ART201 Midterm

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All of the testable images of artwork I have seen in class.

Last updated 7:56 AM on 10/10/26
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9 Terms

1
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“Hall of the Bulls”

  • In Lascauz, France

  • Dated 16,000-14,000 BC

  • Displays bulls, horses, deer, boar (mega fauna)

    • Animals were glorified as a way to try and harness their power

    • “Make me more like this animal”

    • give me the speed of a horse, power of a steer

  • 64 feet long

  • Largest bull is 11.5 feet long

  • 50 feet inside the cave

    • caves were associated with the womb

  • Used scaffolding to paint higher up on the walls

  • Pigments used were charcoal and ochar

  • Lit up by torches of animal fat and the light made it seem like the figures were moving

  • collaboratively made by several artists overtime

  • Preserved footprints of adolecents mostly

    • coming of age ceremony


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“Woman Holding a Bison Horn”

  • AKA Laussel Woman

    • Found in Laussel, France

    • Dated 25,000-20,000 BC

  • One of the erliest relief sculptures “Known”

  • 1.5 Feet tall

  • Found in open air in front of a paleolithic rock shelter

    • contradicts the notion that all paleolithic humans lived in caves

  • Traces of red ocher is found on the relief

    • Ancient aritist painted sculptures

  • FIgure similar to the Venus of Willendorf

    • Emphasis on her belly, breasts, and hips

    • Her arm emphasises her belly and genital area.

  • 13 Incisions on the horn

    • Perhaps referencing menstural cycles?


3
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“White Temple”

  • In Uruk (modern Warka), Iraq

    • Ancient mesopotamia

  • Dated 3,300 BC

  • Made on top of a human made mountain

    • 45 feet above street level

      • Made of bricks

      • put on top of this artificial mountain to be closer to the gods

  • Unclear if it had a roof

  • Deadicated to the god Anu presumeably

  • In the center of what was the city of Uruk

    • Most important building in the city


4
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“Female Head (Inanna?)”

  • Found in the Inanna Temple in Uruk (Warka), Iraq

  • Dated 3,300 BC

  • Displayed in Baghdad, Iraq

    • In National Museum of Iraq

  • A fragmentary Marble Head

  • Assumed to protray the goddess Inanna

    • Goddess of sex, fertility, and warfare

  • Eyes once had inlays consisting of gems

  • As well as once having golden hair

  • Rest of the body being made of wood

    • A large hunk of marble would have been very expensive to import

    • Body would have been covered in intracate and espensive fabrics

  • Would have been decorated and painted with vibrant colors


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“Warka Vase”

  • “Presentation of offerings to Innan(Warka Vase), From the Inanna temple complex”

  • From Uruk, Iraq

    • In Inanna Temple

  • Dated 3,300 BC

  • Displayed in the National Museum of Iraq, Baghdad

  • Displays Scenes in registers banding across the vase

    • Depicts a religious ceremony honoring Inanna

    • Registers starting at the bottom depict water, ewes and rams (fertility symbols), agriculture and husbandry

    • Naked men (slaves?)

  • Tells a story of how Inanna blessed the lands and the people show her thanks for her blessing

  • A votive left at her temple

    • Votive displaying people giving her votives

  • FIRST great work of narritve relief sculpture.

  • Common ground line

  • Figures and animals shown in profile

  • Hierearchy of scale

  • Depictions of pictographs with the symbols of Inanna adorning the top register

  • Displays a symbolic marriage


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“Statuettes of Two Worshippers”

  • Found at the Square Temple at Eshnunna (modern Tell Asmar) in Iraq

  • Dated 3,900-2,750 BC

  • Male Figure is almost 2.5 Feet tall

  • Female Figure is almost 2 Feet tall

  • Votive statues made by worshippers to be sent to the temples because they couldnt

  • Held small cups to pour libations for the gods

  • Wide Large eyes to symbolize “perpetual wakefulness”

  • Heads tilted up to look and to wait for the god to arrive

  • Hierarchy of scale


7
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“Stele with the laws of Hammurabi”

  • Set up in Babylon, Iraq

    • Found in Susa, Iran

  • Dated 1780 BCE

  • Made of Basalt

  • Is 7 feet and 4 inches tall.

  • Can be viewed at the Musee du Luvre, Paris

  • Depicts Shamash giving Hammurabi symbols of power to rule and judge

    • A ruler because he was important in civic infastructure of Babylon

    • As well as a law giver and Judge as he will measure human behavior

  • Shows that his law is blessed/endorsed by the gods and his divine power as a leader.

  • Hierarchy of scale

  • Use of Foreshortening

    • Hammurabi and Shamash are shown at an angle

  • Groundline

  • Squiggles on Shamash’s shoulders represent heat


8
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“Ishtar Gate (Restored)”

  • Originally found in Babylon, Iraq

  • Currently in the Near Eastern Museum in Berlin, Germany

  • Dated 575 BC

  • Built in honor of the goddess Ishtar

  • Built by the Priest Kind Nebuchanezzar II

    • who apparently built the gardens of Babylon

  • Marks the New Years Precession

  • Made of mud brick but glazed in cobalt to give the illusion of Lapis Lazuli

  • The blue represents Virility

  • Depicts Marduk and Nabu’s Dragon, Adad’s Bull, and Ishtar’s Lions.

    • Mushushu (Dragon)

  • Lions leading to the entrace symbolize Ishtar leading you to the gate


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