american histart midterm

fart

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“Negro Life at the South,” Eastman Johnson (1859)

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“Sojourner Truth with Flowers,” anon (1864)

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“Frederick Douglass,” George Kendall Warren (1876)

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“Storage Jar,” David Drake (1859)

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“Face Jugs,” Old Edgefield District, SC (1850-85)

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“Skirmish in the Wilderness,” Winslow Homer (1864)

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“Defiance: Inviting a Shot Before Petersburg,” Winslow Homer (1864)

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“A Harvest of Death, Gettysburg, PA,” Timothy O’Sullivan (July 1863)

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“Home of a Rebel Sharp Shooter, Gettysburg,” Alexander Gardner (1863)

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“A Burial party, Cold Harbour, VA,” John Reekie (April 1865)

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“The Freedman,'“ John Quincy Adams Ward (1863)

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“Lincoln and the Emancipated Slave,” Randolf Rodgers (c. 1866)

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“Abraham Lincoln, Fairmount Park, Philly,” Randolf Rodgers (1871)

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“Forever free,” Edmonia Lewis (1867)

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“Freedmen’s Memorial to Abraham Lincoln (Emancipation Monument),” Thomas Ball (1876)

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“Yosemite Valley from the ‘Best General View',’” Carleton Watkins (1865)

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“Century Vase,” Karl L.H. Muller (1876)

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“Grand Canyon of Yellowstone,” William Henry Jackson (1871)

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“Winter count Recording Events from 1798-1904,” Long Soldier, Hunkpapa Lakota (20th century)

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“Eyedazzler Blanket/Rug,” Dive (Navajo) maker (c. 1885)

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“Melancholy Prospect from Fort Marion,” Zotom (Kiowa) (1876-77)

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“Between Two Worlds,” Wohaw (Kiowa) (1876)

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“The Tenth Street Studio,” William Merritt Chase (1880)

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“Isabella Stewart Gardner,” John Singer Sargent (1888)

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“Nocturne in Black and Gold: The Falling Rocket,” James McNeill Whistler (1875)

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“Nocturne: Blue and Gold - Old Battersea Bridge,” James McNeill Whistler (1872-75)

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“The Recitation,” Thomas Wilmer Dewing (1891)

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“In the Lodge,” Mary Cassatt (1878)

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“Library Table,” Gustav Stickley (c. 1906)

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“Side Chair,” Frank Lloyd Wright (1901-2)

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“Magnolias and Irises,” Louis C. Tiffany (c. 1908)

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“Fish (Decorative Panel),” John La Farge (1896)

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“Gift Basket,” Elizabeth Hickox (Wiyot/Karuk) (c. 1910)

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“Fight for the Waterhole,” Frederic Remington (1903)

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“Chicago World’s Fair,” Thomas Moran (1894)

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“The Charge of the rough zriders,” Frederic Remington (1898)

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“Portrait of Queen Lili’uokalani,” William F. Cogswell

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“Data Portraits for "‘The Exhibit of American Negroes,’” W.E.B. Du Bois (1900)

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“The Horse in motion (‘Sallie Gardner,’ Owned by Leland Stanford; Running at a 1:40 Gait Over the Palo Alto Track),” Eadweard Muybridge

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“Stag at Sharkey’s,” George Bellows (1909)

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“Pennsylvania Station Excavation,” George Bellows (1907-08)

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“Lodgers in Bayard Street Tenement, Five Cents a Spot,” Jacob August Riis (1889)

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“Movies, Five Cents,” John Sloan (1907)

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“Nude Descending a Staircase, No. 2,” Marcel Duchamp (1912)

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“Battle of Lights, Coney Island, Mardi Gras,” Joseph Stella (1913-14)

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“Nature Symbolized, No. 2,” Arthur Dove (1911)

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“The Shelton with Sunspots,” Georgia O’Keeffe (1925)

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“Portrait of a German Officer,” Marsden Hartley (1914)

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“Untitled (Koshare on Rainbow),” Awa Tsireh (1925-30)

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“Untitled (Bighorn Sheep and Rainbow),” Awa Tsireh (1928-30)

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“Ici, c’est ici Stieglitz (Here, This is Stieglitz Here),” Francis Picabia (1915)

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“Fille nee sans mere (Girl Born without a Mother),” Francis Picabia (1916-17)

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“Fountain,” Marcel Duchamp (1917)

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“God,” Baroness Elsa von Freytag-Loringhoven and Morton (1917)

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“American Landscape,” Charles Sheeler (1930)