Seizing the Light: Photography History, Techniques, and Movements (Chapters 9–14)

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108 Terms

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PH Emerson

Believed in enduring art made from nature, emphasized soft focus, embraced naturalism, opposed combo printing

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<p>Platinum Print</p>

Platinum Print

‘Life and Landscape,” 1885 by Emerson

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<p>Platinum Print</p>

Platinum Print

“Suffolk Dyke,” 1887 by Emerson

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Platinum Print Process

Uses platinum, wide tonal range, resistant to fading, fine details

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Pictorialism

A photographic movement that sought to establish photography as a fine art, appears more painterly, more artistic than mechanical, images typically have soft focus and atmospheric effects

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Pictorialists

Photographers who stressed beauty over fact, inspired by paintings

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Frederick Evans

Master of architecture photography, best known for his photographs of English and French cathedrals

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“Sea of Steps,” 1903 by Evans

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Photogravure

A photographic process that turns a photograph into an ink print allows the photographer to physically alter images

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Gum bichromate

a photographic printing process in which the image is created directly on paper using chemicals, can manipulate the process by choosing pigments, controlling exposure, or brushing and washing the gum, gives image a painterly, textured appearance

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Alfred Stieglitz

one of the leaders of American pictorialism, early works emphasized atmosphere and soft focus, later prioritized sharpness, abstraction, and the visual possibilities of the camera rather than imitating painting, published an influential journal titled “Camera Work”, pioneered use of hand held camera for serious art making

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<p>Platinum Print</p>

Platinum Print

“The Terminal,” 1892 by Stieglitz

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<p>Platinum Print</p>

Platinum Print

“Winter Fifth Avenue,” 1893 by Stieglitz

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Platinum Print

“Spring Showers,” 1900/01 by Stieglitz

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“The Steerage,” 1907 by Stieglitz

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“Equivalents,” 1925/27 by Stieglitz

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Edward Steichen

Early 20th century photography pioneer, best known for pictorialist and modernist works, directed photography at MoMA, “Family of Man” exhibition became one of the most influential photography shows

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Platinum Print

“The Flatiron,” 1904 by Steichen

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<p>Platinum Print</p>

Platinum Print

“Moonrise, Mamaroneck,” 1904 by Steichen

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Clarence White

Founding member of photo-succession movement, emphasized soft focus, opened influential photo school

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Platinum Print

“Reflected Nude,” 1909 by White

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“The Bubble,” 1898 by White

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F. Holland Day

Experimented with symbolism, mythological, and religious themes, dramatic and controversial self-portraits

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<p>Platinum Print</p>

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“Crucifixion,” 1898 by Holland Day

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Gertrude Kasebier

One of the most prominent 20th century women photographers, known for sensitive portraits of women and children

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<p>Albumen Print</p>

Albumen Print

“Blessed art thou among women,” 1899 by Kasebier

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Anne Brigman

Photographer of photo-succession movement, allegorical images of women in natural landscapes

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<p>Albumen Print</p>

Albumen Print

“Cleft in the rock,” 1907 by Brigman

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<p>Albumen Print</p>

Albumen Print

“The Big Cedar,” 1909 by Brigman

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Cubism

An art movement where objects are broken into geometric shapes and shown from multiple viewpoints at once, instead of a single perspective

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Futurism

An art movement that celebrates speed, technology, machines, and modern life, rejects the past and traditional art, prioritizes dynamic compositions convey movement and energy.

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Abstraction in Painting

A style of art that does not attempt to represent reality accurately, but instead uses shapes, colors, lines, and forms to achieve its effect

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Paul Strand

Practitioner of “straight photography,” works emphasize sharp focus and precise composition, influenced by modernism, visuals without borrowing painting aesthetics

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“Wall Street,” 1915 by Strand

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Alvin Langdon Coburn

Creator of Vortagraph, experimented with unusual and abstract perspectives, multiple viewpoints and geometric forms

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“The Octopus,” 1912 by Coburn

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<p>Vortagraph</p>

Vortagraph

“Ezra Pound,” 1917 by Coburn

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Russian Suprematism

Founded by Kazmir Malevich, the belief that that art should transcend subject matter— that the truth of shape and color should reign 'supreme' over the image or narrative, feeling of art above all

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Constructivism

the belief that art should be used for social and political construction rather than personal expression, uses geometric shapes, bold typography, and dynamic compositions

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Alexander Rodchenko

Revolutionized composition with extreme angles, represents energy, movement and tech of Soviet society, established idea that photography should offer new ways of seeing

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Platinum Print

“The critic Osip Brik,” 1924 by Rodchenko

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Platinum Print

“Fire escape with man,” 1925 by Rodchenko

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“Pioneer with a horn,” 1930 by Rodchenko

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Laszlo Moholy Nagy

Works primarily expirimented with light, shadow, transparency, and movement, created photograms which exposed objects onto paper without camera, used extreme angles and perspectives

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“Berlin Radio Tower,” 1928 by Moholy Nagy

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Surrealism

Outlandish, uncanny, or perplexing imagery meant to jolt audience out of their comfort zone

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Man Ray

Used photography to influence reality, heavily associated with surrealist and dada movements, used chance, absurdities, dreams, and unexpected combinations, created camera-less photographs by placing objects directly on to paper

