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32 Terms

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REPETITION
When a specific word or short phrase is repeated. Used to emphasize an idea.
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RESEARCH
A close study of a topic using secondary sources. Example: you read a psychological book on guilt to understand Lady Macbeth better.
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RESOLUTION
The last part of a plot, following the falling action. Where conflicts are resolved.
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RHETORICAL QUESTION
Asking a question without intending to receive an answer. Answer is usually obvious and does not need to be answered. Ex: a police officer asks “do you know how fast you were going?” after pulling you over. Ex: Duffy: What have you done to the world?
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RHYME/RHYME SCHEME
Rhyme: The same sounds at the end of lines of poetry. Ex: Why can you not see, You should be with me? Rhyme Scheme: The pattern of rhyme throughout a poem. Marked with letters for each different sound. Ex: This is where the sidewalk ends, (A) And few people know, (B) That where the road twists and bends, (A) Is where no one will go. (B)
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RHYTHM
The beat of a poem/phrase; via stressed & unstressed syllables. - / - / - / - - / - - / - - /
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RISING ACTION
A series of events leading up to the climax in a story. Each event increases tension a bit more.
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ROUND CHARACTER
A many-sided (well-developed) character that the reader knows well. Often are present throughout a story/play.
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SARCASM
Saying one thing, but meaning the opposite. Typically used for comedic effect. Example: “I totally love all these literary terms.”
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SATIRE
A piece of literature that critiques/makes fun of the ways of society. May target certain leaders or society as a whole. Usually written to raise awareness and promote change. Ex: Jonathan Swift’s “A Modest Proposal”
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SEMANTIC FIELD
The use of a set of words related in meaning. Ex: In “A Healthy Meal”, various cooking terms are used.
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SETTING
The time and place a story takes place. Setting also includes such details as weather, social conditions.
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SIMILE
A straightforward comparison of two things using “like” or “as”. “I’m hungry as a hippo.” “Life is like a box of chocolates.”
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SLANG
An informal way of speaking or writing, usually unacceptable for formal writing. “Bruh, there’s a test today–I’m cooked.”
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SOLILOQUY
A monologue spoken by an actor when they are alone on stage. Reveals their innermost feelings and thoughts or motives. Ex: Macbeth hallucinating about the dagger.
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SPEAKER
The voice recounting events in a poem (also: poetic voice). NOT narrator!
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STANZA
A group of lines of poetry, set off by white space. Think of it as a ‘poetry paragraph’.
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STATIC CHARACTER
A character that does not change from the beginning of a story to the end. Opposite of a dynamic character.
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STEREOTYPE
An oversimplified or inaccurate belief or image that has been accepted by many as truth. Ex: Beauty expectation for women around thinness.
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STOCK CHARACTER
A character with traits (gender, ethnic) easily recognized by the audience. One-dimensional, therefore requiring no development. Examples: The dumb cheerleader. The crazy cat lady.
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STYLE
The characteristics of an author’s writing. Includes word choice and techniques they use. Ex: Formal/complex words, lots of extended metaphors…
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SURPRISE ENDING
An ending meant to shock the reader.
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SUSPENSE
A device used to make the audience/reader feel tense and want to know the outcome. Suspense is often a big part of the rising action.
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SYMBOL/SYMBOLISM
An object/person that means more than what it literally is. Ex: The Stanley Cup, The Canadian Flag, different colours of roses. Symbolism is the action of using symbols in a piece of literature.
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THEME
The message an author is trying to portray. Often a comment on society or life in general. Example: One theme of ‘The Lottery’ is blindly following tradition.
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THESIS STATEMENT
A statement that presents the main argument of an essay (usually last sentence of intro).
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THIRD PERSON P.O.V.
A view that relates action through she/he/they. Can be omniscient/limited omniscient/objective.
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TONE
The speaker or narrator’s attitude towards a subject. Don’t confuse with mood, which is the feeling a work creates within the reader!
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TRAGEDY
A dramatic or literary piece that deals with a serious topic. Usually the main character is brought to ruin, or suffers severe consequences in the 5th Act. Ex: Macbeth.
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UNDERSTATEMENT
Stating something with less importance than it deserves. AKA: Making something seem less than it is. Ex: Stepping out into a torrential downpour and saying it is just drizzling.
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VOICE
The “personality” that comes through in a work (from author or narrator). Made by tone, elements of style. Ex: Duffy has a critical and sarcastic voice. Created through her tone and style.
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WIT
Intellectually amusing statements. Used to create a comedic tone in a work. “It is a truth universally acknowledged that a young man in possession of a good fortune must be in want of a wife.” ~Pride and Prejudice, Jane Austen.