1) Jules Hardouin-Mansart and Charles Le Brun</span></p><p><span style="line-height: 115%;">(2) <em>Galerie des Glaces </em>(<em>Hall of Mirrors</em>)</span></p><p><span style="line-height: 115%;">(3) Palace of Versailles, Versailles</span></p><p><span style="line-height: 115%;">(5) c. 1680</span></p>

The Background:

(1) Jules Hardouin-Mansart and Charles Le Brun

(2) Galerie des Glaces (Hall of Mirrors)

(3) Palace of Versailles, Versailles

(5) c. 1680

•

11
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Charles Garnier

(2) The Opéra

(3) Grand Foyer on the 1st floor, Paris

(5) 1861-1874

12
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<p>The Background:</p><p><span style="line-height: 115%;">(1) Charles Garnier</span></p><p><span style="line-height: 115%;">(2) <em>The Opéra</em></span></p><p><span style="line-height: 115%;">(3) Grand Foyer on the 1<sup>st</sup> floor, Paris</span></p><p><span style="line-height: 115%;">(5) 1861-1874</span></p>

The Background:

(1) Charles Garnier

(2) The Opéra

(3) Grand Foyer on the 1st floor, Paris

(5) 1861-1874

•

13
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<p>Similarities Between:</p><p><span style="line-height: 115%;"><em>Galerie des Glaces </em>(<em>Hall of Mirrors</em>) &amp; <em>The Opéra - </em>Grand Foyer</span></p>

Similarities Between:

Galerie des Glaces (Hall of Mirrors) & The Opéra - Grand Foyer

•

<p>• </p>
14
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<p>Differences Between:</p><p><span style="line-height: 115%;"><em>Galerie des Glaces </em>(<em>Hall of Mirrors</em>) &amp; <em>The Opéra - </em>Grand Foyer</span></p>

Differences Between:

Galerie des Glaces (Hall of Mirrors) & The Opéra - Grand Foyer

•

<p>• </p>
15
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Germain Boffrand

(2) Salon de la Princesse

(3) HĂ´tel de Soubise, Paris

(5) 1737-1740

16
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<p>The Background:</p><p>(1) Germain Boffrand</p><p>(2) <em>Salon de la Princesse</em></p><p>(3) HĂ´tel de Soubise, Paris</p><p>(5) 1737-1740</p>

The Background:

(1) Germain Boffrand

(2) Salon de la Princesse

(3) HĂ´tel de Soubise, Paris

(5) 1737-1740

•

17
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<p>Identify the Image</p><p>(1) Name (Architect/Designer/Artist)</p><p>(2) Title</p><p>(3) Location (Architect)</p><p>(4) Technique/Material (Furniture/Art/Artifacts)</p><p>(5) Date</p>

Identify the Image

(1) Name (Architect/Designer/Artist)

(2) Title

(3) Location (Architect)

(4) Technique/Material (Furniture/Art/Artifacts)

(5) Date

(1) Robert Adam (interior design)

(2) Entrance Hall of Syon House

(3) near London

(5) 1762-69

18
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<p>The Background:</p><p><span style="line-height: 115%;">(1) Robert Adam (interior design)</span></p><p><span style="line-height: 115%;">(2) Entrance Hall of Syon House</span></p><p><span style="line-height: 115%;">(3) near London</span></p><p><span style="line-height: 115%;">(5) 1762-69</span></p>

The Background:

(1) Robert Adam (interior design)

(2) Entrance Hall of Syon House

(3) near London

(5) 1762-69

•

19
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<p>Similarities Between:</p><p><em>Salon de la Princesse &amp; </em><span style="line-height: 115%;">The Entrance Hall of Syon House</span></p>

Similarities Between:

Salon de la Princesse & The Entrance Hall of Syon House

•

<p>• </p>
20
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<p>Differences Between:</p><p><em>Salon de la Princesse &amp; </em><span style="line-height: 115%;">The Entrance Hall of Syon House</span></p>

Differences Between:

Salon de la Princesse & The Entrance Hall of Syon House

•

<p>• </p>
21
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Essay Instructions: Identify at least 2 buildings/interiors/furniture/art by creator’s name (if applicable), title, location or medium (if applicable) and year to support your argument.


  1. Cite and discuss examples of African design (architecture, interiors, furniture, artworks) within their geographical and cultural context



22
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Essay Instructions: Identify at least 2 buildings/interiors/furniture/art by creator’s name (if applicable), title, location or medium (if applicable) and year to support your argument.


  1. Retrace and discuss the evolution of the interior design program of the Vatican from the Renaissance to the Baroque.



23
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Essay Instructions: Identify at least 2 buildings/interiors/furniture/art by creator’s name (if applicable), title, location or medium (if applicable) and year to support your argument.


  1.  Analyze François Boucher’s oil painting The Breakfast from 1739. What “novelties” of interior design, social customs, and mentalities can you identify in the picture that are typical for the Rococo period?



24
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Essay Instructions: Identify at least 2 buildings/interiors/furniture/art by creator’s name (if applicable), title, location or medium (if applicable) and year to support your argument.


  1. Describe, analyze and discuss some of the Utopian architectural schemes that emerged in the context of Neoclassicism in France.


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25
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Essay Instructions: Identify at least 2 buildings/interiors/furniture/art by creator’s name (if applicable), title, location or medium (if applicable) and year to support your argument.


  1. Take a closer look at Josephine’s Malmaison near Paris (both the Malmaison and the Petite Malmaison). What was the historical context of the construction of the two buildings and their interiors? How do they epitomize the Neoclassicial style? What other influences besides Neoclassicism are at play?