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<p>Halftone Production</p>

Halftone Production

“Observatory time- the lovers,” 1936 by Man Ray

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<p>Halftone Production</p>

Halftone Production

“The Kiss,” 1922 by Man Ray

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<p>Gelatin Silver Print</p>

Gelatin Silver Print

“Fingers,” 1930 by Man Ray

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Andre Kertesz

Pioneer of modern photographic vision, emphasized everyday life, ordinary people, spontaneity, and unusual perspectives, used mirrors to warp and transform images, candid approach inspired future of photojournalism and street photography

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<p>Platinum Print</p>

Platinum Print

“Cyclist, Paris,” 1948 by Kertesz

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<p>Gelatin Silver Print</p>

Gelatin Silver Print

“Distortion No.4,” 1933 by Kertesz

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Edward Weston

Pioneer of American modernist photography, rejected pictorialisms soft focus and painterly aesthetic in favor of photographic previsualization, emphasized formal qualities of ordinary objects such as peppers, shells, vegetables, landscapes, and bodies, one of the first advocates for “straight photograhy”

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Platinum Print (W)

“Nude,” 1936 by Weston

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Platinum Print

“Two Shells,” 1927 by Weston

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Platinum Print

“Pepper #30,” 1930 by Weston

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Ansel Adams

Noted for his meticulous and precise craftsmanship, developed the zone system, a scientific approach to film exposure which allowed for previsualization of tonal information by the photographer.

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<p>Platinum Print</p>

Platinum Print

“A clearing winter storm,” 1944 by Adams

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Platinum Print

“Winter Sunrise,” 1944 by Adams

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<p>Platinum Print</p>

Platinum Print

“Calla Lily,” 1929 by Cunningham

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<p>Albumen-silver print</p>

Albumen-silver print

“Magasin,” 1925 by Atget

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<p>Albumen print</p>

Albumen print

'“Self Portrait,” 1928 by Calhun

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<p>Albumen Print</p>

Albumen Print

“Untitled,” 1928 by Calhun

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<p>Wood, metal, and papier mâché</p>

Wood, metal, and papier mâché

“Doll,” 1935 by Bellmer

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New objectivity in Germany

Movement that aimed to expose moral degredation they witnessed in German society, preferred more static compositions rather than dynamic ones, rendered their subjects with great precision

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Platinum Print

“Echevaria,” 1922 by Patzsch

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Jacob Riis

Police reporter who documented living conditions of poor people, received criticism due to lack of consent, worked with Roosevelt to institute reforms within NYC

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<p>Platinum Print</p>

Platinum Print

“Five cents a spot,” 1889 by Riis

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Lewis Hine

Sociologist who used photography to combat prejudice and unethical labor practices.

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<p>Platinum Print</p>

Platinum Print

“The high cost of child labor,” 1915 by Hine

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Daguerreotype

“Jack,” 1850s by Zealy

<p>“Jack,” 1850s by Zealy</p>
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<p>Albumen Print</p>

Albumen Print

“Hopi girl,” 1922 by Curtis

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Tina Modotti

One of the figures of Mexican Modernism, pictures focused on workers, poverty, left-wing politics, and social inequality

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Platinum Print

“Mexican sombrero with hammer and sickle,” 1927 by Modotti

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James Van Der Zee

Best known for portraits of black life during Harlem Renaissance, carefully staged and retouched his portraits that challenged racist stereotypes of African Americans, presented subjects as they wanted to be seen

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Platinum Print

“Couple, Harlem,” 1932 by Van Der Zee

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Dorothea Lange

Worked with FSA to document poverty, displacement, and migrant laborers, photographs combined social documentation with powerful emotional and psychological portraits, believed that photography could bring social conditions to public attention and encourage political action

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Platinum Print

“Migrant Mother,” 1936 by Lange

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Walker Evans

Best known for photographs during Great Depression, favored a restrained, detached, objective style, Photographed sharecroppers, rural poverty, architecture, storefronts, signs, advertisements, and everyday objects

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Platinum Print

“Burroughs Family Cabin,” 1936 by Evans

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Gordon Parks

African american photographer, filmmaker, producer, and composer who’s work confronted racism, poverty, and inequality within the Unted States

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Platinum Print

“American Gothic, Washington D.C.,” 1942 by Parks

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Leica I

First successful 35mm camera

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Brassai

Night photography innovator, mastered artificial light and long exposures to reveal Parisian nightlife

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Platinum Print

“Monastic Brothel,” 1931 by Brassai

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Henri Cartier Bresson

Coined idea of “decisive moment” in photography where form and meaning align in perfect instant, Leica master

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Platinum Print

“Place d’Europe,” 1932 by Cartier Bresson

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Lisette Model

Known for bold, confrontational portraits of ordinary people in NYC, used close framing and flash

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“Gambler,” 1937 by Model

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Helen Levitt

Known for her poetic observation of urban life, especially children of NY streets, early user of color film

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<p>Color Film</p>

Color Film

“N.Y. Phone Booth,” 1988 by Levitt

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<p>Platinum Print</p>

Platinum Print

“Motorcyclist, Budapest,” 1923 by Munkácsi

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“Beekeeper,” 1981 by Avedon

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Weegee

Worked as freelance photographer, always used police radios to arrive on scene first

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Robert Capa

Worked in multitude of wars as a photographer, believed “If your pictures aren't good enough, you aren't close enough”

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Platinum Print

“Fallen Soldier,” 1936 by Capa

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“Omaha Beach on D-Day,” 1944 by Capa

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Lee Miller

Former NYC Model turned fashion and fine art photographer, acted as a WWII correspondent covering major battles and horrors of concentration camps

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Platinum Print

“Buchenwald Concentration Camp,” 1945 by Miller