IAT 102 Midterm

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/90

encourage image

There's no tags or description

Looks like no tags are added yet.

91 Terms

1
New cards

Graphic design

A creative process that combines art and technology to communicate ideas

2
New cards

Designer

Works to convey a message from a client to a particular audience

3
New cards

image and typography

The main tools of a designer

4
New cards

Logo

A graphic mark or emblem commonly used by commercial enterprises, organizations and individuals to aid and promote instant public recognition

5
New cards

Logotype

Refers to the words of a logo. Can be made a stylized custom font or standard type

6
New cards

Corporate identity

The overall image of a corporation or firm or business in the minds of the public, such as customers and investors and employees

7
New cards

Cuneiform

In Latin means "wedge-shaped"

8
New cards

Hieroglyphs

The form of writing used by ancient Egyptians, consisting of figures of objects directly or figuratively representing words or syllables

9
New cards

Hieratic

A cursive form of Egyptian hieroglyphics; used especially by the priests and scribes using a brush

10
New cards

Demotic

The simplified form of Egyptian hieratic script used first for business and social correspondence

11
New cards

Kerning

Space between two letters or characters

12
New cards

Leading

The vertical spacing between lines of continuous text

13
New cards

Tracking

The space between all letters in a word

14
New cards

Baseline

The invisible line that the characters sit on

15
New cards

Meanline

The invisible line that falls at the top of lowercase letters

16
New cards

x-height

The distance between the meanline and the baseline

17
New cards

Cap Height

The distance from the baseline to the top of uppercase letters

18
New cards

Ascender

Part of a character that extends above the meanline

19
New cards

Descender

Part of a character that extends below the baseline

20
New cards

Serifs

Font distinguishable by the extra stroke at the ends of characters

21
New cards

Stem

Vertical line of a B and the primary diagonal line of a V

22
New cards

Bar

Horizontal or diagonal lines of a letter; are open on at least one sidde

23
New cards

Bowl

An open or closed circular line that creates interior space, such as in e and b

24
New cards

Counter

Letters containing closed spaces including A B D O P Q R a b d e g o p q 0 4 6 8 9

25
New cards

Leg

The bottom stroke of a letter such as the base of an L or diagonal stroke of a K

26
New cards

Shoulder

The curve at the beginning of a leg of a character such as m

27
New cards

Terminal

End of a stroke that lacks a serif such as f

28
New cards

Apex

A point at the top of a character where two strokes meet

29
New cards

Aperture

The gap or opening at an open counter

30
New cards

Ligature

Two or more letters are joined together to form one glyph

31
New cards

Ear

A small stroke projecting from the upper right bowl of some lowercase g's

32
New cards

Humanist serif

Garamond, Caslon 540, Bembo

<p>Garamond, Caslon 540, Bembo</p>
33
New cards

Transitional serif

Baskerville

<p>Baskerville</p>
34
New cards

Modern serif

Bodoni

<p>Bodoni</p>
35
New cards

Humanist sans serif

Gill Sans

<p>Gill Sans</p>
36
New cards

Transitional sans serif

Helvetica

<p>Helvetica</p>
37
New cards

Egyptian/slab serif

Rockwell

<p>Rockwell</p>
38
New cards

Geometric sans serif

Futura and Century

<p>Futura and Century</p>
39
New cards

Typeface

The letters, numbers and symbols that make up a design of type

40
New cards

Font

A collection of all the characters of a type in one size and one style

41
New cards

Type family

The complete assembly of all sizes and styles of one typeface

42
New cards

Simple, memorable, scalable, colour, works across media

What makes a branding successful?

