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Diction
The author’s specific word choices and their connotations; e.g., “empty” makes vibrant tulips feel unfulfilled.
Syntax
Arrangement of words and sentences; fragments can suggest broken thoughts, while long lists may create sensory intensity.
Tone
Narrator’s or author’s attitude, such as sardonic, bitter, nostalgic, detached, sensuous, defiant, or menacing.
Mood
The atmosphere the reader feels, such as tension, claustrophobia, unease, or sadness. Not the same as tone.
Imagery
Language appealing to sight, sound, smell, taste, or touch; the garden’s heat and scent suggest bodily life.
Symbolism
An object, color, or action represents larger ideas; red clothing can suggest both fertility and blood.
Motif
A recurring image or pattern that develops a theme; repeated flower imagery links fertility, beauty, and control.
Theme
An underlying idea explored by the work, such as identity versus conformity or protection used to justify oppression.
Metaphor
Direct comparison without like/as; calling tulips “chalices” makes them sacred reproductive vessels.
Simile
Comparison using like/as; petals falling “like teeth” connects fading blooms with bodily loss.
Personification
Attributing human actions or feelings to nonhuman things; the garden seems to breathe or speak.
Irony
A gap between appearance, expectation, or words and reality; Gilead praises fertility but denies women autonomy.
Juxtaposition
Placing contrasting ideas together; delicate flowers are described with violent or military language.
Paradox
An apparent contradiction with meaning; flowers silently “clamor” to be heard.
Allusion
Reference to religion, myth, history, or literature; Rachel and Bilhah are used to justify reproduction.
Euphemism
A mild term that disguises something disturbing; “Salvaging” means a public execution.
Pun
Wordplay using multiple meanings or similar sounds; “habit” means clothing and routine.
Neologism
A newly coined word OR a word given a new meaning; Gilead creates labels like “Unwomen” and redefines “Eye.”
Portmanteau
A new word made by blending parts of existing words, e.g., “Particicution” = participation + execution.
Neologism vs. portmanteau vs. semantic shift
Neologism is the broad category; a portmanteau blends words; a semantic shift gives an existing word a new meaning.
Offred
Of + Fred: an assigned name showing male possession and loss of personal identity. Class sheet labels it a portmanteau.
Eye / Eyes
Gilead’s secret police; an ordinary vision word repurposed to imply surveillance and self-censorship.
Angel Maker
A label for doctors associated with abortion; religiously charged wording condemns reproductive choice. Not a military Angel.
Compudoc
Computer + doctor; medical records/identification reduced to a computerized system of monitoring.
Shredder
Dehumanizing label for a baby with severe abnormalities; implies damaged material or waste.
Soul Scrolls
Shop selling mechanically printed prayers; exposes paid, performative religious devotion.
Holy Rollers
Punning nickname for prayer-printing machines; turns supposed holiness into automated production.
Unbaby
Un- + baby; Gilead’s label for a severely abnormal/unviable child, withdrawing recognized personhood.
Unwomen
Un- + women; those rejected from Gilead’s approved female roles, showing the regime controls identity.
Aunt
Female Handmaid trainer/enforcer; a nurturing family title disguises indoctrination and punishment.
Martha
Biblically named domestic worker; makes women’s household labor appear their natural identity.
Guardian
Lower-ranking male guard; a protective title disguises surveillance and restriction.
Econowives
Economic/economy + wives; lower-status wives perform multiple tasks, exposing class inequality.
Red Center
Handmaid training institution (Rachel and Leah Center); red evokes fertility, blood, danger, and conditioning.
Prayvaganza
Prayer/pray + extravaganza; a mass religious event that turns devotion into public spectacle.
Commander
Elite male authority; military language extends hierarchy and obedience into domestic life.
Angel
Soldier of Gilead; sacred naming makes organized violence appear divinely authorized.
Salvaging
A public execution; euphemism that makes killing sound like rescuing or restoring.
Testifying
Forced public disclosure and group judgment; “truth-telling” becomes indoctrination and victim-blaming.
Particicution
Participation + execution; state-directed group killing gives the illusion of empowering participants.
