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Vocabulary definitions for core narrative elements, authorial narrative techniques, and critical literary lenses used in literary analysis.
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Theme
The message conveyed by a text that applies universally; it cannot be described in a single word, and it implies a conflict or an argument about the central idea.
Plot
All of the events and actions of the work.
Exposition
The phase of plot where the background information of the setting and characters is presented along with an introduction to major thematic elements.
Rising Action
The phase of plot that follows the inciting incident and causes suspense and conflict to build.
Climax
The point in a plot at which the character makes a decision or has an experience that releases suspense that has built to a breaking point.
Falling Action and Resolution
The phases of plot that conclude the results of the climax and resolve major arcs of characters and themes.
Character
The people who act and are acted upon in a literary work.
Protagonist
The main character of a literary work.
Conflict
The central tension in the work, where in most cases, the protagonist wants something while opposing forces (antagonists) hinder progress.
Setting
When and where the work takes place, including location, time period, time of day, weather, social atmosphere, and economic conditions.
Pacing
The speed at which a story unfolds, which controls the rhythm and tempo of the narrative.
Point of View
The perspective from which a story is told.
First-person Point of View
Narrative perspective where the narrator involves him or herself in the story.
Third-person Point of View
Narrative perspective where the narrator does not participate in the story.
Omniscient Narrator
A third-person narrator who sees and knows all, can witness any event in any time or place, and is privy to the inner thoughts and feelings of all characters.
Narrator
The voice telling the story, which may straightforwardly report events, convey subjective opinions, or provide commentary.
Imagery
Language that appeals to the senses, representing things that can be seen, smelled, heard, tasted, or touched.
Figurative Language
Language that is not meant to be interpreted literally.
Metaphor
A type of figurative language comparing two unlike things by claiming that one thing is another thing.
Simile
A type of figurative language comparing two unlike things by claiming that one thing is like another thing.
Personification
Giving human characteristics to a nonhuman element.
Structure
How the parts of the work are assembled.
Motif
A recurring element, image, idea, or phrase in a story that helps explain the central theme.
Symbolism
The idea that a concrete thing represents an abstract thing.
Diction
Word choice.
Syntax
Word order and sentence construction.
Tone
The mood or feeling of the text.
Dramatic Irony
When the reader or audience is aware of the outcome of the narrative before the characters.
Reader Response Lens
Focuses on how readers actively create meaning from a text through their own lived experiences, personal reactions, and subjective reflections.
Biographical Lens
Analyzes a literary work through the life, personal circumstances, and historical background of the author.
Gender Lens
Evaluates how literature portrays gender roles, power imbalances, and gender-based attitudes.
Historical Lens
Places a text within its broader social, political, cultural, and economic era.
Postcolonial Lens
Examines the impacts of colonialism on identity, culture, and power, focusing on 'othering,' cultural displacement, and colonized peoples.
Race or Ethnicity Lens
Investigates how literature reflects, celebrates, or critiques racial constructs and ethnic identities.
Social / Advocacy Lens
Analyzes literature through the framework of economic class and social power.
Archetypal Lens
Identifies universal character types, recurring symbols, narrative patterns, and shared myths across literary works.