Saturation (Fab Filter) (DONE)

Here you chose the type of ? / ? Type

Saturation/Distortion

? controls how intensely the processing effect is pushed.

Drive

? blends wet and dry audio

? controls how intensely the processing effect is pushed.

Mix vs Drive

? controls the balance between clean dry audio and processed wet audio.

Mix

The ? Level Knob/Fader controls the output gain of the final volume of the band AFTER saturation

Band Level

The ? knob, controls how the plugin reacts to the incoming input audio volume dynamics to either compress or expand

Dynamics Knob

The ? knob takes a portion of the distorted sound from the plugin's output and feeds it right back into the input, creating a continuous loop.

Feedback

The Feedback ? Knob, Sets the specific frequency that loops back into the plugin.

Frequency

The ? Slope (dB/oct)

Determines how steep or gradual the filter cutoffs are where the spectrum splits into bands.

Crossover slope.

The Crossover Handles Set the ? boundaries dividing the audio spectrum into individual saturation bands.

Frequency

The ? Faders are multi-band EQ faders built into the band to shape the tonal balance of the output

Tone Faders

Saturation usually comes ? Compressor

After

Blending a heavily distorted signal under a clean one to keep transient punch while adding harmonics is called ?

Parallel saturation

Having saturation on your ? adds warmth, and glues instruments together

Master

Tube or tape saturation thickens low-mids & helps ? cut through.

Vocals

? adds upper harmonics to make deep sub-frequencies audible on smaller speakers.

Saturation

? Faders live directly inside the saturation band to quickly reshape that specific distorted signal.

Tone Faders

For the ? slopes.

A low number ie; 6 dB = Low boundaries. Everything bleeds together smoothly.

A high number 48 dB = High walls. Everything is locked in its own zone.

Crossover slopes

Turning the ? knob leftward compresses

While turning it rightward expands

Dynamics