Serena Joy (name)
Ironic public name: serenity and happiness contrast with her bitterness, frustration, and confinement.
Pun: habit
Religious garment + repeated behavior; dress and imposed routine normalize obedience. Ironic/uneasy tone.
Pun: Mayday / May Day
Emergency distress call + spring/May 1 + resistance password; suggests danger and hope.
Pun: speechless
Stunned/unable to speak + deprived of a public voice; Serena supported values that later silence her. Bitter irony.
Pun: waiting
Waiting for events + waiting on/serving others; Offred’s room feels like a holding place, not an independent home.
Pun: household
Family home + something held or possessed + a ship’s hold; a supposedly safe home becomes confinement.
Pun: belly / bellying
Pregnant abdomen + swelling sail; Offred’s imagined escape circles back to her reproductive role.
Pun: master
Owner/person in power + principal/master bedroom + skilled person; ordinary domestic language preserves male authority.
Pun: loose
Unrestrained/free + sexually “loose”; the same word can celebrate liberation or stigmatize female independence.
Pun: falling
Falling in love + losing control + “fallen” woman; mixes affection, vulnerability, and moral judgment.
Overall effect of Offred’s puns
They show intelligence and mental resistance, introduce dark humor/irony, and challenge Gilead’s control of language.
RED — positive vs. negative
Positive: passion, vitality, courage, life. Negative: blood/violence, rage, lust, aggression, sin.
ORANGE — positive vs. negative
Positive: energy, warmth, enthusiasm, creativity. Negative: hazard, insincerity, impulsiveness, instability.
YELLOW — positive vs. negative
Positive: truth, knowledge, light, youth, optimism. Negative: cowardice, dishonesty, artificiality, decay.
GREEN — positive vs. negative
Positive: growth, fertility, nature, health, renewal. Negative: jealousy, greed, sickness, immaturity.
BLUE — positive vs. negative
Positive: loyalty, serenity, clarity, freedom. Negative: sadness, isolation, longing, emotional detachment.
PURPLE — positive vs. negative
Positive: royalty, authority, mystery, imagination. Negative: tyranny, illusion, excess, corruption.
PINK — positive vs. negative
Positive: love, innocence, tenderness, romance. Negative: naivety, vulnerability, timidity, weakness.
BROWN — positive vs. negative
Positive: reliability, endurance, comfort, tradition. Negative: dullness, stagnation, poverty, decay.
GRAY — positive vs. negative
Positive: wisdom, maturity, responsibility, restraint. Negative: disguise, conformity, loneliness, lifelessness.
BLACK — positive vs. negative
Positive: power, strength, elegance, authority. Negative: death, fear, secrecy, oppression, corruption.
WHITE — positive vs. negative
Positive: innocence, purity, goodness, peace. Negative: emptiness, sterility, surrender, isolation, erasure.
GOLD — positive vs. negative
Positive: wealth, divinity, success, prestige. Negative: elitism, greed, dominance, decadence.
SILVER — positive vs. negative
Positive: wisdom, reflection, clarity, precision. Negative: betrayal, artificiality, coldness, dehumanization.
BRONZE — positive vs. negative
Positive: strength, unity, support, stability. Negative: obedience, groupthink, boastfulness, deterioration.
Handmaids — RED uniform
Official: honored fertility/motherhood. Reality: blood, violence, loss of identity, reproductive exploitation.
Handmaids — WHITE wings
Official: purity and modesty. Reality: restrict vision and separate women; “wings” ironically suggest flight/freedom.
Wives — BLUE uniform
Official: Virgin Mary, loyalty, purity, household status. Reality: sadness, emotional coldness, constrained autonomy.
Marthas — dull GREEN uniform
Official: domestic service, nourishment, usefulness. Reality: women reduced to labor and denied independence.
Aunts — BROWN uniform
Official: tradition, stability, dependable teaching. Reality: stagnation and women enforcing Gilead’s rules.
Daughters — WHITE uniform
Official: virginity, innocence, moral purity. Reality: ignorance, obedience, erased choices.
