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Reconstruction of Monte Albán, original 500 BCE-800 CE

Danzantes, c. 500-200 BCE, stone
evidence of violence
eyes closed; head in profile; nakedness sign of humiliation; arms/legs splayed: dead prisoners of war- some show mutilitation
could be individualized: glyphs, earrings OR representation of entire subjugated population

Offering vessel, c. 350-550 CE, ceramic, 18 1/2 × 12 1/2 in.
headdress connected to rain diety
His headgear is large and ornate, often featuring fanning feathers, jade ornaments (signifying water and fertility)
Large circular earspools with dangling feather or stone elements frame the face, and a heavy pectoral (chest ornament) hangs by a thick rope or string around the neck

Reconstruction of Monte Albán Tomb 104, original c. 200-500 CE
colorful murals inside tell visitors how to interact with the space (evidence of repainting is proof of revisiting)
connected with rain diety
body laid out in middle
embedded ceramic urn would’ve held offerings (ex. jewelry)

The Bazán Slab (Lápida de Bazán), c. 300-500 CE, stone, 49 x 49 x 12 cm
left figure looks like Monte Alban style; right figure looks Teotihuacan
Provides evidence of contact between the Zapotecs of Monte Albán and the people of Teotihuacan.
Zapotecs more fluid and detailed
Teotihuacan flat, boxy, geometric
Monte Albán
good environment for agriculture
Built on irregularly shaped mountain overlooking 3 valleys; it was leveled to make huge ceremonial center
Served as a major political and ritual center, with a large central plaza and temples; huge population that grew out of control and happened quickly (urban revolution: empty mountaintop to significant population center was quite unusual)
Known for the Temple of the Danzantes, which features carved stone figures thought to represent dead or captured enemies.
evidence of violence
Mound J
A structure built by the Zapotecs at Monte Albán, probably after 200 BCE.
Located in the central plaza but positioned off the plaza’s main axis; Mound J breaks axial orientation; Likely served an astronomical and calendrical function, marking the passage of time and aligning with bright stars.
incorporates over 40 slabs representing specific conquests; documented through glyphs (record battles, dates, and place names)