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Freud's Uncanny
A psychological experience exploring the familiar made strange, revealing concealed truths.
Duality
The concept of the 'Double,' representing internal identities disrupting stability.
Robin Wood
A critic who applied Freudian analysis to American horror cinema.
Traditional narrative arc
Classical horror's cycle of order, monster, conflict, and restoration.
Cinematic cycle
The movement from containment to radical critique in 1960s-1970s horror film.
Douglas Kellner
Introduced a diagnostic method examining horror films as tools of cultural critique.
Post-1970s horror
Films reflecting societal failures and collective unease in contemporary American life.
I Walked With a Zombie
An early horror film that investigates themes of the uncanny.
Get Out
A contemporary horror example articulating anxieties about race and power.
Herman Gray
Analyzed how power dynamics about race appear in popular media.
Controlling images
Stereotypes that objectify marginalized groups, justifying their subordination.
Matrix of domination
Patricia Hill Collins' framework showing intersecting networks of oppression.
Situating knowledge
Understanding that knowledge is influenced by social position and context.
Simulacra
A representation that blurs the line between reality and fantasy in media.
Queer Theory
A dynamic academic project challenging rigid societal definitions of identity.
Performativity
Judith Butler's concept that gender is created through repeated actions.
Gayle Rubin
Argued that patriarchy is built on the historical exchange of women.
Anne-Fausto Sterling
Challenged the binary understanding of gender through social constructs.
Visual pleasure
Laura Mulvey's term for the objectification of women in cinema through the male gaze.
Oppositional gaze
The critical viewing by marginalized groups to resist stereotypical portrayals.
Bell Hooks
Criticized traditional feminist theories for not addressing racial dynamics.
Scopophilia
The pleasure derived from looking, often linked to voyeuristic tendencies.
Narcissism in spectatorship
The viewer's identification with the protagonist in cinema.
Cinema of attractions
Early films focusing on visual spectacle versus character-driven plots.
Mati Diop
Contemporary filmmaker challenging traditional representations of Black women.
Cinematic experience
The viewing practices shaped by diverse spectator interpretations.
Radical critique
The transformation of horror from enforcing order to questioning societal structures.
Cultural commentary
Horror films serving as reflections of societal norms and anxieties.