Commanders — BLACK suit
Official: authority, leadership, seriousness. Reality: intimidation, secrecy, oppression, male dominance.
Econowives — striped clothing
Stripes combine several female-role colors; poorer women must perform domestic, marital, and reproductive duties.
Flower: opening RED TULIPS — who?
Offred and the Handmaids; conventional love/rebirth and red fertility contrast with loveless reproductive exploitation.
Opening red tulips — “chalices” and “empty”
Sacred vessel imagery + emptiness: Gilead honors women as reproductive containers but denies fulfillment/identity.
Opening red tulips — “shards,” border, upward growth
Shards suggest injury/fragmentation; border suggests controlled growth; upward thrust suggests vitality without freedom.
Flower: WITHERED DAFFODIL — who?
Primarily Serena’s faded vitality/status; also Offred’s desire for a small independent choice.
Withered daffodil — traditional meaning vs. condition
Daffodils mean spring/renewal/hope, but “withered” turns the symbol into decay, lost potential, and irony.
Withered daffodil — diction and setting
“Stale,” “stench,” discarded flower, and midnight create domestic decay and small, secret resistance.
Flower: BLUE/PURPLE IRISES — who?
The Commanders’ Wives, especially Serena; blue/purple suggest loyalty, high status, sadness, and limited power.
Irises — glass and frozen-water similes
“Blown glass” suggests delicate luxury; “water frozen” suggests beauty with suspended movement and restricted freedom.
Irises — posture and color
Tall upright stalks convey prestige; blue evokes loyalty/sadness, purple royalty/authority, dark shades shadow.
Flower: BLEEDING HEARTS — who?
Serena and the Wives in the group slides; more broadly suppressed women and hidden female suffering.
Bleeding hearts — “rooted out” / “subversive”
Political diction makes the garden represent resistance to the regime’s attempt to suppress femininity and desire.
Bleeding hearts — silent clamor / posture
Paradox and personification show silenced women still expressing themselves; drooping hearts suggest pain but continued growth.
Flower: CUT TULIP SEEDPODS — who?
Serena’s frustrated desire to control fertility; seedpods parallel Handmaids whose reproduction is managed by others.
Cut seedpods — shears and “Saint Serena”
Shears imply power/potential violence; saintly language beside military diction exposes care mixed with coercion.
Cut seedpods — stage and effect
Petals shed “like teeth” suggest bodily loss; cutting pods redirects energy to the bulb and does not necessarily kill it.
Flower: CARNATIONS — who?
Serena Joy in Group 6; traditionally motherly love and gratitude, but here frustrated maternity and intimacy.
Carnations — warmth, scent, and breathing
Sensory imagery and personification make the garden bodily, intimate, alluring, and disorienting.
Carnations — sacred vs. bodily language
Carnation/flesh associations and Dianthus (“flower of god”) join physical desire with religious ideals.
Earlier tulip passage — cut and healing imagery
The red opening tulips look cut and beginning to heal; beauty is linked to injury, reproduction, and possible recovery.
Peonies and pinks in the warm garden
Peonies suggest romance and abundance; pinks are Dianthus relatives of carnations, adding femininity and sensuality.
Rose color meanings from bouquet handout
Red: love; white: purity; pink: gratitude; yellow: friendship or jealousy; purple: mystery; black: mourning.
Flower bloom stages — what do they suggest?
Bud: youth/potential; partial bloom: awakening; full bloom: maturity/fertility; withering: decline; dead/dried: loss/remembrance.
How do you analyze a flower on the test?
Consider traditional meaning, name, color, bud number, stem/posture, stage/health, setting, and exact wording; then link to a person/group.
Central contradiction in Gilead
The regime calls its system holy, orderly, and protective while using it to exploit bodies and suppress individuality.
Gilead’s language: main purpose
Names, titles, puns, and euphemisms reveal how language classifies people and makes oppression appear normal.
Light vs. darkness in Gilead
Light can mean truth/hope but also exposure to surveillance; darkness can mean danger but also privacy/resistance.
Eyes, Wall, and uniforms — shared theme
Visible classification, surveillance, and public punishment enforce fear and self-policing.