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ontological vulnerability
fundamental condition of all human beings
someone is vulnerable simply by virtue of being human, and thus having a body (body = physical, social, psychological needs = can be harmed)
artificial vulnerability
bias, discrimination, violence
humans are rendered vulnerable through the systems/institutions imposed purely by their own society (“unnatural” vulnerability)
tentacular thinking
a model of decentralized, non- binary, and non-hierarchical thinking that emphasizes interconnectedness rather than bounded individualism
porous self
a self that is permeable to outside influences (social, spiritual, etc.); not wholly self-sufficient as the buffered self stresses
buffered self
“the possibility exists of taking a distance
from, disengaging from everything
outside the mind . . . As a bounded self I
can see the boundary as a buffer, such
that the things beyond don’t need to ‘get
to me,’ to use the contemporary
expression . . . The self can see itself as
invulnerable, as master of the meanings
of things for it.” (Charles Taylor, A Secular Age 38)
precarity
the condition of being precarious
dependent on unknown conditions or chance circumstances
characterized by a lack of security or stability
“The condition of being vulnerable to others. Unpredictable encounters transform us; we are not in control, even of ourselves.” -Anna Tsing
contingent
dependent on or determined by conditions, rather than being necessary or inevitable
the meaning of nature is not fixed/universal
thus, ideas about nature can change
speculative fabulation
a kind of storytelling that, similar to science fiction, explores alternative realities and challenges existing norms to cultivate new ways of thinking
need not be “fictional”: can include academic, journalistic, and personal forms of writing
sublimation
modification of an instinctual impulse into a more socially acceptable form
dark ecology
focus on the unsettling and complex entanglement of humans with nature; difficult to easily resolve its problems
three layers:
dark-depressing (ex: animal extinction)
dark-uncanny (ex: the “strange strangers” of nature)
dark-sweet (ex: ecognosis)
role reversals
primarily seen through Lady Bertilak’s seductions of Gawain, essentially “feminizing” Gawain (her forwardness and dominance + his passiveness)
reinforced by Gawain’s absence from Lord Bertilak’s hunt and his “manly” activities
hybridity
a blend of diverse elements
SGGK: “a half-giant”, “but handsome, too… he was finely formed”, “his stomach and waist were slender and sleek”, dressed in ermine coat (symbol of royalty)
anthropocentrism
regarding humankind as the central or most important element of existence, especially as opposed to God or animals
biocentrism
the view or belief that the rights and needs of humans are not more important than those of other living things; life is universal and thus the integral value, rendering every organism equal
New Materialism
a field of study that challenges the traditional separation between mind and matter by emphasizing the agency, vitality, and interconnectedness of all material entities—both living and non-living—in constituting the world
timescales
periods of time depicting changes in the environment (hours to millions of years); directly related to climate change
driven by natural processes and anthropogenic actions
variability in the strength and speed of changes, depending on what factors propel them
cosmology
a story about origins (ex: “Skywoman Falling”, the Bible’s Genesis/Adam and Eve, Mother Nature/nature’s femininity)
can represent humans’ relationship to the more-than-human world
interlaced narratives
literary technique of interweaving multiple story/plot lines together
use of switching between the parallel narrative events (Bertilak’s hunts to Gawain’s seductions, and vice versa)
prismatic ecology
developed by ecotheorist Jeffrey Jerome Cohen, urges to include the other “colors” (rather than just green) in context of the environment
consider the unknown and the ugly just as much as the picturesque qualities of nature
human exceptionalism
the anthropocentric belief that humans are fundamentally superior to and separate from all other forms of life, justifying human dominance over the natural world
assemblage
a critique of human-focused theories of agency
enables us to see how human and more-than-human entities act together and share responsibility
ecognosis
ecological consciousness that allows for someone to become accustomed to the strangeness of the natural world, yet not necessarily in a comfortable manner
Timothy Morton: a disorienting process of knowing
trans-corporeality
humans are inevitably and constantly shaped by their material environment
constant exchanges of air, water, chemicals, etc. between them and the environment
ecocriticism
analyzing literary texts through an ecological lens
the environmental humanities
a branch of humanistic inquiry that situates human life within the context of a broader ecosystem
backward speculation
“a theory of history”
“The past reminds us that change can occur.” - Natalie Zemon Davis
the Green Man
an architectural and art motif resembling a man’s face surrounded by plants and foliage
a decorative figure/Pagan entity dating back to pre-Christianity
represents fertility of the land and rebirth; a symbol of resurrection (thus garnering appeal to European Christians for its connection to Jesus)
deconstructs binary self-perceptions of humanity (challenges the understanding of who we are vs. everything else around us; plants ARE us!)
