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Iconography
Identifying and studying the subject matter and conventional symbols in works of art
Iconology
Interpreting works of art as embodiments of cultural situation by placing them within broad social, political, religious, and intellectual contexts
Parietal Art
wall paintings
Therianthrop
half-animal half-human figure
Modeling
in painting, the process of creating the illusion of three-dimensionality on a two-dimensional surface by use of light and shade. In sculpture, the process of molding a three-dimensional form out of a malleable substance
Post-and-lintel construction
an architectural system of construction with two or more vertical elements (posts) supporting a horizontal element (lintel)
Corbel, corbelling
an early roofing and arching technique in which each course of stone projects slightly beyond the previous layer (a corbel) until the uppermost corbels meet
corbeled arch and vault
an arch or vault formed by courses of stones, each of which projects beyond the lower course until the space is enclosed, usually finished with a capstone
Megalith
large stone
Menhir
A single, upright megalith
Alignment
an alignment of menhirs
Ziggurat
In ancient Mesopotamia, a tall stepped tower of earthen materials, often supporting a shrine
Registers
A device used in systems of spatial definition.
In painting, a register indicates the use of differing ground-lines to differentiate layers of space within an image.
In relief sculpture, the placement of self-contained bands of reliefs in a vertical arrangement
Hierarchic Scale
the use of differences in size to indicate relative importance. For example, with human figures, the larger the figure, the greater his or her importance
Composite view
a way of representing a figure so that part of it is seen in profile and part of it is seen frontally
Votive figure
an image created as a devotional offering to a deity
Ba
that aspect of the Egyptian individual that marks him or her as an individual.
It refers to those non-physical properties that make a person unique
Ka
Almost indefinable.
Usually referred to as the creative life-force of each individual, human or divine.
It marks the difference between the living and the dead, and comes into being at birth.
It must be united with the ba in order for the akh to come into being
Akh
The enduring and unchanging form of the deceased in the afterlife created by the reunion of the ba and the ka
Ankh
A looped cross signifying life, used by ancient Egyptians
Sed Festival
An ancient Egyptian festival theoretically held every 30th year of the reign of a king that reestablishes the power and authority of the king over Egypt
Relief Sculpture
a three-dimensional image or design whose flat background surface is carved away to a certain depth, setting off the figure
High relief
high extension of projection of the image from the background
Sunken relief
when the image is carved below the original surface of the background, which is not cut away
Buon fresco
if the plaster is painted when wet, the color is absorbed by the plaster, becoming a permanent part of the wall
Fresco Secco
created by painting on dried plaster, and the color may eventually flake off
Rhyton
A vessel in the shape of a figure or an animal, used for the drinking or pouring liquids on special occasions
Humanism
the idea that human beings are the primary measure of all things
Rationalism
the belief that human reasoning is the source for understanding the world.
Idealism
a belief in and the pursuit of perfect forms. These forms may be political, social, economic, religious or artistic
Expressionism
Artistic styles in which aspects of works of art are exaggerated to evoke subjective emotions rather than to portray objective reality or elicit a rational response
Doric Order
The column shaft can be fluted or smooth-surfaced and has no base.
The Doric capital consists of an undecorated echinus and abacus.
The Doric entablature has a plain architrave, a frieze with metopes and triglyphs, and a simple cornice
Ionic Order
The column of the Ionic order has a base, a fluted shaft, and a capital decorated with volutes.
The Ionic entablature consists of an architrave of three panels and moldings, a frieze usually containing sculpted relief ornament, and a cornice with dentils
Corinthian Order
Includes a base and a fluted column shaft with a capital elaborately decorated with acanthus leaf carvings.
Its entablature consists of an architrave decorated with moldings, a frieze often containing relief sculpture, and a cornice with dentils
Kore
An Archaic Greek statue of a young woman
Kouros
An Archaic Greek statue of a young man or boy
Black-figure vase
a technique of ancient Greek ceramic decoration in which black figures are painted on a red clay ground
Red-figure vase
A technique of ancient Greek ceramic decoration characterized by red clay-colored figures on a black background.
The figures are reserved against a painted ground and details are drawn, not engraved
Contrapposto
An Italian term meaning ‘set against,’ used to describe the Classical convention of representing human figures with opposing alternations of tension and relaxation on either side of a central axis to give figures a sense of the potential for movement
Syncretism (syncretic, adj. form)
a process whereby artists assimilate and combine images and ideas from different cultural traditions, beliefs, and practices, giving them new meanings