History of Photo Exam 1 (Photos)

Louis-Jacques Mandé Daguerre, Still Life in Studio, 1837 (daguerreotype; French)

Hippolyte Bayard, Self Portrait as a Drowned Man, 1840 (direct paper positive, French)

Anna Atkins, Photographs of British Algae: Cyanotype Impressions, 1843 (cyanotypes; Victorian Era, England)

William Henry Fox Talbot, Plate III, Articles of China, in Pencil of Nature, 1844 (Calotype, England)

Maxime du Camp, Westernmost Colossus of the Temple of Re, Abu Simbel, 1850, published in the album Égypte, Nubia, Syrie: Paysages et Monuments, 1852 (salted print from paper negative; French)

Mary Georgiana Caroline, Lady Filmer, Untitled loose page from the Filmer Album, mid-1860s (collage of watercolor and albumen silver prints; Victorian Era, England)

Julia Margaret Cameron, Sappho, 1866 (wet plate collodion, albumen print; Victorian Era, England)

Samuel Bourne, A Bit on the New Road, Near Rogi, 1866 (albumen print; Victorian Era, England)

n/a, Chiricahua Apaches Four Months After Arriving at Carlisle, undated from the 19th century (likely 1877) (black and white photograph; 19th-century United States)

Kusakabe Kimbei, Geisha Resting, c. 1885 (hand-colored albumen print; Meiji Period, Japan)

Unidentified Photographer, Portrait of Baby in Carriage, c. 1895 (albumen print; late 19th century United States)

Frances Benjamin Johnston, Self-Portrait (as New Woman), c. 1896 (gelatin silver print; late 19th century United States)

Edward Curtis, Cheyenee Girl, from The North American Indian, 1905 (photogravure/sepia toned print; late 19th century United States)

n/a, Bertillon Card for John Welshouse, Prisoner 4816, 1914 (black and white photograph on card; 20th-century United States)

Carrie Mae Weems, From Here I Saw What Happened and I Cried, 1991 (Chromogenic prints with sand-blasted text on glass, Postmodernism)

Tyler Mitchell Georgia Hillside (Redlining), 2021, from Dreaming in Real Time (color photograph; Contemporary Photography, United States)