misogyny in SGGK
Gawain’s adamant blame onto primarily Lady Bertilak (for tempting him into sin) and also Morgan le Fay (for her magical deception)
misogyny rooted in refusal of ecognosis; “a particularly vehement form of resistance to the ecological, which radically threatens sovereign virility.” -Dinshaw
masculinity’s refusal of its dependency upon the feminine = refusal of the natural world (Mother Nature)
slow violence
term coined by Rob Nixon; the causes of climate change are immensely drawn out and nearly indiscernible (ex: lingering nuclear fallout, centuries-worth of greenhouse gas buildup)
these processes can only be “seen” through its effects; even then they might only be seen decades/centuries later
taxonomy
a system of classification; sorting into categories
ex: how we distinguish forms of life (animal kingdoms), kinds of climate systems (tropical vs. temperate, etc.), subgenres/subcategories of literature
weird fiction
characterized by dark, supernatural stories not traditionally aligned with sci-fi, fantasy, gothic, etc. genre conventions
ambiguous supernatural element placed in realistic setting
thematicizes the difficulties of categorization (is the phenomenon supernatural or mundane? real or fantasy?)
can be difficult to categorize as a genre itself
the sublime
the feeling we get when we encounter something with what we perceive as beautiful, but with such an immense degree that it invokes profound awe and even terror
Edmund Burke’s A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful (1757) > terror is the ruling principle of the sublime (in reaction to our ongoing discoveries about a vast and essentially infinite nature)
an awe that tips from the appreciation of nature’s beauty to a feeling of horror
Amitav Ghosh
“Make no mistake: the climate crisis is also a crisis of culture…Our will be remembered as a time when most forms of art and literature were drawn into the modes of concealment that prevented people from recognizing the realities of their plight.”
culture CONCEALS >> the stories that we tell matter!
David Wallace-Wells
“What does it mean to be entertained by a fictional apocalypse as we stare down the possibility of a real one?… One job of pop culture is always to serve stories that distract even as they appear to enagge—to deliver sublimation and diversion.”
culture DISTRACTS >> the stories that we tell matter!
Amitav Ghosh’s The Great Derangement
recognition: “a passage from ignorance to knowledge…an already existing knowledge that makes possible [the passage]… [the knowledge] arises rather from a renewed reckoning with a potentiality that lies within oneself”
can come about in our observation of vast ecological changes; we’ve become familiarized with and cognizant of the tumultuousness of nature, thus we recognize the “non-human” as increasingly more alive as we notice the familiarity of such events
contemporary culture (literature, politics) has failed to grasp the severity and imminence of climate change
David Wallace-Wells’ The Uninhabitable Earth
the climate crisis is continuously worsened by a multitude of anthropogenic factors
refusal of responsibility/blame shifting, misplacement of concern, complacency, poor portrayal in media, appetite for more/selfish comfort, scientific reticence (hesitation of scientists to portray the entire information of their findings out of uncertainty and lack of confidence in the public’s interpretations)
we have not defeated the environment, rather, we’ve only rendered its system as more unstable and the environment punishes us in return!
environmental humanities
a branch of humanistic inquiry that situates human life within the context of a broader ecosystem
homosociality
social bonding between members of the same gender that may exclude the opposite gender
power structures that often privilege male relationships and networks
cultural practices that reinforce same-gender solidarity and hierarchy
cyborg
akin to knights; human flesh coupled to animal, plant, and material technologies
cli-fi’s “unrepresentability problem”
Adeline Johns-Putra: the climate appears to be difficult to represent
Spatial and temporal scale of climate change; hard to reflect in a novel primarily rooted in a human scale (significantly tinier in comparison to the largeness of climate change’s timeline and effects)
Martin
very large numbers involved in change (ex: billions of tons of ice sheets lost every year)
immense geographical scale; climate change happens everywhere and all at once
extremely long timespans (ex: persistence of carbon dioxide, can last hundreds of years in the atmosphere)
liturgical year
a calendar for collective worship, with specific dates designated as holy days
mapped sacred time into planetary time, infusing lived experience of the seasons with the sense of the presence of the divine
marked the passage of time with a rhythmic pattern of religious expectations
Michaelmas, All Saint’s Day, Saint John’s Day
nature narratives
stories that formulate Western perceptions of nature (ex: Francis Bacon, femininity, cosmologies)