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WEALTH - the Marquis and Walton
‘He was as rich as Croesus’ - his opulent gifts conceals his sadistic nature, and buys the narrator’s compliance
‘I preferred glory to every enticement that wealth placed in my path’ - he prefers reckless pursuits over superficial gain
JOURNEY - the narrator and Walton
‘The unguessable country of marriage’ - her purity, naivety, and forceful loss of virginity
‘As worn and woeful as the ‘Ancient Mariner’ - he has control over his journey
DESIRE - the Marquis and Walton
‘The assessing eye of a connoisseur inspecting horseflesh’ - male gaze and sexual commodification
'What can stop the determined heart and resolved will of man?' - overconfidence and scientific ambition
INNOCENCE - the narrator and Elizabeth
‘And for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption’ - from naivety to discovery
'A being heaven-sent, and bearing a celestial stamp in all her features' - her ethereal, pure and divine appearance
SEXUAL VIOLENCE - the Marquis, Victor and the Count
‘A dozen husbands impaled a dozen brides’ - a violent rape, in control of her sexual innocence
‘A fervent longing to penetrate the secrets of nature’ - a violent and invasive (metaphorical) rape, defying God
SEXUAL VIOLENCE - the Count and Victor
Thrust his virile member into the dead girl’ - violent and shocking rape, passive and compliant
‘And trembling with passion, tore to pieces the thing on which I was engaged’ - can be interpreted as a violent rape, domination over the female body
DESTINY - the narrator and Victor
‘Every move was governed by a destiny as oppressive and omnipotent as himself’ - lack of control
‘Her immutable laws had decreed my utter and terrible destruction’ - in control
ISOLATED SETTING - The Bloody Chamber and workshop
‘His subterranean privacy’
‘In a solitary chamber’
CONTROL - the narrator and Victor
‘A dozen, vulnerable appealing girls reflected in as many mirrors’ - objectification and subjugation - constructed to be the ideal bride
'A new species would bless me as its creator and source' - superiority, egotistical, ambitious
EXISTENCE - The Snow Child and Creature
‘The child of his desire’ - impossible ideals of male fantasy
‘Yellow skin,’ ‘watery eyes,’ ‘dun-white sockets’ - impossible ideals of artificial life
OBJECTIFICATION - the narrator and Victor
‘As if all these inanimate objects were imitating the appearance of life, to mock me’ - victim of passivity, tormented by her lack of control
'I became capable of bestowing animation upon lifeless matter’ - master of creation, has extreme hubris and ambition
Quotes for female passivity (TBC and TSC)
TSC - ‘pricks her finger on the thorn’ parallels ‘it bites!’ - trapped by the patriarchy - cycle of passivity
Quotes for female objectification (TBC and TSC)
‘Gallery of beautiful women.’
Quote for predatory nature (TBC)
‘Dark, leonine shape of his head.’
‘
‘A striking resemblance between the act of love and the ministrations of a torturer’ - parallels between intimacy and violence
SOCIAL CLASS - the narrator and Justine
‘The victim loses to the executioner.’
‘My confessor has besieged me; he threatened and menaced, until I almost began to think that I was the monster that he said I was.’
TSC - ‘the glittering pelts of black foxes’ - hunter and hunted
‘His lovely, blind humanity’
Quotes for setting (TBC)
Castle
‘…cut off by the tide from land for half a day.’
‘That lovely, sad, sea-siren of a place!’