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Pieter Bruegel the Elder
not including a single focal point in his paintings
Pliny the Elder
wrote Natural History
Jackson Pollock
elongated drips pull gaze quickly around canvas
Diego Rivera
20th century Mexico mural frescoes
Alexander Calder
created mobiles in the 20th century
Antonio Gaudi
organic, cut-stone buildings in Spain
Pablo Picasso and Georges Braque
introduced collages in 1912
Robert Rauschenberg
paint and silkscreen collages
Joseph Cornell
assemblages (juxtapose various found objects); “open boxes”
Ai Wei
a sculptor detained by the Chinese government in 2011
Raphael Sanzio
frescoes commissioned into Vatican by Pope Julius II; The School of Athens and Sistine Madonna
Donatello
created a bronze statue of David in the 1420s-60s
Botticelli
full-length painting The Birth of Venus in 1482
Tintoretto
mannerism (distorted perspective, scale, and color); chiaroscuro (contrast of light and dark, Baroque); The Last Supper
Matthias Grünewald (German Renaissance)
religious scenes; Isenheim Altarpiece (1510-5); 2 sets of folding swings, 9 parcels
Albrecht Dürer (German Renaissance)
carvings, woodcuts, biblical engravings; biblical scenes in naturalistic style; Four Horsemen of the Apocalypse
Hans Holbein the Younger (German Renaissance)
England’s court painter for Henry VIII; detailed observations of character; Thomas More (1527)
Rembrandt van Rijn
paintings, prints, drafter (architectural sketches → blueprints); self-portraits = studies of inner psyche; The Night Watch (Sortie of Captain Banning Cocq’s Company of the Civic Guard) - 1642; focused on subjects for artistic effect rather than the money they paid to be in the painting; died in poverty
Jean-Antoine Watteau
Embarkation for Cythera (1717); pioneered fête galante (nobility lounging in countryside)
Eugene Delacroix
rival of Jean Dominique Ingres; Orvid Among Scythians (1862); exotic or historical places; violent animals
Gustave Courbet
Stonebreakers (1849-50); men repairing road; The Burial at Ornans (1850 Salon; “the Burial of Romanticism”)
Edouard Manet
Le Déjeuner sur L’herbe; appeared in Salon des Refusés (an 1863 Parisian art exhibit to display artworks that had been refused by the Paris Salon)
Paul Cezanne (post-Impressionist)
rejected Impressionist amorphous shapes; broke subjects into geometric forms
Georges Serat (post-Impressionist)
optical mixing; pixelated landscapes; color-pointillism
Vincent van Gogh (post-Impressionist)
intense, thick color; Night Cafe (1888)
Paul Gauguin (post-Impressionist)
left career and family to move to Tahiti; natural scenes with intense color
Matisse (early Modernist)
Luxe, Calme et Volupté (1904)
Fritz Baumann
Cubist Composition (1918)
Max Ernst
Elephant Celebes (1921)
Duchamp
LHOOQ (1919)
Der Blaue Reiter (1913)
a group of German Expressionist artists who used abstract imagery
Die Brücke
a group of German Expressionists; Ernst Ludwig Kirchner, Emil Node, Edvard Munch; used Fauvist colors (bold, saturated, unnatural colors)
Die Stijl
a Dutch Expressionist movement; Piet Mondrian; flat rectangular fields in primary colors
Bull’s Head (1943) by Picasso
handlebars and bike seat
Jasper Johns
created a series that included flags, numbers, maps, and letters
Robert Rauschenberg
sculptures combined old objects
Bed (1955) by Robert Rauschenberg
painted bedclothes hung on wall
Monogram (1959) by Robert Rauschenberg
stuffed goat, tire, police banner, heel of shoe, tennis ball, paint
acrylic paint; airbrush
_____________ and the _______________ made the precise outlines of hard-edge painting possible
Frank Stella
innovated hard-edge painting
David Smith (minimalism)
stainless steel
Dan Flavin (minimalism)
neon tubing
Armory Show (February - March 1913)
sponsored by the Barnes Foundation; unconventional approaches to figure and space
performance art
theater + art; often has a political edge (ex. Guerrilla Girls)
Native Skywatchers program
Ojibwe and Dakota/Lakota star knowledge; Annette S Lee
John Ruskin
has an 1856 quote that says that a daily, quiet 10 to 12 mile walk is the most “amusing” of all travelling, and that all travelling becomes dull in direct proportion to its rapidity; art critic from Victorian England; railroad-hater
Jaune Quick-to-See Smith
Who said “our languages carried thousands of years of knowledge”?
Water of the Flowery Mill
a typical New York School painting