43
New cards

Abstract Expressionism

A post WW2 art movement in American painting, developed in New York City in the 1940s

44
New cards

Geometric Abstraction

A form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusiontristic space and combined into non-objective compositions

45
New cards

Bauhaus

International style that is radical functionalism with simplicity and effectiveness

46
New cards

Ulm School of Design

Approach of integrating art, craft and technology. Has courses of sociology, psychology, politics, economics, philosophy, aesthetics, semiotics, technology, etc

47
New cards

Gestalt Psychology

Emphasizes a "unified whole" in that the whole of anything is greater than it's parts

48
New cards

Gestalt

Means form, pattern or configuation

49
New cards

Gestalt Theory

Describes how people visualize elements organized into groups or unified wholes when certain principles are applied

50
New cards

Cohesive design

Gestalt theory can be used in branding to create a __________

51
New cards

Proximity, Similarity, Continuation, Closure, Figure-ground

Gestalt laws or grouping principles

52
New cards

Proximity

Occurs when elements are placed close together. Perceived as group (unity) but otherwise separate

53
New cards

Similarity

Occurs when objects look similar to one another. People often perceive them as a group or pattern.

54
New cards

Dis-similiarity

Break of similarity

55
New cards

Continuation

The viewer's eye will naturally follow a line or curve

56
New cards

Closure

Occurs when an object is incomplete or a space is not completely enclosed

57
New cards

Figure-ground

The eye differentiates an object from its surrounding area (especially with high contrast). A shape or silhouette is naturally perceived as a figure while the surrounding area is perceived as the ground

58
New cards

Semiotics

The study of signs, how they work under cultural and anthropological contexts and linguistically

59
New cards

Icon

Physically resembles what it stands for

60
New cards

Index

Implies or suggests the object. Example, metaphor

61
New cards

Symbol

Abstract, bears no resemblance to the meaning

62
New cards

Denotation

Literal description of something

63
New cards

Connotation

Individual or cultural meanings of something that often have emotional association

64
New cards

Futurism

Early 20th century Italian art movement that had an enthusiasm for war, machine age, speed and modern life

65
New cards

Russian Constructivism

1917 Eastern Europe that was about pure abstraction and a simple palette

66
New cards

Jan Tschichold

A Swiss national, born in Germany. He was a typography, book designer, teacher and writer

67
New cards

Modernist design

Tschichold became the leading advocate of ________

68
New cards

Swiss Design

After WW2 had asymmetrical organization, grid, objective photography, clear and factual, sans serif typography, neutral and objective

69
New cards

Inge Aicher-Scholl, Otl Aicher, Max Bill

Founded the Ulm School of Design in 1953 with the main task of incorporating design into the industry and shaping our material culture

70
New cards

Shape, form, spatial awareness, typography, dynamism, emphasis, contrast, colour

5 building blocks essential to good graphic design

71
New cards

Theory of colours

Goethe's "_____________" provided the first systematic study of the physiological effects of colour (1810)

72
New cards

Protanopia

lack of functioning red cones

73
New cards

Deuteranopia

lack of functioning green cones

74
New cards

Trichromats

Humans are ______ because we perceive colour as a combination of three wavelengths (red, yellow, blue_

75
New cards

Message and composition

Colour can help to reinforce the meaning of elements and can help direct attention or group elements

76
New cards

HSB

hue, saturation, brightness

77
New cards

RGB

red, green, blue; additive

78
New cards

CMYK

Cyan, Magenta, Yellow, Black; subtractive

79
New cards

key

also known as black in CMYK

80
New cards

Chroma

purity or intensity of color

81
New cards

Value

The lightness or darkness of a color

82
New cards

Hue

Another name for colour

83
New cards

Tint

Refers to the amount of white we add to a hue

84
New cards

Shade

refers to the amount of black we add to a hue

85
New cards

Saturation

The amount of hue in a given object, independent of value

86
New cards

Colour harmonies

Refer to the different sets of colour combinations that work well together

87
New cards

Analogous harmonies

colors adjacent to one another on the color wheel

88
New cards

Complementary harmonies

involve colors directly opposite each other on the color wheel

89
New cards

Monochromatic harmonies

All the hues (tints and shades) of a single colour

90
New cards

Triadic colour harmonies

uses colours that are evenly spaced around the colour wheel

91
New cards

Split complementary harmonies

a color with the two colors adjacent to its' complement