Rambert Company 1966-2002
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28 Terms
When was Norman Morrice associate artistic director of Rambert?
1966-1970
When was Norman Morrice artistic director of Rambert?
1970-1974
When was John Chesworth associate artistic director of Rambert?
1970-1974
When was John Chesworth artistic director of Rambert?
1974-1980
When was Robert North Artistic Director of Rambert?
1981-1985
When was Robert North associate Artistic Director of Rambert?
1975-1981
WHen was Richard Alston artistic director of Rambert?
1986-1992
When was Christopher Bruce artistic director of Rambert?
1994-2002
Who was artistic director of Rambert 1970-1974?
Norman Morrice
Who was artistic director of Rambert 1974-1980?
John Chesworth
Who was artistic director of Rambert 1981-1985?
Robert North
Who was artistic director of Rambert 1986-1992?
Richard Alston
Who was artistic director of Rambert 1994-2002?
Christopher Bruce
What happened to the company in 1987?
Renamed Rambert Dance Company
When was Rambert company formed?
1926
What was the company's first performance and when was it?
A Tragedy of Fashion in 1926
How long did Morrice spend in America?
4 years (1962-1966)
When was Marie Rambert born?
1888
When was the company named Ballet Rambert?
1935
When was the company named The Ballet Club?
1930
When did Norman Morrice join Ballet Rambert?
1953
What was Morrice's first piece for the company and when?
Two Brothers in 1958
How many dancers was the company reduced to by Morrice in 1966?
17
What were the three aims of Ballet Rambert in May 1966?
Encourage production of new works, preserve master works from Rambert's history, to give regular sessions in London and tour
Who were two American choreographers that Norman Morrice brought in to choreograph for Rambert in the 1960s?
Anna Sokolow and Glen Tetley
What are the four stylistic features of Rambert?
Design and dance,
Moving away from classical traditions,
American influences,
Commissioning new aural settings,
Methods of collaboration
What were some key things that John Chesworth brought to the company?
Choreographic development of the company's dancers, dance for film, educating young people
What were some key things that Robert North brought to the company?
Showcasing British choreographers, develop physicality, musicality and dramatic qualities of the dancers