Virgil Aeneid Book 4 - lines 47-89

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66 Terms

1
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quam tu urbem, soror, hanc cernes, quae surgere regna

What a city, sister, you will see this one rise to be, what a kingdom,

2
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coniugio tali! Teucrum comitantibus armis

with such a marriage! With the arms of the Trojans accompanying you,

3
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Punica se quantis attollet gloria rebus!

Carthaginian glory will raise itself up to what great fortunes!

4
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tu modo posce deos veniam, sacrisque litatis

Only you, ask the gods for pardon and with sacred offerings made,

5
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indulge hospitio, causasque innecte morandi,

indulge in hospitality and weave reasons for delaying

6
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dum pelago desaevit hiems et aquosus Orion,

while the winter and rainy Orion work out their anger upon the sea

7
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“Orion” - relevance?

Constellation associated with bad weather

8
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quassataeque rates, dum non tractabile caelum.”

and his ships are still in bits, while the weather is not friendly.”

9
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his dictis impenso animum inflammavit amore,

With these words, Anna inflamed Dido’s heart with costly love

10
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spemque dedit dubiae menti, solvitque pudorem.

and gave hope to her wavering mind, and released her from the burden of her conscience.

11
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principio delubra adeunt, pacemque per aras exquirunt;

Firstly they approached the shrines, and they sought peace among the altars;

12
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“pacemque per aras” - why is the relevance in the context of the Aeneid?


13
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mactant lectas de more bidentis

they sacrificed chosen sheep according to their custom

14
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“de more bidentis” - what time of sheep would this be?

Two year old sheep - named for the adult teeth that have replaced their milk teeth

15
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legiferae Cereri Phoeboque patrique Lyaeo,

to law-giver, Ceres, and to Phoebus Apollo and father Lyaeus

16
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“Cereri” - who is this?

Goddess of fertility and agriculture - she is called law-giver here as she is patron of civilisation and war

17
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“Phoeboque” - who is this?

Apollo - god of prophecy, poetry and archery

18
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“Lyaeo” - who is this?

Bacchus - god of wine and merriment

19
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“Iunoni” - who is this and why is this ironic?

Juno - queen of the gods and primary goddess of marriage - implacable hatred of Aeneas makes it ironic that Dido prays to her before all other gods

20
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Iunoni ante omnis, cui vincla iugalia curae.

to Juno before all, to whom the bonds of marriage are a concern.

21
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ipsa, tenens dextra pateram, pulcherrima Dido

Dido herself, very beautiful, holding the sacred dish in her right hand

22
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candentis vaccae media inter cornua fundit,

poured wine midway between the horns of a shining cow

23
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aut ante ora deum pinguis spatiatur ad aras,

or advanced to the rich altars before the faces of the gods,

24
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“pinguis” - connotation?

Altar is rich and oily with the fat sacrifices

25
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instauratque diem donis, pecudumque reclusis pectoribus

and renewed the day with offerings, and once the breasts of herds had been laid open

26
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“instauratque diem donis” - suggestion?

Dido’s desperation to get this union right leads her to repeat her offerings through the day

27
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“pecudumque reclusis pectoribus” - why is this interesting?

Dido herself is doing what a priest might be expected to do - she examines entrails of the sacrifice while it is still warm

28
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inhians spirantia consulit exta.

she examined the yet-breathing entrails with her mouth open.

29
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“pecudumque reclusis pectoribus” - what is the significance of this gruesome detail?

Examining entrails sets Dido apart from other sacrificial officiants in the Aeneid - it is a Greek practice learnt by the Romans from the Etruscans - never became official in Rome, setting Dido apart as a foreigner

30
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heu vatum ignarae mentes!

Alas, the unknowing minds of prophets!

31
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“ignarae mentes” - significance?

The seers cannot help as they are ignorant to what actually afflicts Dido ie Cupid’s poison

32
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quid vota furentem, quid delubra iuvant?

What help did her vows give to her in her state of frenzy, what help did her shrines?

33
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est mollis flamma medullas interea,

The flame of love consumed her soft marrow meanwhile,

34
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et tacitum vivit sub pectore vulnus.

and the silent wound lived deep in her heart.

35
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uritur infelix Dido, totaque vagatur urbe furens

Poor Dido was on fire, and she wandered over the whole city in her wretchedness

36
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qualis coniecta cerva sagitta,

like a deer shot by an arrow,

37
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“qualis coniecta cerva sagitta,” - significance of this similie?

Links to the later hunting expedition (Ascanius shoots the Latin’s beloved stag, inciting Turnus’ rage) and its role in the story

38
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quam procul incautam nemora inter Cresia fixit pastor agens telis,

which, with her guard down, a shepherd, pursuing her with his weapons among the Cretan woods struck from a distance

39
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“Cresia” - relevance?

Cretans were famous archers

40
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“pastor” - who does this represent?

Aeneas as a shepherd of his people and destiny

41
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liquitque volatile ferrum nescius;

and left behind the flying tip in her, oblivious;

42
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illa fuga silvas saltusque peragrat Dictaeos

The deer wanders through the woods and glades of Mount Dicte in her flight

43
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“Dictaeos” - relevance?

Mountain in Crete - maintaining geographic nature of the similie

44
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haeret lateri letalis harundo.

the deadly shaft stuck in her side.

45
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nunc media Aenean secum per moenia ducit,

Now she led Aeneas with her through the midst of the buildings

46
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Sidoniasque ostentat opes urbemque paratam;

and pointed out the Sidonian wealth and the city all ready;

47
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“Sidoniasque” - relevance?

Sidon was a Phoenician city - Dido’s roots

48
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incipit effari, mediaque in voce resistit;

she began to speak and then stopped in the middle of her words;

49
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“mediaque in voce resistit” - what is this implying?

Dido wants to express her feelings but cannot quite bring herself to do so

50
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nunc eadem labente die convivia quaerit,

Now, as the day was slipping away, she sought the same company

51
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Iliacosque iterum demens audire labores exposcit,

and in her folly she demands to hear the toils of Troy again

52
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pendetque iterum narrantis ab ore.

and she hung from the mouth of Aeneas as he told his tale again.

53
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post, ubi digressi, lumenque obscura vicissim luna premit

Afterwards, when they had departed and the moon, darkening in turn, dimmed its light

54
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suadentque cadentia sidera somnos,

and the setting stars advise sleep,

55
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sola domo maeret vacua,

alone she grieved in an empty house,

56
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stratisque relictis incubat,

and she lay upon the banquet couches which had been abandoned

57
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illum absens absentem auditque videtque;

and she both saw and heard him, though they are apart;

58
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aut gremio Ascanium, genitoris imagine capta, detinet,

or, captivated by the image of his father, she held Ascanius in her lap

59
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“Ascanium” - who is this?

Aeneas’ young (c. 8-9 yo) son

60
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infandum si fallere possit amorem.

in the hope that she might be able to cheat her unspeakable love.

61
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non coeptae adsurgunt turres,

The half-built towers did not rise up

62
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non arma iuventus exercet,

the youth did not train in arms,

63
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portusve aut propugnacula bello tuta parant;

and they did not prepare either the harbour or the defences to be safe for war;

64
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pendent opera interrupta,

the works hang interrupted

65
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minaeque murorum ingentes

as well as the huge threat of their walls

66
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aequataque machina caelo.

and the crane, level with the sky.